moore gallery (42 Ergebnisse)

Paperback. Zustand: Very Good.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 60 pages : color illustrations ; 25 cm. Notes; Catalogue of an exhibition held Norwich Castle Museum, 30 January - 18 April 2010 ; Millennium Galleries, Sheffield, 17 June - 5 September 2010 ; and Laing Art Gallery, Newcastle upon Tyne, 18 September - 5 December 2010. Bibliography: p. 58. Contents; Watercolour in Britain: a national art? / Martin Myrone -- Travelling with colour / Andrew Moore -- Tradition and beyond / Liz Waring -- Vision and imagination / Sarah Richardson. Subjects; Cotman, John Sell (1782-1842) ; Exhibitions. Turner, Joseph Mallord William (1775-1851) ; Exhibitions. Rossetti, Dante Gabriel (1828-1882) ; Exhibitions. Chang, Chien-Yang ; Exhibitions. Blackadder, Elizabeth Dame Exhibitions. Cozens, John Robert (1752-97) ; Exhibitions. Roberts, David (1796-1864) ; Exhibitions. Lewis, John Frederick (1805-1876) ; Exhibitions. Daniell, Edward Thomas (1804-1842) ; Exhibitions. Lear, Edward (1812-1888) Exhibitions. Mackintosh, Charles Rennie (1868-1928) Exhibitions. Piper, John (1903-1992) Exhibitions. Blake, William (1757-1827) Exhibitions. Bulwer, James ; Exhibitions. Ruskin, John (1819-1900) ; Exhibitions. Burne-Jones, Edward (1833-1898) Exhibitions. French, Annie ; Exhibitions. Kapoor, Anish (1954-) ; Exhibitions. Houshiary, Shirazeh (1955-) Exhibitions. Clarke Hall, Edna 1879-1979 ; Exhibitions. Palmer, Samuel (1805-1881) ; Exhibitions. Siddal, Elizabeth (1829-1862) Exhibitions. Sandys, Anthony Frederick Augustus (1829-1904) ; Exhibitions. Burra, Edward (1905-1976) ; Exhibitions. Sutherland, Graham (1903-1980). Jones, David (1895-1974) ; Exhibitions. Le Brun, Christopher (1951-) ; Exhibitions. Watercolor painting, British ; Exhibitions. Watercolour painting Great Britain. Watercolor painting, British. Watercolour painting, British. Exhibition catalogues. history art colour artist global tradition vision imagination exhibition. Water colour painting, British. Genres; Bibliography. Catalogs. Exhibition catalogs. Illustrated. 3 Kg.

Zustand: Fine. 32 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

(12)pp. Prof. illus. in color. Sm. sq. 4to. Wraps.

paperback. Zustand: Very Good. Softcover with french flaps in very good condition. Full pictorial covers are glossy and clean. Binding is tight and square. Pages are crisp and glossy. Images are printed in full color. No date on title page. Copyright dated 2022. 31 pages. Overall a very nice copy. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.

Paperback. Zustand: Very Good. 1st edition. unpaginated, square octavo, staple bound, tight binding, clean and colorful throughout, light wear to the wraps.

Zustand: Very Good. Very Good condition. (Art, Art Catalog, Art Exhibitions) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.Includes a previous owner's signature. Physical description; xviii, 270 pages : illustrations (some colour) ; 30 cm. Notes; Revised edition of: The Moore collection in the Art Gallery of Ontario. 1979. Catalogue to an exhibition at the Art Gallery of Ontario, Toronto, Sept. 16, 1987 - Feb. 7, 1988. Includes bibliographical references (pages 267-268). Subjects; Moore, Henry (1898-1986) ; Catalogues. Moore, Henry (1898-1986) Catalogs. Moore, Henry (English sculptor, 1898-1986) ; Exhibitions. Moore, Henry (1898-) Catalogues. Moore, Henry (1898-1986) Exhibitions. Art Gallery of Ontario ; Catalogues. Art Gallery of Ontario ; Exhibitions. Art Gallery of Ontario Catalogs. Art Gallery of Ontario (Toronto, Ont., Canada) ; Exhibitions. Art Gallery of Ontario (Toronto, Ont., Canada) ; Catalogues. Henry Moore Sculpture Centre Catalogues. Art Gallery of Ontario. Moore, Henry, (1898-1986). Sculptors, British 20th century. English sculptures Moore, Henry (1898-). Moore, Henry Catalogs. Genres; Bibliography. Catalogs. Catalogue. Exhibition catalogues. Illustrated. 4 Kg.

