Mitchell lifton (31 Ergebnisse)

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Zustand: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
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Hardcover. Zustand: Very Good +. Zustand des Schutzumschlags: Very Good +. 1st Edition. Very Good + copy. (see picture) 425 pages including index.

- Hardcover
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Zustand: very good, very good. First Edition. First Printing. 270, notes, index, minor wear to bottom edge of DJ. A pair of award-winning authors interview Americans deeply involved in the death penalty system, and explore the mind-set of those who play some role in executions--including prison wardens, prosecutors, jurors, judg…es, and relatives of murder victims. The authors probe changes in methods of execution, from hanging to lethal injection, considering whatthis search for more"humane" executions reveals about us as individuals and as a society.

- Softcover
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Paperback. Zustand: Brand New. reprint edition. 275 pages. 8.25x5.50x1.00 inches. In Stock.
Verlag: Grosset & Dunlap, New York, 1995
- Hardcover
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. First edition. Fine in fine dust jacket. Bottom edge of spine slightly rubbed. Nice condition.

Verlag: William Morrow, New York, 2000
- Hardcover
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Octavo. Fine in fine dust jacket.

- Softcover
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Trade paperback. Zustand: Very good. xviii, 427, [7] pages. Footnotes. With a New Afterword for the paperback edition by the Authors. Appendix: Cultural Responses to Hiroshima. Notes. Index. Robert Jay Lifton (born May 16, 1926) is an American psychiatrist and author, chiefly known for his studies of the psychological causes and… effects of wars and political violence and for his theory of thought reform. He was an early proponent of the techniques of psychohistory. Greg Mitchell (born 1947) is an American author and journalist who has written twelve non-fiction books on United States politics and history of the 20th and 21st centuries. Mitchell was editor of Nuclear Times magazine (1982 to 1986), and became interested in the history of the United States' use of the atom bomb during World War II. He addressed issues related to this in a 1996 book co-written with Robert Jay Lifton, "Hiroshima in America". Derived from a Kirkus review: Lifton and Mitchell are concerned with examining the motivations of those who made the decisions, particularly Truman, and the effects of that decision on the development of subsequent US policy. An analysis of Truman's announcement of the bombing shows his determination to justify the bomb's use as a military necessity. Early American responses included government suppression of evidence of the radiation effects on residents of Hiroshima and Nagasaki. Truman emerges as a fundamentally decent man who became caught up in the atomic fervor of scientists and military men. The authors appear to argue that the official Hiroshima narrative was a myth driven by a need on the part of Americans to distance themselves from what they had done. The authors argue that the existence of the bomb, and the moral consequences of the US having been the first to use it, have had profound moral, psychological, and political effects on Americans as a people. First Avon Books Trade Printing [stated].
Weitere Bilder- Hardcover
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Anbieter: Back Lane Books, North Vancouver, BC, KanadaBack Lane Books
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Hiroshima in America: Fifty Years of Denial, Lifton, Robert Jay; Mitchell, Greg, Grossett/Putnam, U.S.A., 1995. First Edition/First printing. 8vo - over 7¾" - 9¾", 425 pages including index and appendix that discusses the images of Hiroshima in film and bo…oks. Black boards, silver spine titles, red endpapers. Both unclipped jacket and volume in fine condition and likely unread.

- Hardcover
Anbieter: Book Broker, Berlin, DeutschlandBook Broker
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Zustand: Sehr gut. 288 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier… angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 522 Gebundene Ausgabe, Maße: 15.54 cm x 2.46 cm x 23.5 cm.

Sprache: Englisch
Verlag: Putnam Pub Group, E Rutherford, New Jersey, U.S.A., 1995
- Hardcover
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Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. How did Hiroshima affect the USA? Culminates in the Smithsonian exhibition debate. pp425. Unread. Shelf wear only.

- Hardcover
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Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. Cloth/dust jacket Octavo. black papered boards, dust jacket, 425 pp.

