Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Contemporary Arts Museum, Houston / Harry N. Abrams Inc. Houston / New York, TX / NY, 1995
ISBN 10: 0810926547 ISBN 13: 9780810926547
Anbieter: Specific Object / David Platzker, New York, NY, USA
96 pp.; 27 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 8 - June 25, 1995. Essays by Lynn M. Herbert, Dave Hickey, Walter Hopps, and David Levi Strauss. Includes biographies for Michael Galbreth and Jack Massing [The Art Guys], exhibition history, selected bibliography, and a checklist of the exhibition. Very Good. Slight rubbing and scratching of covers. Bumping at top right corner of publication. Additional light edge wear. Contents clean and unmarked.
Paperback. Zustand: Very Good-. Serial Issue. 8.25 X 0.5 X 9.5 inches; 233 pages; B&W and color illustrations throughout the book. Light shelf wear on the covers. Good condition otherwise. No other noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Erstausgabe Signiert
Hardcover. First Edition. Oblong quarto, 203 pages. In Very Good minus condition with Very Good minus dust jacket. Dust jacket has mild edge and shelf wear and has sticker on inside of rear cover. Boards have mild edge wear. Textblock has slight soiling on copyright page. Inscribed by William Christenberry on half title page. Shelved Room A. 1380414. Special Collections.
Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 204 pages 160 illustrations 90 in color. [INSCRIBED] Inscribed by the artist to the previous owners on the title page, signed and dated 2008. One publishing imperfection on page 6 where one of the corners is bent otherwise a fine copy. Foreword by Elizabeth Broun. List of Plates. Chronology. Index. Initialed by the Artist.
Verlag: Frederick R. Weisman Art Foundation Santa Monica, CA, 1990
Anbieter: Specific Object / David Platzker, New York, NY, USA
5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.
Verlag: Twelvetrees Press, Pasadena, CA, 1986
ISBN 10: 0942642252 ISBN 13: 9780942642254
Anbieter: Arcana: Books on the Arts, Culver City, CA, USA
Verbandsmitglied: ESA
Signiert
Cloth in Jacket, Slipcased. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition #39/100 Deluxe. np, profusely illustrated in gravure. Designed by Jack Woody. With a filmography and exhibition history. Dennis Hopper was the young man with a camera in the right place at the right time in the new Hollywood. Issued in 1986 in gravure with the typically austere and lovely Twelvetrees Press aesthetic, "Out of the Sixties" was the first published collection of Hopper's photographs. Divided into "Artists and Collectors", "Hollywood", "Music", "Civil Rights March, Selma to Montgomery", "Mexico", and "The Scene", it is a tour de force view of the clash of the old and the new in sixties culture! A most handsome example of the exceedingly uncommon deluxe limited slipcased edition of the 1986 first printing limited to one hundred copies BOLDLY SIGNED "Dennis Hopper" in black ink below his introductory text and NUMBERED (39/100) in ink on the rear colophon, as issued, showing some mild sunning along the extremities of its slipcase. Signed and Numbered by the Photographer. Photography Monograph.