monique crick (35 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Paperback, illustrated with numerous (full page) photographs in colour, 4to.; Spine slightly discoloured.

Pappband. 31 cm 187 S. Orig.-Pappband. Mit zahlreichen Abbildungen im Text.

Zustand: Good. Paperback, illustrations in colour, 4to. Taoci No. 2 - dà cembre 2001.

hardcover. Zustand: New. **HARDBACK**.

broché. Zustand: Trés Bon. Tres bon etat. 212pp, illustre en couleur. Size: 27x21cms. Book.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English and French text.; Hardcover (cloth with dust jacket); 23.5 x 29 cm; 2.421 Kg; 373 pages with colour illustrations throughout.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches on the front cover, spine and back cover. The interior has an old owner sticker glued at the rear of the front cover. One page has a tear, which is now taped. There are also a few pages with wear marks at the left side. Good readable/working copy.; "Since opening its doors to the public in 1964, the Baur Collection, Museum of Far Eastern Art, has regularly published his catalogue. Eleven volumes have highlighted the Chinese ceramics and jade collections, Japanese sword fittings, netsuke, ceramics, lacquer ware and prints. This is volume XII of the general Catalogue, the sixth on Alfred Baur's collection of Chinese objects, devoted to Chinese snuff bottles. The study of this remarkable ensemble of some five hundred and fifty-six pieces should become a reference on the subject. Alfred Baur approached Chinese art from 1920 through jades and then snuff bottles. The minute detail and perfection of the craftsmanship on these bottles must have fascinated him as much as the technical mastery required to work hardstone and jade, two materials he was to seek out all is life. This catalogue presents only about a third of the snuff bottles in the inventory and hopes to give as accurate an overview as possible of the composition of the collection as a whole. We asked Vérène Nicollier to write it as she had worked as the assistant to the curators of the Baur collection for twenty-nine years and was undoubtedly the best person to explain all the diversity of Alfred Baur's collection to a broad audience. Indeed, from the very beginning of her activity with the Museum, she took great interest in this ensemble, always making a point of sharing her enthusiasm by enabling specialists and collectors to take a closer look at the collection, and presenting it to the Geneva public through exhibitions." excerpt from the preface by Monique Crick, Director of the Baur Collection, Museum of Far Eastern Art, 2007.

Zustand: Neuf.

Soft cover. Zustand: Good. No Jacket. 1st Edition. English text.; Paperback.; 25 x 34.5 cm.; 2 kg.; 288 pages with colour illustrations throughout.; Used with signs of wear on the exterior and interior. The exterior shows edge wear, scuffs and scratches on the front cover, spine and back cover. Three small chips at the bottom of the spine and two tiny chips at the top of the spine. Interior with a sticker glued to the front free endpaper, which is also slightly discolored in a small area, likely where a penciled price inscription was erased. Remaining interior in very good condition.; "The discovery of a wreck north-east of the Phillipine island of Palawan in February 1997 is testimony to the interconnection of earlier cultures and of the trading relationship between Filipinos and the peoples of other regions in South-East Asia. Committed to protecting and preserving the material culture of the past through its underwater archaeology section, the National Museum of the Philippines collaborated with the Far Eastern Foundation for Nautical Archaeology (FEFNA) headed by Franck Goddio to salvage the wreck. The archaeological excavation, undertaken at a depth of 48-50 metres below the surface, brought to light remnants of a Chinese trading vessel and an array of magnificent artefacts that are solid evidence of a flourishing maritime trade around the turn of the sixteenth century. The Lena Shoal junk carried with it a valuable cargo from China, Siam and Annam, some of which would have been destined for the distant ports of Hormuz and Aden, while some would have been bartered for exotic products in the Moslem sultanates of the Philippines, Borneo or the Moluccas. High quality ceramics such as blue and white wares, ewers, boxes and inkstands, and other merchandise such as iron and tin ingots, copper utensils and cooking pots comprise some of the more than 3,000 artefacts retrieved from the site. The Lena Shoal wreck with all the information contained therein is an affirmation of the presence of a civilised Filipino society that participated actively in maritime trade, long before Spaniards set foot in the archipelago. It attests to an ancient culture of which contemporary Filipinos can be proud." foreword by Gabriel S. Casal, Director of the National Museum of the Philippines.

Zustand: Bon. 150 pages : illustrations en noir et en couleurs, carte, couverture illustrée en couleurs ; 21,2 x 27,0 x 1,3 cm || Texte français.

