mitchum john (25 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: very near Fine. First edition. 8vo. [8], 9-127, [1] pp. Red cloth with black lettering on the spine. Illustrated with a black and white photograph frontispiece and a few additional photographs.

Vintage studio still photograph from the 1978 film. Four criminals escape prison during the 1977 New York City blackout and take base in an apartment building where they terrorize the current tenants. Set in New York City, shot on location in New York City and Montréal, Canada. 10 x 8 inches. Fine.

Vintage studio still photograph of Peter Ustinov and Glynis Johns from the 1960 film. Based on the 1952 John Cleary novel and shot in Technicolor. Paddy Carmody (Robert Mitchum) and his wife Ida (Deborah Kerr) live with their son Sean (Michael Anderson Jr.) as impoverished nomads in the Australian outback. Ida and Sean want to settle down but Paddy never wants to stay in one place for too long. Nominated for five Academy Awards, Best Picture, Best Director, Best Screenplay, Best Actress, and Best Supporting Actress. Set in and shot on location in Australia. 8 x 10 inches. Near Fine.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good. Good text, no marking noted. Good cover, reading creases to spine. US orders shipped via US Mail. International orders shipped via DHL. Additional postage may be required on oversize books and sets. NO prison orders.

Zustand: Good. Signed Copy . Signed/Inscribed by author on copyright page.

Vintage press kit for the epic 1970 film. The third collaboration between director Lean and screenwriter Bolt, following "Lawrence of Arabia" (1962) and "Doctor Zhivago" (1965). Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Press kit "introducing" director David Lean, containing a biography, an additional anecdote related to filming, a detailed production guide, press clippings, and six black and white reference photographs of the subject, along with a caption sheet. Housed in a tri-fold studio folder specific to the subject. Folder Very Good plus. Press material Near Fine or better. Photographs Fine.

First Edition. Very good copy in a good, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. ; 143 pages; Complete with full-color photos and text, as well as words and music from John Wayne's best-selling record album. Subjects: Monologues with music (Piano) . Patriotic music--United States. 2 Kg.

Three vintage studio still photographs from the set of the 1963 film. Based on Philip MacDonald's 1959 novel. A star-studded film about a former intelligence officer who receives a list of eleven names, all people who have died under mysterious circumstances. Set in London, shot on location in Ireland and England. 8 x 10 inches. Near Fine.

Zustand: Sehr gut. Standard Version. Mit altersbedingten Lager- und Gebrauchsspuren. U-w-Ga-116 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 80 DVD, Maße: 13.5 cm x 18.9 cm x 1.6 cm.

Vintage reference photograph from the 1943 film, showing actors Randolph Scott, Ella Raines, and James Brown walking with linked arms on the set. Printed mimeo snipe affixed to the verso, along with a provenance stamp. A dramatization of the experiences of the crew of a Canadian naval vessel during World War II, focusing in particular on the ship's captain, who lost his previous ship and many men to a German torpedo. The film debut of actress Ella Raines, who was discovered and signed virtually on sight by producer Howard Hawks during a theatre production at the University of Washington. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Near Fine.

Vintage oversize, double weight, borderless still photograph from the 1970 film, showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9.25 x 13.25 inches. Near Fine.

Vintage deluxe press kit for the epic 1970 film, including two oversize photos and six reference photographs. The third collaboration between director Lean and screenwriter Bolt, following "Lawrence of Arabia" (1962) and "Doctor Zhivago" (1965). Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. The press kit contains: Ten loose sheets of heavy weight paper, each folded to 11 x 14 inches, printing on rectos only. The first sheet with a press release regarding the film, the other nine with a description from Bolt's screenplay in English, French, Spanish, German, Italian, and Japanese on the outside and the corresponding full-color printed image from the film inside. Two 11 x 14 sheets of photographic paper, each containing two images, one of David Lean on the set, the second of the same scene from the film. With descriptions of the scenes printed on the verso of each photograph. Six 10 x 8 reference photographs, one showing Lean and crew filming on the coast of Ireland, the rest depicting scenes from the film. Each with captions printed on the verso. One biography of David Lean, three pages, printed on rectos only. 8.5 x 11 inches, bound with a single staple. All items housed in a studio clamshell box as issued. Clamshell box: About Near Fine with light fading and a few small bruises. Press materials Fine.

