michely viola (20 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: fine. Beuys, Joseph (illustrator). First. xviii + 334 pages. 8vo, glossy mint green wrappers. Cambridge: The MIT Press, (2007). First American edition. A fine copy.

paperback. Zustand: fine. Beuys, Joseph (illustrator). Foreword by Arthur C. Danto. xviii + 334 pages, 8vo, printed wrappers. New York: W.B. Tauris & Co., (2007). Bookseller label on rear cover, else a fine copy.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

1. Auflage. 352 Seiten. OBr., Groß-Oktav, XVIII S. / 334 S.; Strich auf Unterschnitt, sonst sehr gut erhaltenes Exemplar. Softcover.

Paperback. Zustand: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Thus the contents are crisp, fresh and tight; no pen-marks. Looks and appears unread. And so a very nice book in great condition, now offered for sale at a reasonable price.

Paperback. Zustand: Brand New. 334 pages. 9.50x5.75x0.50 inches. In Stock.

253 S., 1 Bl., 52 Abbildungen auf Tafeln. Erste Ausgabe (1 Bll. etwas kntirrig, sonst ordentliches Exemplar). Sprache: Deutsch Gewicht in Gramm: 800 Gr.8°. Orig.-Karton (etwas bestoßen).

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

253 S. u. Abb. Oktn.

255 S. Hardcover mit Schutzumschlag. Gr. 8°. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Hardback with dust jacket in good condition. In German and English. In the course of 16 years, Joseph Beuys received more than 100 letters from James Lee Byars without writing back himself. Byars sent a wealth of elaborately designed letters to different people, letters which may well make up the greatest part of his work, but Joseph Beuys was the only colleague with whom Byars corresponded. The complete set of letters reproduced in this text contains reflections on Byars' own works and those of Beuys, and on the creative process and its counterpart, death.

weicher Einband. 253 S., 1 Bl., 52 Abbildungen auf Tafeln. Lit.verz. Br. Zugl. Diss. Bopchum* .*neuwertig*. Sprache: Deutsch.

kart. Zustand: Gut. 253, [32] S. : Ill. ; 24 cm gutes Exemplar Aufgrund meiner Knie-OP versende ich vorübergehend nur dienstags & freitags. Danke für eure Verständnis Sprache: Deutsch Gewicht in Gramm: 715.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 256 Seiten/pp., 172 illustrations. - In the course of sixteen years, Joseph Beuys received more than a hundred letters from James Lee Byars, without ever writing back himself. Byars sent a wealth of elaborately designed letters to different people, letters which may well make up the greatest part of his work, but Joseph Beuys was the only colleague with whom Byars corresponded. And quite an unusual exchange of letters it is, enthralling readers by their extreme fragility and immense variety of materials, forms and ideas. His letters are not written with the purpose in mind of receiving an answer, rather, they constituted his day-to-day artistic routine.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Gut bis sehr gut. 1. Auflage. Z : 160 Seiten/pp., 91 Abbildungen/ illustrations - The catalog presents a critical review of Byars's oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York-ranging from his performances and work on paper and fabric devoted to the theme of life, to the splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.

Softcover/Paperback. 253 [32] S. gutes Exemplar // Bildende Kunst L09 9783496012092 *.* Sprache: Deutsch Gewicht in Gramm: 800.

Large 8vo. 264 pp. Publisher's card covers with flaps. Colour illustrated throughout. A little light edge wear, very good.

Zustand: Sehr gut. 263 S. : zahlr. Ill. ; 30 cm, engl. Broschur. Kontaktdaten des Herstellers: Verlag Das Wunderhorn GmbH Rohrbacher Str. 18 69115 Heidelberg, Neckar Deutschland wunderhorn.verlag(at)t-online(.)de; Kontaktdaten des Inverkehrbringers: Antiquariat Dennis Wolter, Hauptstr. 10, 37181 Hardegsen, info(at)2ndhandbook(.)de. Buch.

Brosch. 4°, 263 S., zahlr., tlw. farbige Abb. (tlw. auf Tafeln). Tadellos. EA. Enthält 11 Beiträge und den «Katalog» in 239 abgebildeten Nummern, dazu «Briefe» und «Biografien». Erschienen zur Ausstellung u. a. in der Sammlung Prinzhorn, Heidelberg, und in der Kartause Ittingen, Warth.