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Verlag: Abrams, Inc., 2003
ISBN 10: 0810944405ISBN 13: 9780810944404
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Very Good. 1st Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Abrams, Inc., 2003
ISBN 10: 0810944405ISBN 13: 9780810944404
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Very Good. 1st Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Abrams, Inc., 2003
ISBN 10: 0810944405ISBN 13: 9780810944404
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.
Verlag: London: Tate Publishing, 2002., 2002
ISBN 10: 1854374443ISBN 13: 9781854374448
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Hardback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: Tate Publishing, London, 2002
ISBN 10: 1854374745ISBN 13: 9781854374745
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Buch
Softcover. Quarto; pp 294; VG-/paperback; gray spine with white and black text; covers show slight rubbing wear to exterior; some wear to corners; intact panels; previous bookshop's sticker to rear; text block has mild shelf wear to exterior edges; interior clean; frontispiece; profusely illustrated; arts - British; additional shipping may be necessary due to size/weight restrictions for international/expedited orders; 1326530. FP New Rockville Stock.
Zustand: Very Good. First edition copy. . (painting, exhibition catalogs) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Verlag: London : Tate, 2002
ISBN 10: 1854374745ISBN 13: 9781854374745
Anbieter: Klondyke, Almere, Niederlande
Buch
Zustand: Good. Paperback, illustrations in colour and b/w, 4to.
Verlag: Harry N. Abrams, Inc., 2002, 2002
Anbieter: WellRead Books A.B.A.A., Northport, NY, USA
Erstausgabe
First American Edition; 4to.; cloth covered boards, hardcover; 294 pages; black and white and color illustrations; very good in a very good dust jacket. Due to the size and weight of this book additional postage may be required.
Verlag: Tate Publishing, London, 2002
ISBN 10: 1854374443ISBN 13: 9781854374448
Anbieter: Old Hall Bookshop, ABA ILAB PBFA BA, Brackley, Vereinigtes Königreich
Buch Erstausgabe
Light Brown Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 296pp, illustrated with colour images, pale pink endpapers, light brown cloth with blind-stamped spine lettering, dust jacket in excellent condition. Size: Quarto. Art Exhibition Catalogue.
Verlag: London / Tate Publishing,, 2002
ISBN 10: 1854374745ISBN 13: 9781854374745
Anbieter: Antiquariat Willi Braunert, München, Deutschland
Buch
4°, paperback. 294 pp Sprache: Englisch Gewicht in Gramm: 0.
Verlag: London : Tate Publishing, 2002
ISBN 10: 1854373978ISBN 13: 9781854373977
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Original softcover. Zustand: Sehr gut. 296 p., many ill. Slightly rubbed, overall very good and clean. / Leicht berieben, insgesamt sehr gut und sauber. - Thomas Gainsborough is acknowledged as one of the masters of eighteenth-century art. This catalogue, published to accompany a major international exhibition covering Gainsborough's entire career, presents an artist whose work is enormously visually engaging and diverse, yet is also intellectually vibrant. At a time of increasing tensions in the British art world, Gainsborough's work provided a vital alternative to the theory-led practice of the new Royal Academy In their essay, Michael Rosenthal and Martin Myrone explore Gainsborough's dynamic involvement with the social world, as he endeavoured to forge an art that engaged meaningfully with contemporary life. Martin Postle and Rica Jones examine the development of Gainsborough's technique and studio practice, from his early works painted in Sudbury, Suffolk, to the grand painting room and gallery at Schomberg House, London, where he spent his final years. The astonishing range of works illustrated fully demonstrates the originality of Gainsborough's art. The paintings Gainsborough chose for display in the new exhibition venues of London are grouped together, providing a valuable insight into how he wished his career and art to be understood. Other sections explore his precocious early work, his subtle approach to the lucrative world of fashionable portraiture, his diverse representations of the burgeoning ideals of Sensibility, the often pointed social commentary behind his seductive landscapes, and the exploratory nature of his last works. This catalogue provides new and refreshing insights into Gainsborough as an artist who succeeded in creating an experimental and modern art for his own time, and whose works retain a continuing significance for British culture today. - Michael Rosenthal teaches history of art at the University of Warwick and is the author of many studies on eighteenth- and-nineteenth century art, including Constable: The Painter and His Landscape (1983) and The Art of Thomas Gainsborough (1999). Martin Myrone is a Curator at Tate Britain and the author of Henry Fuseli (2001) and George Stubbs (2002). ISBN 9781854373977 Sprache: Englisch Gewicht in Gramm: 1607.
Verlag: New York. Harry N. Abrams, Inc., 2003
ISBN 10: 0810944405ISBN 13: 9780810944404
Anbieter: Antiquariat Bernhardt, Kassel, Deutschland
Buch
Leinen. Zust: Gutes Exemplar. Mit original Schutzumschlag. 294 Seiten, mit Abbildungen, Englisch 2000g.
Verlag: Abrams, New York, 2002
ISBN 10: 0810944405ISBN 13: 9780810944404
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Buch
hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. 254 illustrations, including 195 color plates. 294 pages, pale pink endpapers, 4to, beige cloth, dust wrapper. New York: Harry N. Abrams, (2002). First edition. A fine copy in a fine dust wrapper.
Verlag: London: Tate Publishing, 2002
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Paperback. Zustand: Gut. 294 p. Lediglich der Einband ist leicht berieben, sonst ein sehr gutes Exemplar, ohne Anstreichungen / Only the cover is slightly rubbed, otherwise an excellent copy, without annotations. - Thomas Gainsborough (1727-1788) is acknowledged as one of the masters of eighteenth-century art, and the inventiveness of his techniques and the complexity of his art remain dazzling today. This catalogue, published to accompany a major international exhibition covering Gainsborough's entire career, presents an artist whose work is enormously visually engaging and diverse, yet also intellectually vibrant and rewarding. At a time of increasing tensions in the British art world, Gainsborough's art provided a vital alternative to the theory-led practice of the new Royal Academy. In their essay, Michael Rosenthal and Martin Myrone explore Gainsborough's dynamic involvement with the social world of his day, as he endeavored to forge an art that engaged meaningfully with the diverse nature of contemporary life. Martin Postle and Rica Jones examine the development of Gainsborough's technique and studio practice, from his early works painted in Sudbury, Suffolk, to the grand studio and gallery at Schomberg House, London, where he spent his final years. The astonishing range of works illustrated here fully demonstrates the originality of Gainsborough's art. The paintings Gainsborough chose for display in the newly emerging exhibition venues of London are grouped together, providing a valuable insight into how he wished his career and art to be understood. Other sections explore his precocious early work, his subtle approach to the lucrative world of fashionable portraiture, his diverse representations of the burgeoning ideals of Sensibility, the often pointed social commentary behind his seductive landscapes, and the exploratory nature of his last works. This catalogue provides new and refreshing insights into Gainsborough as an artist who succeeded in creating an experimental and modern art for his own time, and whose works retain a continuing significance today. / Contents Foreword Acknowledgments Thomas Gainsborough: Art, Society, Sociability Michael Rosenthal and Martin Myrone Gainsborough in his Painting Room Rica Jones and Martin Postle Catalogue Beginnings: The Early Years Gainsborough in the Public Eye: The Exhibition Works Portraiture and Fashion Sensibility Landscape and the Poor Ideal and Experimental Art: The Later Years Chronology Louise Hayward Abbreviations and Selected Bibliography List of Works Lenders and Credits Index. Sprache: Englisch Gewicht in Gramm: 450.