Vintage studio still photograph from the 1951 film, showing actors Robert Mitchum and Ray Collins. Provenance stamp and annotations in manuscript ink and pencil on the verso. Loosely based on the 1928 film directed by Lewis Milestone, in turn based on the 1927 play by Bartlett Cormack, about two cops who go up against a powerful crime syndicate. 10 x 8 inches. Very Good plus, lightly toned, with a crease at the bottom left corner. Grant US. Selby US Canon. Selby US Masterwork. Spicer US.

Vintage reference photograph from the 1946 film noir, seen here under the working title "What Nancy Wanted," showing actor Robert Mitchum in an artist's studio. Printed mimeo snipe affixed to the verso. RKO Radio Pictures stamp on the verso crediting photographer Alex Kahle. Moments before his wedding, a man learns that his fiancée is a kleptomaniac who has cheated, lied, and even killed in her previous relationships. Set in Manhattan. 8 x 10 inches. Near Fine. Godard, Histoire(s) du cinema. Grant US. Selby US Canon. Spicer US.

Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend, now a sheriff, to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard, Histoire(s) du Cinema.

Four vintage photographs, two studio still photographs and two publicity photographs, one iconic photograph of Robert Mitchum, and one headshot of Shepperd Studwick, all from the 1949 film. Based on the novella by John Steinbeck, who also wrote the screenplay, published in full in 1937. A young boy (Peter Miles) is enamored with the colt he has been entrusted to raise, only to find the colt has caught an illness and is dying. Steinbeck's first film assignment, though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history, borrowing Robert Mitchum from RKO and also starring Myrna Loy. Set in and shot on location in California. 8 x 10 inches. Very Good plus, with light creasing in margins and even fading on three of the photographs, and a small bruise in the right margin of one.

Vintage reference photograph of actor Robert Mitchum on the set of the 1960 film, using a Eumig C16 16mm cine-camera. Based on John Cleary's 1952 novel, about the experiences of a small, impoverished family of nomads in the Australian outback. Nominated for five Academy Awards. Set and shot on location in Australia. 10 x 8 inches. Very Good plus, with old glue residue on the verso and light wear to the finish at the corners.

Two vintage photographs from the 1957 film, including one press photograph of actors Robert Mitchum and Deborah Kerr holding hands, and one reference photograph of Kerr in a lifeboat, with crew members at the bottom left. One photograph with a provenance stamp on the verso, and the other with the stamp of Twentieth Century-Fox. Based on the 1952 novel by Charles Shaw, about an Irish nun and an American Marine who find themselves stranded together on an island in the South Pacific during World War II. Nominated for two Academy Awards. Shot on location in Trinidad and Tobago. 10 x 8 inches. Near Fine. Twilight Time.

Vintage borderless reference photograph of John Huston, Robert Mitchum, and Deborah Kerr on the set of the 1957 film. Based on the 1952 novel by Charles Shaw. Two disparate souls, a US marine and a Catholic nun, are stranded on a deserted island together in the South Pacific during World War II. Nominated for two Academy Awards for Best Actress for Kerr and Best Screenplay. Set on Tuasiva Island, shot on location in Trinidad and Tobago. Mitchum shot two films in Trinidad/Tobago in 1956/1957, the other being Robert Parrish's "Fire Down Below" with Jack Lemmon and Rita Hayworth, and met Calypso musicians Mighty Sparrow and Lord Invador, inspiring him to release his own Calypso album "Calypso - Is Like So" in March 1957. 8 x 10 inches. Very Good plus, with light creasing and edgewear, and two small pinholes on lower left.

Early Draft script for the 1995 film, dated 2/21/94, nearly eight months before the beginning of the production. Manuscript post-it note in an unknown hand affixed to the front wrapper, apparently from a script reader, detailing themes and concepts gleaned from a first review of the script. In the late 19th century, a mild-mannered accountant goes on the run after killing a man, later befriending a Native American who believes he is the reincarnation of poet William Blake. Jim Jarmusch's sixth film, a dreamlike black-and-white Western, described by critic Jonathan Rosenbaum as an "acid Western." Nominated for the Palme d'Or. Shot on location in Arizona, Nevada, Oregon, Washington, and California. Clear plastic front wrapper, with a black rear wrapper. Title page present, dated 2/21/94, noted as copy No. 19 in manuscript ink, with a credit for Jarmusch. 117 leaves, with last page of text numbered 115. Xerographic duplication, rectos only. Pages Very Good plus, moderately foxed on the first and last leaves and page edges, wrapper Very Good, bound internally with three silver brads. Criterion Collection 919. Pitts 992. Rosenbaum 1000.