millier jean (14 Ergebnisse)

Zustand: Good. Original pictorial boards, illustrations (including photographs) partly in colour, text in French, 4to.; Foxing top cut; spine discoloured.

Cloth. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. 231 pages. Hardcover. Texts in French and English. Wear with some chipping and small tears to the dustjacket, which is now encased in a Mylar sleeve. Sunning to the spine of the jacket. Else, the edges and corners of the boards are sharp, with a clean and unmarked interior. Dozens of beautifully printed duotone images that celebrate photographs as an art form by looking indepth at images made by Umbo, Victor Regnault, Burk Uzzle, Richard Kalvar, Victor Burgin, and others. Book.

Pyramyd. 2006. Soft Cover. l 318 pp. Illustrations in colour and b/w.

Soft cover. Zustand: Very Good. No Jacket. VG / -- Text in English, French and German. Colour, b/w illustrations and line drawings. Pictorial card covers. Binding is very firm and tight. No inscriptions. Not ex-library.

cloth, dustjacket 4to 231 pp., ca. 200 plates photographs form the collection of the Centre Pompidou, first volume of the series; works by Émile Puyo, Blanc et Demilly, Heinz Hayek-Halke, Umbo, Paul Nash, Willy Ronis, William Klein, Burk Uzzle, Richard Kalvar, Victor Burgin, Tom Drahos, Jean-Christophe Pigozzi, Keiichi Tahara; text in English and French; very good condition.

Original publisher's sewn white paperback, pictorial front- & backcover, thick large 4to: 580pp., very richly illustrated,

Couverture souple. Zustand: bon. RO20275157: 1992. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 383 PAGES - Nombreuses illustrations noir/blanc, dans et hors texte - Texte sur deux colonnes - coins frottés - dos insolé. . . . Classification Dewey : 720-Architecture.

in-4, relié sous jaquette, 231 pages. Petits accrocs sur la jaquette. Intérieur très frais.

Zustand: Good. 4to. 580 pp. Soft Cover. Color and black and white plates throughout. Text in French. Very Good, cover corners and edges lightly bumped, minor shelf wear, some interior pages beginning to loosen from binding.*Heavy book, shipping may cost extra.

Centre Georges Pompidou, Paris 1979. 580 pp. Soft cover. Illustrated. Good condition.

Ante Prima/AAM éditions, 2008 - in-8 sous couverture rempliée illustrée en couleurs, 152pp. abondamment illustré de photos en noir et en couleurs - très bon état - Livres.

First Edition. Hardcover. First Edition. Near Fine in illustrated paper-covered boards. Near Fine, with only a hint of the fading to the red spine panel common to this title. Oversize volume, shipping billed at cost.

Hardcover. Zustand: Very Good. 2nd Edition. 4° - 583pp - Color & B/w reproductions. Catalog of an exhibition organized by the Ministry of Culture of the USSR and the Centre Georges Pompidou, and held at the Centre from May 31 to November 5, 1979. Second edition in French language. Original pictorial boards. Upper spine slightly bumped otherwise in Very good condition.

Trade paperback. Zustand: Very good. This work is in French. The format is approximately 8.25 inches by 11.75 inches. 580 pages. Illustrations (some in color). The exhibition looked at the development of modern art in that period in both France and Russia, and draws on Russian collections. there are many well-known and iconic Russian and Bolshevik images, Catalog of the exhibition "Paris-Moscow" organized by the Ministry of Culture of the Soviet Union, Moscow and the Center National d'Art et de Culture Georges Pompidou, Paris. Sections: Plastic arts - Applied arts and utility objects - Architecture - Urban planning - Agitprop - Poster - Theater-ballet - Literature - Music - Cinema - Creative photo. Introduction by Jean Miller, Pontus Hulten, Alexandre Khaltourine. Illustrations color and in white and black. Biographical and Bibliographical Note. Jean Millier was Chairman of the Georges-Pompidou National Centre for Art and Culture (1977-80). Karl Gunnar Vougt Pontus Hultén (21 June 1924 26 October 2006) was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum of Modern Art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was the first director of the Musée National d'Art Moderne (MNAM) in 19741981. Alexandre Khaltourine was a major figure in the Soviet and Russian art worlds. In 1979 the National Museum of Modern Art, located in the Centre Pompidou in Paris, displayed one of the major exhibitions in its history: the exhibition Paris-Moscow, 1900-1930. Curated by Pontus Hulten, this exhibition aimed at showing the ways in which the French and Russian avant-gardes influenced and reacted to one another during the rise of Modern art. The exact same exhibition was presented in Moscow in 1981 in Brezhnev's USSR, during a significant rise in censorship, strictness, and political surveillance. Since the founding of the Soviet Union, no exhibition like this had ever been presented. Consequently, it raises the question: how did such a striking and innovative exhibition succeed during the Cold War? The answer is quite simple: it was a fight for freedom of artistic expression and international dialogue. The French team was eager to establish normal relationships with its Soviet colleagues and to favor exchanges between France and the USSR. Therefore, it stressed the function of art as cultural diplomacy. Was art a means to achieve peaceful relations and improved exchanges leading to more freedom when politics and economics failed? The exhibition Paris-Moscow, 1900-1930 seemed to be one striking positive example. Thanks to the discovery of new archives at the Centre Pompidou Paris, the recently published "mémoires" of Valéry Giscard d'Estaing and my own personal interviews of French ambassadors and curators in charge of the exhibit in 1979, an essay is able to shed new light on the cultural diplomatic role of Paris-Moscow, 1900-1930, a unique artistic event during the Cold War. Presumed First Grench Edition, First printing.