Zustand: Très bon. Livre 2002, Periplus, Publishing London Ltd, in-4 demi-skyvertex bleu de XII+288 pages, jaquette illustrée en couleurs, 43 figures noir et blanc, 74 photographies couleurs, avant-propos de Gabriel S. Casal. L'épave de la jonque Lena, le commerce maritime chinois aux environs de 1500, les céramiques industrielles en Chine, traditions et transitions (les céramiques chinoises à la fin du XVe siècle), savoir-faire et commerce, typologie. | Etat : Très bon état général (Ref.: J9304). Livre.

Hardcover. Zustand: Fine. 1st Edition. Lacks slip-case, else As New. 227 pages : colour illustrations, map ; 31 cm Contents: A Ming dynasty junk brought back to light after centuries of silence under the sea near Lena Shoal, bears witness to the trade of this period / Franck Goddio -- Jingdezhen and Longquan : fifteenth century trade ceramics from South-East Asia / Stacey Pierson -- Catalogue / Stacey Pierson and Monique Crick -- Chinese ceramics at the end of the fifteenth century, tradition and transitions / Monique Crick.

hardcover. Zustand: New. Brand New. hardcover.

Zustand: Bon. 212 pages : illustrations en noir et en couleurs, cartes, couverture illustrée en couleurs ; 21,0 x 27,0 x 1,4 cm || Texte français || Impression 2005.

Hardcover. Zustand: New. No Jacket. 1st Edition. English text.; Hardcover (without dust jacket - as issued); 24.5 x 28; 2.8 Kg.; 480 pages with 610 colour illustrations throughout.; The Santos Palace in Lisbon (now the French Embassy in Portugal) contains a hidden treasure: a small square room with a pyramid-shaped, gilted wooden ceiling, to which nearly three hundred Chinese porcelain plates and dishes, mostly blue and white, have been attached. This book is the catalogue raisonné of that unique collection.

Couverture souple. Zustand: Très bon. in-4 br. (21,5 x 27), 151 p., nombreuses ill. coul., une carte, couverture à rabats, très bon état. Les mille uvres vietnamiennes du musée Cernuschi, rarement présentées au public, constituent un fonds connu. Plus de soixante douze pièces, exceptionnelles ou représentatives de cet ensemble dressent un panorama complet de l'art et de l'archéologie dans la péninsule indochinoise du Néolithique au XIVe siècle. Le riche ensemble de l'âge de bronze (culture de Dông Son) provient en grande partie des fouilles menées par l'archéologue suédois Olov Janse en 1934 et 1935. De belles pièces illustrent l'occupation chinoise au Tonkin (culture Hoa). Un choix de céramiques à la typologie et aux décors diversifiés permet de suivre l'évolution de cette technique sur plus de 1500 ans. Des essais historiques et techniques, des notices claires font de ce catalogue un outil indispensable pour tous ceux qui veulent s'initier à la culture de l'ancien Viêt Nam. Voir le sommaire sur photos jointes.

Large paperback (stiff wrappers). xiv,288 pp.; many ills. in colour; 34.5x25 cm. Text in French / Français. Very good, see picture 2020g.

Paperback. Zustand: Near fine. London, Periplus, 2002 (first softback edition in English)/ 2001. Folio, xiv, 288 pages with hundreds of colour illustrations. Colour-pictorial stiff card covers very lightly scuffed; ownership signautre on the front free endpaper; a near-fine copy.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 426 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text; Hardcover (with dust jacket); 19 x 25.5 cm; 2.3 kg; 416 pages colour illustrations.; Used with signs of wear on the dust jacket. The dust jacket has wear marks on the front cover, spine and back cover, namely edge wear, a small tear at on the top right side of the front cover and a few scratches on the front, spine and back cover. A few of first, middle and last pages have signs of have been slightly bent in the past. The remaining interior in very good condition.; China has had a flourishing maritime trade since antiquity. The collection of Ambassador and Mrs Charles Müller, which they began assembling between 1970 and 1973. when the ambassador was stationed in Indonesia, includes around three hundred pieces of Chinese export ceramics manufactured for the South-East Asian market and dating from the first to the seventeenth century, among which is an assortment of rare "Swatow" porcelain. This exceptional collection was bequeathed to the Baur Foundation and underlines the broad variety of Chinese ceramics, ranging from the solid stoneware of the first century to the translucent and celadon stoneware of the Song and Yuan periods (9th-14th c.) and the "blue and white" ware of the Yuan and Ming dynasties (14th-17th c.). The book's introduction explores the maritime trade in ceramics across China Sea from its inception to the arrival of the Europeans, while the commentaries at the start of each chapter and detailed entries on the individual items place this exceptional collection in its historical and artistic context. This fully illustrated work is an indispensable tool for anyone interested in Chinese ceramics and their diffusion.

