Miller john friedman (25 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: Very Good. 2. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Second Edition, First Printing. Octavo, viii, 418 pages. In Very Good minus condition. Bound in the publisher's white, black and beige cloth bearing purple and black lettering to the spine. Boards have mild wear including scant soiling and slight cocking to the spine. Text block has slight wear including minor soiling to the edges. Illustrated. Second edition, first printing. NOTE: Shelved in Locked Annex, Column CC. 1411560. FP New Rockville Stock.…

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Softcover. Zustand: Near Fine. First edition. 199pp. Glossy wrappers. Lightly rubbed, near fine. The final issue including *To Talk for Joe* by Burroughs, *Reminders of Bouselham* by Paul Bowles, *Crossing the Great Void* by Walter Abish, *Problem* by Harold Pinter, an essay by John Updike. and more.…

Hardcover. Zustand: Brand New. 2nd edition. 375 pages. 8.75x6.50x1.25 inches. In Stock.

Softcover. Zustand: Fine. First edition. 199pp. Glossy wrappers. Fine. The final issue includes *To Talk for Joe* by William Burroughs, *Reminders of Bouselham* by Paul Bowles, *Crossing the Great Void* by Walter Abish, *Problem* by Harold Pinter, an essay by John Updike. and more.

Softcover. Zustand: Fine. First edition. 199pp. Glossy wrappers. Fine. The final issue includes *To Talk for Joe* by William Burroughs, *Reminders of Bouselham* by Paul Bowles, *Crossing the Great Void* by Walter Abish, *Problem* by Harold Pinter, an essay by John Updike. and more.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Ix, 370 Pp. Hardcover, First Printing Indicated. Near Fine In Near Fine Jacket, Not Price-Clipped, Wear Along Top Of Rear Panel Of Dj. Inscribed By Aleta Wallach. Inscribed by Author(s).

Zustand: Used. pp. xiv + 418 Illus.

Zustand: New. 300 cost-saving, photonics rules of thumb. Num Pages: 418 pages, 100 illustrations. BIC Classification: GBC; TTB. Category: (P) Professional & Vocational. Dimension: 237 x 162 x 27. Weight in Grams: 747. . 2003. 2 Rev ed. Paperback. . . . . Books ship from the US and Ireland.

Zustand: Used. pp. xiv + 418.

Zustand: New. In English.

Zustand: New.

dj. First Edition. First edition. Hardcover. First printing. 416 pages. Massive retrospective catalog for a show that started at San Francisco Museum of Modern Art and ran February 19 through May 30, 2000 and then went on to Chicago and New York for additional dates. Features an introduction by editor Gary Garrels along with essays by Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber, and Adam D. Weinberg. Includes close to 400 color and black and white images, an extensive bibliography, a list of previous exhibitions, and a checklist. A clean and tight near fine copy in black cloth boards and in a very near fine dust jacket. A very nice copy of what remains one of the best books on Lewitt. This is a heavy and oversized book and will require extra shipping.…

Cloth. Zustand: Near Fine. Near Fine. 415 pages with over 450 illustrations in color. Edited and with an Introduction by Gary Garrels. Minor rubbing and wear to the covers and edge. Published on the occasion of the exhibition from the San Francisco Museum of Modern Art, San Francisco CA February 19-May 30, 2000, Museum of Contemporary Art, Chicago IL July 22-October 22, 2000 and the Whitney Museum of American Art, New York NY November 30, 2000-February 25, 2001. Bibliography. Exhibition History. List of Plate Illustrations. Appendix: The Writings of Sol Lewitt. Book.…

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First English edition, first printing. Two volumes sharing the following format: Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued; contained in a custom ruched brown paper-covered slipcase. Volume One: Works in various media and texts by Tom Friedman. Unpaginated (160 pp.), with four-color plates throughout. Volume Two: Essays and interviews by Germano Celant, Mario Perniola, Robert Storr, John Miller, Hudson, Glenn D. Lowery, Dennis Cooper and John Waters. Includes a bio-bibliography. 320 pp., with four-color plates throughout. Slipcase measures 12-5/8 x 9-1/2 inches. Published on the occasion of an exhibition at Fondazione Prada. Fine (volume 1 has a tiny crease at the top right front corner, affecting wrappers only, and a small speck on the front cover, else As New) in Near Fine slipcase (light sunning to the opening edges). …

dj. First Edition. First edition. Hardcover. First printing. 416 pages. Massive retrospective catalog for a show that started at San Francisco Museum of Modern Art and ran February 19 through May 30, 2000 and then went on to Chicago and New York for additional dates. Features an introduction by editor Gary Garrels along with essays by Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber, and Adam D. Weinberg. Includes close to 400 color and black and white images, an extensive bibliography, a list of previous exhibitions, and a checklist. A clean and tight very near fine copy in black cloth boards and in a very near fine dust jacket. Signed by Lewitt on the half title page. This is a heavy and oversized book and will require extra shipping. Signed.…

Zustand: New. In.

Softcover. Zustand: Near Fine. Magazine. Cover by Joe Giordano. Folio. Stapled illustrated wrappers. Near fine with some rubbing to the wraps. A poetry anthology edited by Maureen Owen with contributions from Joe Brainard, Larry Clark, Ray di, Palma, Anselm Hollo, Bruce Andrews, Guy R. Beining, Alan Bernheimer, Stephen Bett, Rachelle Bijou, Emily Borenstein, Ed Friedman, Peggy Garrison, Maria Gitin, Red Grooms, James Gustafson, Gunner Harding, Richard Harper, Avron Hoffman, Susan Howe, Joe Johnson, Ronald Koertge, Marsha Elaine Kash, Ruth Krauss, Marty Lahr, Marc Lecard, Tom Mandel, Stephen Miller, Opal L. Nations, Jerry Oleaf, Lauren Owen, Patrick Owen, Bob Perelman, Carol J. Pierman, Rochelle Ratner, John Robert III, Erik Satie, Trevor Winkfield, Simon Schuchat, George Schwanz, Richard Synder, Janet Sternburg, Rachel Towle, Jim Tracy, Jim Venit, Charlie Vermont, Francois Villon, David Moe, Barry Watten, and David Weintraub.…

439 pp.; 27.3 x 20.9 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "Fluxus etc. / The Gilbert and Lila Silverman Collection," held September 28 - October 30, 1983. Curated by Jon Hendricks. Introduction by Jay Belloi. Includes facsimiles of instruction drawings for fluxus related works by Ay-O, George Brecht, John Cage, Jack Coke's Farmer's Coop, Ken Friedman, Dick Higgins, Milan Knizak, George Maciunas, Larry Miller, Claes Oldenburg, Yoko Ono, Nam June Paik, Ben Vautier, Yoshi Wada, and Robert Watts. Also includes catalogue of Fluxus editions and related works in the collection by Arthur Koepcke, Takehisa Kosugi, Larry Miller, Serge Oldenbourg, Peter Moore, Benjamin Patterson, and many, many more. Black-and-white illustrations throughout. Includes errata. Front cover by George Maciunas, back cover by Ben Vautier. Good / Very Good. 6.2 cm. dog-ear to top right corner of recto. Rubbing across covers and cover edges. 1 cm. surface tear to top left corner of verso. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders. …

No Binding. Zustand: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts. …