First Edition. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; unnumbered pages. Subjects; Moore, Henry (1898-1986). Genre; Catalogue. 3 Kg.

64pp. Prof. illus. Oblong 4to. Wraps.

Soft cover. Zustand: Very Good. 1st Edition. 60 unnumbered pages : chiefly illustrations, portrait ; 24 x 25 cm.

Softcover. Zustand: As New. First Edition. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. Glossy pictorial wraps to augment the exhibition of Hoffmann's works that was held at the Goldie Paley Gallery in Philadelphia, the Krannert Art Museum in Champaign, Illinois, and the David and Alfred Smart Museum of Art in Chicago. First Edition, clean, unmarked, crisp of interior. 32 pp., Foreword by Elsa Longhauser with notes and text figures, essay with notes and text figures: "Josef Hoffmann and the Architectural Clock," by Carles Vallhonrat, essay with text figures "Josef Hoffmann's Gesamtkunstwerk: Ornament and Pattern" by Angela Volker. Replete with full-color and black-and-white plates. 272-item exhibition checklist, and chronology/biography. Double-column text.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. 8°, 24,5 x 18,5 cm. Original brochure with 143 pages, illustrated in one color and partly in colour. Good condition. --- Originalbroschur mit 143 Seiten, einfarbig und teils farbig bebildert. Gutes Exemplar. exhibition organised for Europalia 73 Great Britain. - -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! KuAllg.

24pp. Prof. illus. (partly color). Lrg. sq. 4to. Wraps.

First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Physical Description; 1 volume (unpaged) : chiefly illustrations (some color) ; 22 cm. Notes; Catalog of an exhibition held at Marlborough Graphics, London. Subjects; Exhibition catalogs. Moore, Henry, 1898-1986. Moore, Henry, 1898-1986 Exhibitions. 3 Kg.

paperback. Zustand: Very Good. Minor shelf wear, rear cover as light soiling, stapled binding, front endpage has a tape remnant, pages clean and unmarked.

Soft cover. Zustand: Very Good. 1st Edition. Softcover. Pictorial covers with white and yellow lettering. Title page not dated. Copyright page dated 2017. 55 pages. Very good condition. Shelf wear to covers. Pages and covers clean. Binding stiff. Published on the occasion of the exhibition Robert Kushner: Portraits & Perennials at the DC Moore Gallery on Feb. 9 through March 11, 2017. Has full color plates of artwork along with Kushner's essay "Do REAL Men Paint Flowers?" Please e-mail us with questions or to request photos. This is an oversized book. Extra shipping charges may be required for international or priority delivery.

32pp. Prof. color illus. Lrg. 4to. Wraps.

34, (2)pp. Prof. illus. 4to. Wraps. The exhibition subsequently traveled to three additional venues.

[0969291205] 1987, 1st . (Mass market paperback) Near fine. 28pp. 4to. Original creme coloured card covers. Cover illustrated with "Tawatinaw Creek Country" by Gordon Sinclair. Illus., B&W and colour reproductions of artwork. Includes membership list.

179 pages : illustrations ; oblong 20 cm.

Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by DC Moore Gallery, 1997. Quarto. Paperback. Book is very good with shelfwear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Good. 8vo. Folded Card, Very Good. Color photograph. Promotional material.

Soft cover. Zustand: Very Good. 4to. pp. 36. profusely illus. in colour & b/w. Addendum loosely inserted. wrs. Exhibition catalogue.

Zustand: Very good.

