michaël borremans michael (30 Ergebnisse)

Paperback. Zustand: Fine. - Clean bright tight book - As new copy - May have minor shelfwear from storage - 64 pages.

Taschenbuch. Zustand: Neu. Neuware - Presenting the Belgian artist Michaël Borremans's newest group of psychologically charged paintings, this catalogue highlights his exceptional technical skill, interest in figuration, and innovative approach to mise-en-scène."Everything is a self-portrait. And now I have been painting monkeys. . . . It's like making a movie." Michaël Borremans, Interview magazine As a pendant to his acclaimed catalogue The Acrobat, The Monkey showcases seventeen paintings that reveal his interest in exploring surface and artifice. Borremans portrays mysterious sittersincluding the titular monkeys, which are glazed toy figurinesand depicts enigmatic scenes that simultaneously invite viewers in and keep them at bay. Katya Tylevich's insightful commentary delves into the depths of Borremans's compositions, connecting the themes and motifs in The Monkey to those present in previous bodies of work. Tylevich delves into the complex emotional and art-historical registers at play in the artist's new paintings and maps the trajectory of his practice, observing other instances of repetition and fabulation across his practice. The publication, featuring this essay alongside beautifully illustrated images of the new paintings, serves as the ideal complement to the artist's 2024 exhibition at David Zwirner, London.

Buch. Zustand: Neu. Neuware - Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremanss depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremanss recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, The art of Michaël Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poeticsaccosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign. Published on the occasion of Borremanss eponymous exhibition at David Zwirner in Hong Kong, this publication is available in both English only and English and Traditional Chinese editions.

Soft Cover. Zustand: As New. Exhibition Catalog. Text: German/English. 59 p.; ill.; 11 x 16,5 cm. New. Book.

Soft Cover. Zustand: Good. First Edition. Text: Dutch. ill.; quarto/15 x 21 cm. Issues available : 1 (jan.), 2 (maart); 3 (april), 4 (mei). Supplement issue nr 1: 'Angel Vergara - 't Café - l'Eponge - l'Or - la Coagulation acte 1: Un café dans un tableau reste un tableau, un tableau dans un café reste un tableau'. Address label on front cover of each issue. Magazine/Periodical.

Gebonden, Hardcover met stofomslag compleet. HB, 254 x 178 mm, 80 pages, throughout colour illustrations. English edition. ISBN 9781941701836. Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans's recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell .takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, "The art of Michael Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics-accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign." Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong, 0 g.

Hardcover. Zustand: gut. 2005. Die auffallend virtuos ausgeführten, in zurückhaltend-tonigen Farben gehaltenen Gemälde von Michaël Borremans (*1963 in Geraardsbergen, Belgien) zeigen zumeist einzelne Figuren oder kleine Gruppen, die sehr konzentriert und mit betonter Gestik agieren. Da nicht erkennbar ist, was genau die Protagonisten tun, wirken diese Bilder mysteriös und surreal; vor nur sparsam ausgeführtem Hintergrund führen sie in ihrer deutlich zeitlosen, an Stillleben gemahnenden Welt letztlich sinnlose Handlungen aus - ein durchaus ironischer Kommentar des Malers auf bürgerliche Normierungen und Zwänge. Vorlagen und Einflüsse für seine komplexen und faszinierenden Arbeiten findet Borremans in alten Fotografien aus den 1930er und 1940er Jahren, Porzellan-Kitschfiguren, bekannten TV-Serien wie in der Literatur. Diese disparaten Elemente führt er, in einer mit Joseph Cornell vergleichbaren Art und Weise, in seine intimen und poetischen Tableaux zusammen. Ausstellungen: S.M.A.K., Stedelijk Museum voor Actuele Kunst, Gent 5.2.-10.4.2005 Parasol Unit, London 3.5.-30.6.2005 The Royal Hibernian Academy, Gallagher Gallery, Dublin 14.7.-4.9.2005 If you are a lover of painting and art books, this first work on Belgian artist Michael Borremans is well worth adding to your collection. I think Borremans has something quite new to bring to the figurative tradition. His subtle, subdued, gorgeous works seem to come from the 1930s or 40s, yet they express the anxiety of our era. The book is small, just 9.75 x 6 inches, so the reproductions are small too. Most are well-presented, though the color on some looks iffy. Some works have been enlarged to cross the gutter, which can be frustrating. But this is still a painter worth getting to know, and thus the book is worth it. A decade from now you'll be glad that you have this first book on the artist on your shelf. Borremans's Zeichnungen/Tekeningen/Drawings is an excellent book, but it's harder to get and his drawings are quite different from the paintings. I recommend both books. Contemporary artist Michael Borremans. Published for the exhibition at the Royal Hibernian Academy, Gallagher Gallery, Dublin, Eire Ausstellungskataloge Kunst Borremans, Michael Borremans, Michaël Borremans, Michal contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst ISBN-10 3-7757-1589-4 / 3775715894 ISBN-13 978-3-7757-1589-8 / 9783775715898 Ausstellungskataloge Kunst Borremans, Michael Borremans, Michaël Borremans, Michal contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst In englischer Sprache. 112 pages. 24,6 x 17,5 x 1,8 cm.