Softcover, 136 pages, Texte en Francais, Tres belle exemplaire, 270 x 210 x 13 mm, illustrations en couleur. ISBN 9788874394500. R dig s par des sp cialistes fran ais, anglais et vietnamiens, cet ouvrage traite des arts anciens du Vi t-Nam, de l'apog e de D ng Son - aux alentours des Ve-IIIe si cles avant notre re - aux c ramiques de la dynastie L (1428-1527). Le riche ensemble des bronzes de D ng Son dresse un panorama repr sentatif de l' ge du bronze au nord du Vi t-Nam et en p riph rie, tandis que les belles pi ces de l' poque Gao Chi t moignent de l'intense activit artistique sous l'occupation chinoise du Ier si cle avant notre re au IIIe si cle de notre re. Un choix de c ramiques diversifi es permet de suivre l'essor de cet art sur plus de 1 500 ans et illustre merveille l' panouissement culturel et le raffinement atteints sous les dynasties nationales Ly (1009-1225), Tr n (1226-1400) et L . Influenc s par les formes, les d cors et les techniques de la Chine, les potiers vietnamiens sauront cr er une tradition originale au charme empreint de douceur. Cet ouvrage, qui r unit les ?uvres des collections du mus e national des Arts asiatiques - Guimet Paris, du mus e Barbier-Mueller de Gen ve et des pi ces issues de collections. priv es suisses, est un instrument de r f rence et de plaisir pour tous ceux qui veulent d couvrir la culture de l'ancien Vi t-Nam 760 g.

Paperback. Zustand: Brand New. French language. 10.71x8.43x0.79 inches. In Stock.

Zustand: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. French text.; Hardcover (without dust jacket); 23 x 29 cm.; 1.4 kg.; 256 pages with colour illustrations.; Used with minor signs of wear on the exterior. Interior in very good condition except for an ex-library stamp on title page.; Catalogue from the exhibition held at Musee national de Ceramique, Sevres from the 20th of November to the 16th of February 2004 and at Musee national Adrien Dubouche, Limoges from the 6 th March tp the 1st of June 2004 and also at the Musee de la Faience-Chateau Pastre Marseille from the 25th of June to the 10th of October 2004 with pieces from the Chinese collections from the Musee national de Ceramique, Sevres and the Musee national Adrien Dubouche, Limoges.

Soft cover. Zustand: New. No Jacket. 1st Edition. French text; Paperback; 21.5 x 27 cm; 1,1 kg; 216 pages with 153 colour illustrations.; Catalogue from the exhibition held at Fondation Baur, Musée des Arts D'Extrême-Orient from the 23 November 2017 to 25 February 2018.; Responding to the interest in the relations between the Far East, Asia and Europe, this exhibition reconsiders the exportation of Chinese blue-and-white porcelain whose commerce was popularised during the 17th century by the Dutch East India Company. This century is known for having been the Golden Age of the Low Countries. Its successful maritime dealings with the Indies made the newly-fledged Republic of the United Provinces one of Europe's greatest commercial powers. And its openness to different modes of thought also attracted many writers, thinkers and scholars, creating a cultural centre in which the arts and literature flourished. The middle class of merchants made wealthy by trade with the Indies were primarily those who commissioned works of art and bought exotic curios. Naturally, this commerce with the East affected the life and art of the United Provinces, with Chinese porcelain in particular exerting a strong influence on interior decoration. These wares were also included as symbols of wealth in still-life paintings and Vanities, works that reflect the use of this precious tableware and its impact on daily life. When the supply of porcelain wares shrank drastically as a consequence of political strife in China at the end of the Ming dynasty (1368-1644), Chinese ceramics were temporarily replaced by Japanese and Persian copies. For centuries, Persia had imported porcelain from China, wares that had inspired its potters and painters of miniatures. The exhibition showed dialogues between still-life paintings that feature items of blue-and-white porcelain, highly prized by an expanding Europe ready to embrace the exotic, and the porcelain wares by which the paintings were inspired, as well as their copies in Persian faience, and miniatures from the Islamic world that include images of these ceramics.

Zustand: Sehr gut. Original cloth binding with dust jacket, 415 pp., illustrated in colour throughout, upper outer corner bumped, otherwise very good condition. Sumpteous catalogue of a phantastic collection started in the 1970ies in Indonesia, with exceptional porcellain from China. Now housed in the Baur Foundation. Sprache: Englisch Gewicht in Gramm: 2400.

Couverture rigide. Zustand: Bon état. Zustand des Schutzumschlags: Moyen. In-4 relié 29,2 cm sur 25. 455 pages. Jaquette en état moyen. Bon état d'occasion. in-4°.

Paperback. Zustand: Brand New. French language. 11.50x9.84x1.89 inches. In Stock.

Zustand: New. In Chinese.