Zustand: Good. Folio. [12 pp]. Soft, stapled color illustrated wraps. Very good. Color plates and color frontis. Includes text by Robert M. Murdock. Catalogue created on occasion of exhibition "Debra Bermingham," held at DC Moore Gallery in New York, NY from September 5 through October 5, 2002.

Hardcover. Zustand: As New. No Jacket. Profusely Illustrated (illustrator). 1st Edition. Free USPS Priority Mail 1-3 day shipping in USA 48. FIRST EDITION. Book Condition: As New; Dust Jacket Condition: Was not published with a dust jacket. 72 pages, 11 1/2" x 9 3/4", brilliant color reproductions of his paintings which are so sensitive to light that they have to be rotated out of exhibition for years at a time (so you will not ever see them at the Burchfield Penney Art Center in Buffalo!). From Wikipedia: Work According to Burchfield's friend and colleague Edward Hopper, "The work of Charles Burchfield is most decidedly founded, not on art, but on life, and the life that he knows and loves best." Burchfield has been more recently described as "the mystic, cryptic painter of transcendental landscapes, trees with telekinetic halos, and haunted houses emanating ectoplasmic auras."[6] Jerry Saltz suggests his influences as van Gogh, Caspar David Friedrich, Marsden Hartley, John Marin, "calendar art, and Sunday painting." Like Hopper, he seemed to have left cubism out of the equation. PROCESS Since its heyday in the nineteenth century, watercolor had remained a popular style but Burchfield was unique among his major contemporaries for working exclusively within the medium.[7]: 12  Unlike most watercolorists, he stood at an easel. He applied his colors with a "dry brush" technique (very little water) on machine-made paper, often reworking the surface during the process or sometimes many years later.[3] Burchfield was an unflagging advocate for the virtues of watercolors, and chafed at the popular misconception of them as fragile and impermanent. He was aware that some fading and hue changes were likely to occur, but he believed that proper handling and display procedures would keep water-based artwork as vibrant as any other medium. Modern curators typically show watercolors like Burchfield's under reduced lighting and for shorter lengths of time than oil-based exhibitions.[7]: 16  ART PERIODS: His work is usually divided into three periods comprising figuration, houses and small town scenes; and abstractions depicting moods (frequently morbid and fearful). Insect and frog sounds have their own calligraphic strokes, and cicada sounds are depicted with zigzag strokes radiating outward; flowers and houses seem to have faces, not always pleasant. EARLY WORK: Burchfield's style was largely developed by the summer of 1915, after his junior year at the Cleveland School of Art, as he sketched and painted constantly in and around Salem, OH, "gathering the materials for a lifetime," according to his journals. Exposed in school to modernist European trends, he developed an almost fauvist use of broad areas of simplified color, enlivened by delightful particularizations of nature, and in 1917, began combining visual motifs projecting human moods, often disturbing, into the pictures. Assigned to the camouflage unit in the Army in 1918, he even worked his designs into painting schemes disguising tanks and artificial hills. Biographers note his exposure to modernist trends and traditional Chinese painting while in art school but overlook that the hallucinatory quality in his work may be partly traced to an episode of nervous exhaustion in 1911 while a junior in high school. Determined to record all the area's flowering plants that spring, he stayed up late at night painting whole bouquets of the blooms and had a bout of what was referred to at the time as "brain fever," which might now be termed mania. He seems to have learned to use it as a source of energy and inspiration, and his school transcript records only three days' absence that semester. Painting constantly from 1915, even while working full-time in summer and after college, he sketched on walks to and from home at lunchtime and completed paintings based on them at night. Half of his lifetime output of paintings was produced while living in Salem from 1915 to 1917.

Zustand: Good. 8vo. Stapled wrap, [ca. 25 pp.] B&W and Color Plates, Very Good with creasing, Abrasions, Age Toning.

Zustand: Good. 4to. Very Good, slight creasing on covers. BW and Color Plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

4to. pp. 1 p.l., 48, [2]. profusely illus. (some colour). biblio. wrs. Exhib. Cat.