HARDCOVER. Zustand: As New. 1st Edition. 4to in colour printed thick boards, unpaginated, approx. 40pp on thick and stiff art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

First edition. Hardcover. Exhibition catalog for a show that ran March 7 through April 1, 2006. Features text by Hans van Heirseele. Includes numerous color illustrations. A clean very near fine copy in illustrated boards. No dust jacket as issued.

Hardcover. Zustand: Good. First Edition. 18 x 25cm 112pp good hardback exhibition catalogue with text in Dutch and English together with colour reproductions.

87 S. Leinen mit Schutzumschlag. Gr. 8°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig. Mint. Sprache: eng.

Hardcover. Zustand: Gut bis sehr gut. Zustand des Schutzumschlags: Sehr gut. Hrsg. Kestnergesellschaft, Hannover, Martin Germann und Veit Görner Mit Texten von Hans Rudolf Reust und Martin Germann. Vorwort von Veit Görner. Format: 17 x 2 cm. 72 Seiten mit 40 Abb. OLn. mit OU. Sehr gutes, neuwertiges Exemplar. Book.

Hardcover. First Edition. 18 x 24cm 87pp near fine hardback exhibition catalogue in dust jacket featuring essays: 'Dead Dolls - On the Film-Painting of Michael Borremans' by Philipe-Alain Michaud together with colour plus black and white reproductions. Near fine in near fine dustjacket.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition.

71, (1) S., mit vielen farbigen Abbildungen. Orig.-Pappband mit Orig.-Umschlag. Erste Ausgabe.- Umschlag mit minimalen Randläsuren. Gutes Exemplar.

Softcover, 164 pages, ills colour & bw, 21 x 27 cm, pb, Japanese/English. *NEW CONDITION ISBN 9784903205878. Published in conjunction with a combined exhibition of work by Micha l Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts. 0 g.

No Binding. Zustand: Fine. Invitation. 1) 'Michael Borremans - Young and Innocent', Zeno X Gallery, Antwerp, 2002. Card size: 15 x 10,5 cm. Front: color photograph. Fine. --- 2) 'Michael Borremans - The people of the future are not to be trusted', Zeno X Gallery, Antwerp, 2013. Card size: 11,5 x 20 cm. Fine. --- 3) 'Michael Borremans - Horse Hunting', David Zwirner, New York, 2006. Card size: 20 x 20 cm. Recto: color ill. 'Portrait, 2005'. Fine. --- 4) 'Michael Borremans - The Devil's Dress', David Zwirner, New York, 2011. Card size: 20 x 20 cm. Recto: 'The Knives, 2011 (detail)'. Fine. --- 5) 'The Performance: Paintings by Michael Borremans', Parasol Unit, London, 2005. Booklet. Fine. --- 6) 'Michael Borremans : Painted Fruit', Zeno X, Antwerp, 2008. Card size: 15 x 17 cm. Recto: color ill. Fine. --- 7) 'Michael Borremans : Sixteen Dances', Zeno X, Antwerp, 2017. Card size: 15 x 20 cm. Recto: color ill. Fine. --- 8) 'Michael Borremans : Fisherman's luck', Zeno X Storage, Borgerhout, 2004. Card size: 15 x 19 cm. Fine. --- 9) 'Michael Borremans : Everything Falls, 2012', TRACK, S.M.A.K., 2012. Postcard (unwritten). New. Ephemera.