mills aaron (17 Ergebnisse)

Zustand: Very Good. 3 Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.67.

Zustand: Very Good. 3 Edition. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: New. pp. 348 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Hardcover. Zustand: Brand New. 391 pages. 9.50x6.50x1.25 inches. In Stock.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher.

256 pp.; 28.5 x 22.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Contemporary Arts Center, Cincinnati, March 13 - May 23, 2004. Traveled to Yerba Buena Center for the Arts, San Francisco, CA, July 17 - October 3, 2004. Traveled to the Orange County Museum of Art, Newport Beach, CA, February 5 - May 8, 2005. Exhibition organized and catalogue edited by Aaron Rose and Christian Strike. Essays by Aaron Rose, Christian Strike, Alex Baker, Thom Collins, Jeffrey Deitch, Carlo McCormick, Arty Nelson, James E. Walmesley, and Jocko Weyland. Artists include Thomas Campbell, Cynthia Connolly, Brian Donnelly, Cheryl Dunn, Shepard Fairey, Phil Frost, Mark Gonzales, Evan Hecox, Jo Jackson, Todd James (REAS), James Jarvis, Andy Jenkins, Chris Johanson, Spike Jonze, Margaret Kilgallen, Harmony Korine, Geoff McFetridge, Barry McGee, Ryan McGinley, Ryan McGuinness, Mike Mills, Stephen Powers (ESPO), Terry Richardson, Clare E. Rojas, Rostarr, Ed Templeton, and Tobin Yelland. Includes full page artists' pages on Raymond Pettibon, Clare E. Rojas, Jo Jackson, Craig R. Stecyk III, Chris Johanson, Thomas Campbell, Ed Templeton, and Barry McGee. Includes biographies of artists as well as of artists identified as roots and influencers including Jean-Michel Basquiat, Neil Blender, Henry Chalfant, Larry Clark, R. Crumb, Glen E. Friedman, Futura, Keith Haring, Wes Humpston, Ari Marcopoulos, Raymond Pettibon, Pushead, Craig R. Stecyk III, and Andy Warhol. Also includes contributor biographies. Very Good / Fine. Small bump to bottom right corner of publication and right side of recto. Light dusting of dust jackets. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Taschenbuch. Zustand: Neu. The Spatial Distribution of Microbes in the Environment | Aaron Mills (u. a.) | Taschenbuch | xi | Englisch | 2010 | Springer | EAN 9789048175703 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware -In my first microbiology class in 1968, Richard Wodzinki opened his first lecture with ¿Wodzinski¿s Laws of Bacteriology. ¿ Those laws were (1) Bacteria are very very small, (2) Bacteria are our friends, and (3) Bacteria always have the last word. These simple statements motivated a career of curiosity, and started me on a wild ride of discovery with my miniscule colleagues. The realization that an entity so tiny could mediate critical ecological p- cesses observed across scales of kilometers begs for an explanation of how populations and communities are distributed within those large spaces. How big is a microbial community Where does one stop and another start Are there rules of organization of the communities into spatially discrete patches, and can those patches be correlated with observed processes and process rates Over the years I have added what I tell my classes are ¿Mills¿ Corrolaries to Wodzinski¿s Laws. ¿ With respect to the topic of this volume, the corollaries to the first law are: (1a) But there are a whole lot of them, and (1b) They can grow very very fast. Again, distribution in space and time is a central theme, and it has motivated much of my effort over the last 30 years.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 348 pp. Englisch.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In my first microbiology class in 1968, Richard Wodzinki opened his first lecture with 'Wodzinski's Laws of Bacteriology. ' Those laws were (1) Bacteria are very very small, (2) Bacteria are our friends, and (3) Bacteria always have the last word. These simple statements motivated a career of curiosity, and started me on a wild ride of discovery with my miniscule colleagues. The realization that an entity so tiny could mediate critical ecological p- cesses observed across scales of kilometers begs for an explanation of how populations and communities are distributed within those large spaces. How big is a microbial community Where does one stop and another start Are there rules of organization of the communities into spatially discrete patches, and can those patches be correlated with observed processes and process rates Over the years I have added what I tell my classes are 'Mills' Corrolaries to Wodzinski's Laws. ' With respect to the topic of this volume, the corollaries to the first law are: (1a) But there are a whole lot of them, and (1b) They can grow very very fast. Again, distribution in space and time is a central theme, and it has motivated much of my effort over the last 30 years.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In my first microbiology class in 1968, Richard Wodzinki opened his first lecture with 'Wodzinski's Laws of Bacteriology. ' Those laws were (1) Bacteria are very very small, (2) Bacteria are our friends, and (3) Bacteria always have the last word. These simple statements motivated a career of curiosity, and started me on a wild ride of discovery with my miniscule colleagues. The realization that an entity so tiny could mediate critical ecological p- cesses observed across scales of kilometers begs for an explanation of how populations and communities are distributed within those large spaces. How big is a microbial community Where does one stop and another start Are there rules of organization of the communities into spatially discrete patches, and can those patches be correlated with observed processes and process rates Over the years I have added what I tell my classes are 'Mills' Corrolaries to Wodzinski's Laws. ' With respect to the topic of this volume, the corollaries to the first law are: (1a) But there are a whole lot of them, and (1b) They can grow very very fast. Again, distribution in space and time is a central theme, and it has motivated much of my effort over the last 30 years.

Hardcover. Zustand: Brand New. 1st edition. 333 pages. 9.25x6.25x0.75 inches. In Stock.

First edition, first printing. Signed by KAWS and ten other contributing artists, photographers and filmmakers. Publisher's original red cloth with gilt titles to the upper board and spine, in dustwrapper. Illustrated profusely in colour and black and white throughout. A fine copy, the binding square and firm, the contents clean throughout. Complete with the fine original dustwrapper. Produced in conjunction with the international travelling museum exhibition of the same name which opened at the Contemporary Arts Center in Cincinatti, Ohio in March 2004. The related Aaron Rose and Joshua Leonard directed documentary film was released in 2008. Signed in black ink on across the front pastedown and endpaper by KAWS, Terry Richardson, Tobin Yelland, Chris Johanson, Cheryl Dunn, Christian Strike, Aaron Rose, Ivory Serra and three other contributors. Scarce thus. In the 1990s, a loose-knit group of American artists and creators, many just out of their teens, began their careers influenced by the popular underground youth subcultures of the day, such as skateboarding, graffiti, street fashion, and independent music. Artists like Shepard Fairey, Mark Gonzales, Spike Jonze, Margaret Kilgallen, Mike Mills, Barry McGee, Phil Frost, Chris Johanson, Harmony Korine, and Ed Templeton began to create art that reflected the lifestyles they led. Many had no formal training and almost no conception of the inner workings of the art world. They learned their crafts through practice, trial and error, and good old-fashioned innovation. Not since the Beat Generation have we seen a group of creative individuals with such a unified aesthetic sense and varied cultural facets. The world of art has been greatly affected by their accomplishments as have the worlds of fashion, music, literature, film, and, ironically, athletics. Beautiful Losers is a retrospective celebration of this spirit, with hundreds of artworks by over two dozen artists, from precursors like Jean-Michel Basquiat, Keith Haring, and Larry Clark, to more recent adherents Ryan McGinniss, KAWS, and Geoff McFetridge. Work in all conceivable mediums is included, plus reproductions of reams of ephemera. The accompanying essays are contributed by half a dozen writers who have championed these beautiful losers from the start. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.