- Hardcover
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Hardcover. Zustand: New. Conflict and ambivalence have surrounded capital punishment in the United States for centuries, but only now have we reached a state of profound confusion. The execution rate has soared by 800 percent in the post decade and, of the same time, opposition to state killing--on moral, practical, and legal gr…ounds--has intensified. After a decade of dormancy, the capital punishment debate has asserted itself as a major political and social issue, and support for the death penalty, while still high, has dropped to its lowest level in nineteen years. America is clearly ready to ask the question 'Who owns death?'In this timely book, Robert Jay Lifton and Greg Mitchell, award-winning authors and collaborators on Hiroshima in America, take an unusual approach to the issue. By exploring the mind-sets of those directly involved in the death penalty, including prison wardens, prosecutors, jurors, religious figures, governors, judges, and relatives of murder victims, they offer a textured look at a system that perpetuates the longstanding American habit of violence.Richly rewarding and meticulously researched, Who Owns Death? explores the history of the death penalty in the United States to explain how it has entered the American psyche. The authors probe changes in methods of execution, from hanging to lethal injection, considering what this search for more 'humane' executions reveals about us as individuals and as a society. Through their interviews with participants, they uncover the psychological conflicts that complicate capital punishment, finding that those most deeply involved in the process reveal surprising doubts about, and even opposition to, state killing. In a controversial conclusion, the authors predict that executions in the United States will come to an end in the near future.Powerful, passionate, and informed, Who Owns Death? is the right book at the right time. As citizens of the only Western democracy that sanctions state killing, Americans have to find a way to acknowledge simultaneously both the horror of the original murder and the wrongness of legal killing. This remarkable book shows the way.
Poems & Pictures Number Six. December 1955.
Edited by Henry Evans. Contributors include Sylvia Phillips; Philip Rhynd; Jack Pustilnik; Mitchell Lifton; et al
Verlag: Peregrine Press / Porpoise Bookshop, San Francisco, 1955
- Softcover
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Anbieter: Chanticleer Books, Fort Bragg, CA, USAChanticleer Books
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Zustand: Fine. First edition. [14] pp. (7 double leaves, folded, unsewn), 12.5 x 9.5 inches, tan wrappers. Contributions by 8 poets, 4 color engravings by LaVonne Curtis, cover block by Lavonne Curtis, colophon cut by Patricia Evans. Edition of 50 copies printed by Henry Evans at the Peregrine Press.
Weitere Bilder[Video Cassettes]: Beckett Directs Beckett: A Trilogy. Waiting For Godot; Krapp's Last Tape [and] Endgame by Samuel Beckett; Produced by Mitchell Lifton, Jean-Pierre Cottet and William Gilcher; Directed by Walter D. Asmus and Robert Bilheimer, based on the mise-en-scène by Samuel Beckett; a Co-production of Cameras Continentales . [et al]. [Four videocassettes, as issued]
BECKETT, Samuel, Mitchell Lifton, Jean-Pierre Cottet, Walter D. Asmus
Verlag: Smithsonian Institution Press/ Smithsonian Video Library, [Washington, D.C.], 1992
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Unbound. Zustand: Near Fine. Original release video recordings issued in series: "Beckett Directs Beckett: A Trilogy". All four cassettes are fine, unopened, in original shrinkwrap; publisher's printed slipcase has light wear at extremities, else very good. Issued by The Smithsonian Institution, in the series 'Beckett Directs Be…ckett,' 'Waiting for Godot' is based upon a performance of the San Quentin Drama Workshop, with a cast of Lawrence Held, Bud Thorpe, Alan Mandell, Rick Cluchey, and Louis Beckett Cluchey; director of photography, Daniel Vogel, and video editor, Christian Martin. Four separate VHS videocassettes: Waiting for Godot (in two tapes, comprising 137 minutes); Krapp's Last Tape (in one tape, comprising 46 minutes); Endgame (in one tape, comprising 96 minutes) [as issued], with printed label on spine and front cover of each cassette, with title sheet (on spine and front cover) for each cassette, in publisher's slipcase box.