middiman (21 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New. KlappentextrnrnExcerpt from Select Views in Great BritainIN announcing the completion of the following Work, the Publishers anticipate, with pleasure, the approbation of their Subscribers and the Public. A Collection of Views, exhibiting.

No Binding. Zustand: Good. No Jacket. S Ireland Drawn, S Middiman engraved (illustrator). Hand coloured print Picture size 184 x 128 mm, Fixed by tape on all sides to a cream mount - used in Paul Sandby esq 'Collection of Select Views in England, Wales and Scotland'.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Hardcover. Zustand: Very Good. STOTHARD. MIDDIMAN. LANDSEER J. (illustrator). 2nd Edition. Second edition, two volumes, in contemporary boards, edges bumped & worn. Spines, relaid, retaining the old, printed paper labels, chipped. Internally, Vol 1, 1807, half title, frontis, [4], [5], (vi-xi), [1], [1], 2-475 pp, [1], [22] index, [2] adverts, 1 pl. Vol 2, 1807, half title, frontis, [4], [1], 2-555 pp, 1 pl. Hinges strengthened, ink name to fpds (JJ? Vernon), some light offsetting, top edges cut, remainder not. (225*141 mm). (Lowndes 1457. Anderson 340 for 1st. Hotten p20).

Hardcover. Zustand: Very Good. STOTHARD. MIDDIMAN. LANDSEER J. (illustrator). 1st Edition. Fifty Hand-Coloured Engraved Portraits of Remarkable Persons. Quarto, [2], 8 pp (pl descriptions), fifty hand-colored engraved plates, printed on pink paper, attractively bound by Kelly & Sons (stamp-signed in gilt on front turn-in) in full dark green straight grain morocco. Covers decoratively bordered in gilt and blind, spine decoratively tooled and lettered in gilt, board edges decoratively tooled in gilt, turn-in ruled in gilt, all edges gilt, marbled end papers. A wonderful copy of this extremely scarce album of portraits. (279*216 mm). (Wilson's 'Wonderful Characters' [1821] p. 8). Robert Cooper (fl. 1800-1836) was largely employed during the first quarter of the century in engraving portraits. Among the publications on which he was engaged were: 'La Belle Assemblée,' a fashionable periodical; 'Old Mortality' and other novels by Sir Walter Scott; Lodge's 'Portraits of Illustrious Personages;' Chaberlaine's 'Imitations of Original Drawings by Hans Holbein;' Tresham and Ottley's 'British Gallery of Pictures,' &c. He was employed by the Duke of Buckingham to execute some private plates for him; the most important and the best known of these is the engraving Cooper executed of the 'Chandos' portrait of Shakespeare.Cooper was also a very prolific engraver of book plates and vignettes, &c. (D.N.B.). Among the attractions are: Nathaniel Bentley, The well known Dirty Dick, who lived alone for forty years, during which neither brush nor broom was used in his house, nor did he ever wash his face or hands; Daniel Dancer, The Remarkable Miser, who during a life of seventy-eight years evinced the most insatiable thirst of gold recorded in the history of human nature; the Chevalier d'Eon, Who many years passed as a Woman; Signora Josephine Girardelli, The well known Fire-eater, who would pour boiling lead into her mouth, and emit the same indented with the mark of her teeth; Jeffery Hudson, Dwarf to King Charles the First; Joan d'Arc, The Maid of Orleans; Daniel Lambert, who had attained to such a state of corpulency that he was prevailed upon to exhibit himself. He weighed fifty-two stone, eleven pounds; measured three feet one inch round the leg, and nine feet four inches round the body; Henry Lemoine, The Eccentric Bookseller & Author; Peter the Wild Boy, who was an idiot, found in the woods of Haemlin, near Hanover, by King George I. in 1725, and brought to England; Joanna Southcott, the Extraordinary Fanatic, who declared herself the one spoken of in Revelations, the bride, the lamb's wife, and woman clothed with the sun; and Renwick Williams, Commonly called The Monster, the artificial flower-maker, who in 1789 evinced a most unnatural propensity in cutting and stabbing females after nightfall. A more copious account of these remarkable persons may be found in Wilson's 'Wonderful Characters' [1821] (p. 8).

Hardcover. Zustand: Very Good. LOUTHERBOURG Philippe-Jacques de 1740-1812. and MIDDIMAN Samuel 1750?-1831 IBBETTSON. SMITH. ROWLANDSON. (illustrator). 3rd Edition. 3rd edition, 1808 & 1st Ed, 1802 Two volumes, in 20C half morocco over boards, some gilt tooling. Spines, rubbed, gilt titles. Internally, Vol 1, 1808, 3rd ed, (Musical & Poetical Relics), frontis, engraved dedication, [2], [1], (ii-iv), 185 pp, engraved dedication, + 3 pls, pages 124-185 are of music, some offsetting. Vol 2, 1802, 2nd ed], Bardic Museum, frontis, [3], (iv-xx), [1], 2-112 pp, 1 hand coloured plate, 1 vignette and 2 printers devices, pages 31-112 are musical scores, with the inked out And Sold at line to tp. Vol 1 contains frontispiece drawn by Loutherbourg, engraved by Hall, with a landscape by Middiman. Vol 2 contains frontispiece by Ibbetson, and the landscape by J Smith, etched by Rowlandson. (340*233 & 344*241 2 mm).

Hardcover. Zustand: Very Good. Barrett, Smith, Metz, Callander Etc (illustrator). 1st Edition. In contemporary half calf over red marbled boards, gilt tooling, corners & edges bumped & worn. Spine, gilt tooling, titles in gilt to green calf label, edges rubbed. Internally, engraved title page, followed by forty eight plates, B&W, dated 1784-92, each with a leaf of descriptive text, text block edges marbled red, some light spotting to blanks, text leaves watermarked Portal & Bridges, book label & evidence of removed bookplate to fpd. GR. (271*201 mm). 0.

Hardcover. 4to. 27cm, (106)p., with 53 steel-engraved plates, text in English and French, index, in contemporary elaborately blind decorated (borders, devices, pictorials.) full black calf, gilt spine titles, a.e.g., some foxing (fairly heavy to some plates), wanting the front free fly, title page lower corner clipped, very good copy (binding is near fine) (cgc). - A fine selection of scenes of England, Scotland and Wales by the English engraver, Samuel Middiman (1750-1831), noted for his engravings of landscapes. Originally published in parts from 1784 to 1792, publishers credit the book for creating a public interest in the scenery of Westmoreland, Cumberland and Lancashire and hence a tourist movement. Artists include Francis Wheatley, George Barrett, S. Ireland, A. Callender as well as Middiman.

Zustand: Good. Large folio. New lambskin and marbled boards by the Russian-American binder Sasha Mosalov. Most of original spine preserved. 10, [2], 10, [2], [104] pages, 52 unnumbered leaves of plates : illustrations ; 50 cm. 13.5 x 20 inches.OCLC Number: 54231279Artists include Edward Forster; Anker Smith; Samuel Middiman; Luigi Schiavonetti; James Fittler; James Heath; Abraham Raimbach; George Noble; Nicolo Schiavonetti; J Taylor; William Skelton; Anthony Cardon; Edward Smith; William Sharp; James Mitan; John Burnet; Francis Engleheart; Charles Heath; William Bromley; Anthony Van Dyck; Peter Paul Rubens; Joshua Reynolds, Sir; Claude Lorrain; Richard Wilson.

Engraving with etching, 260 x 405mm (plate size), 425 x 585mm (sheet size), some very light spotting to the margins, small fault (20 x 5mm) to edge of plate mark, not touching image, mounted. This engraving after a drawing by Webber comes from the official account of Cook's Third Voyage, published in 1784. The Resolution and the Discovery returned to Hawai'i on 17 January 1779. When the vessels arrived at Kealakekua Bay on the western shore of the island, Cook recorded in his journal that about 1000 canoes came out to meet the two ships. Cook was afforded god-like status and Kalani'opu'u (known to the Europeans as Terryaboo, King of Hawaii) took the cloak from his own shoulders and put it around Cook's. King also mentions that Kalani'opu'u 'put a feathered cap upon his head, & a very handsome fly flap in his hand: besides which he laid down at the Captain's feet 5 or 6 Cloaks more, all very beautiful, & to them of the greatest value'. The scene depicted here most likely took place on 19th January, 1779. Cook, with a cloak around his shoulders, sits with three of his officers in front of a sacred building with 17 Hawai'ian men in front of them, whilst another man kneels to the side of the main group one of the Hawai'ans offers up an animal to Cook. It is interesting to note that the print does not show the many carved idols and skulls impaled on poles recorded by members of the expedition who saw this place. Beddie, 1743 [60].

HLDr. der Zeit, unpaginiert, quer kl.-4° mit Ornamentalrückenverzierung und schwarzem Sachschildchen; ursprüngliche, gemusterte Vorsatzpapiere. Einband etwas berieben, abgegriffen und gelockert. Kopfkapital beschädigt; jetzt tw. repariert. Besitzerunterschrift auf Titel. Beschreibungsblatt zu Tafel No 6 tw. eingerissen. Kupfern und Text altersgebräunt, stellenweise leicht abgegriffen und beschmutzt, sonst guter Zustand. Book Language/s: English.

Kupferstich mit Radierung auf grobem Maschinenbütten. Abb.: A man wearing a fur coat, hood and gloves, sitting on one side of a curved sled, on furs, guiding it with a staff in his right hand, left hand on the reins which run to five dogs, in pairs with a single dog leading, driving from left to right across a snow-covered landscape with trees and mountains in the background. -Inet // TB //Nagler // Bibliografie: Joppien & Smith, 1985 // Samuel Middiman (17501831 London) was an English engraver. -Das Blatt leicht nachgedunkelt sowie angestaubt und, vor allem im breiten Rand, schwach braunfleckig. die obere rechte Ecke mit einem kleinen Papierabriss (3,1,7 mm). -Unter PP! -Selten! - Bibliografie siehe Internet `British Museum`. Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001 25,5x40,7 cm (Pl.-Rd.). Kü.-Namen u. Bezeichnung u. Bl.-Nr. i.d. Platte. Blatt 70 aus `Cook`s Voyage to the Pacific`.

Incisione originale su acciaio (cm. 22x14,5 più ampi margini bianchi) da un disegno di James Hakewill, pubblicata da John Murray. Ottimo esemplare.

Original copper engraving (60 x 44 cm, overall sheet 69 x 55 cm). Tissue guard to verso. Light foxing to outer margins, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

Original copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

Quer-4to. Mit gest. Titel u. 53 Kupfertaf. jew. m. beschreibendem Textbl. (englisch-französisch). Rotes Leder d. Zeit m. dekorativer Blind- u. Goldprägung. Marmorierte Vorsatzpapiere, Goldschnitt. Einband berieben u. bestoßen. Taf. im Rande durchgehend stockfleckig. Schöner Band von guter Erhaltung. gr.

London, S. Middiman, [1784-1788]. First edition. Full decorated leather, very nice. Oblong. Good copy. 36 engravings with 72 pages text in English and French. Some light foxing in the margins.B0330.