messager andré 1853 1929 (15 Ergebnisse)

Size: Folio. 23pp. Folded as issued in publisher's printed wrappers.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Zustand: Très bon. Edition originale. Up.4°(25 x 32 cm). 4f,38 pages. PN : EAS 4268. [Klavierauszug/Vocal score/Chant & piano.].

Quarto. Original publisher's illustrated wrappers. [i] (title), [ii] (printer's device), [iii] (dramatis personae), [iv] (contents), 244, [ii] (publisher's advertisements) pp. Small composer's facsimile signature handstamp to title. Wrappers worn and detached; upper wrapper trimmed and laid down; lower lacking; spine lacking and reinforced with paper tape. Worn; title with small chips and tears and taped at hinge; slight damage to 2 leaves at inner margin. First English edition, revised for the London stage.

Size: 4to. [iv (title)], 244pp. Publisher's printed pictorial coloured wrappers (backstrip slightly worn) illustrating a young lady on a swing in a tree. Produced at the Apollo Theatre under the management of George Edwardes; Ermerance, Countess de Champ Azur, played by Miss Rosina Brandram.

Folio. Original publisher's decorative ivory wrappers. 1f. (half title), 1f. (title), [i] (notes on first performance and cast list), [ii] (contents), [i] (blank), 253, [i] (blank) pp. With named cast in manuscript for a performance at the Opéra Comique in November of 1917 to cast list. Wrappers worn and chipped with some loss; edges dampstained; partially detached; archival tape repairs. Some loss to lower margin of half-title; minor light staining to final few leaves. First Edition. Béatrice, to a libretto by Caillavet and Flers after C. Nodier, was first performed in Monte Carlo on 21 March 1914. "Messager's most significant stage work from the war years was Béatrice (1914), a quasi-Wagnerian piece, whose première was moved from Paris to Monte Carlo at the outbreak of war." "Messager's style is characterized by fine orchestration (evident also in the ballet music), a gift for easy-flowing melody, often in a waltz rhythm, and a skill in writing music of a dance-like character. [His]contribution to French music, both through his own works and as conductor and promoter of opera, is undeniable, and was recognized as such by his musical contemporaries in many countries." John Wagstaff and Andrew Lamb in Grove Music Online.

Large octavo. Quarter black calf with black pebbled paper boards, spine in ruled compartments gilt, titling gilt. 1f. (decorative title), 1f. (notes on first performance, named cast list, and contents), 223, [i] (blank) pp. Named cast includes Jourdan, Simon-Max, Gobin, Chauvreau, Riga, Duhamel, Simon-Girard, Vialda, Lucy Jane, Marguerite Hicks, and Veil. Binding worn and rubbded; hinges split. Title slightly browned and stained, with bookseller's handstamp; first two leaves partially detached. First Edition, [?]second issue. La fauvette du temple, to a libretto by Burano and Humbert, was first performed in Paris at the Folies-Dramatiques on November 17, 1885.

Quarto. Full dark green cloth library binding, titling and shelf number gilt to spine. 1f. (dedication), 1f. (title), 1f. (notes on first performance and named cast list), 1f. (contents), 135, [i] (blank) pp. Named cast includes Yvonne Printemps, Marthe Ferrare, Marie Dubas, Reine Bernède, Duplessis, Duval, Cornet, Sacha Guitry, Louis Maurel, Urban, Pierre Darmant, L. Kerly, Henri Garat, Marin, Robert Jugain, and de Size. From the collection of noted American conductor and composer Sigmund Romberg (1887-1951), with "Library of Sigmund Romberg" gilt to lower outer corner of upper board. Binding slightly worn, with remnants of label to spine; library bookplate to front pastedown with "withdrawn" stamped in red. Outer margins trimmed, not affecting music; perforated doodles to first leaf; library handstamp to third leaf. First Edition. L'amour masqué, to a libretto by S. Guitry, was first performed on15 February 1923. "Messager's style is characterized by fine orchestration (evident also in the ballet music), a gift for easy-flowing melody, often in a waltz rhythm, and a skill in writing music of a dance-like character. [His] contribution to French music, both through his own works and as conductor and promoter of opera, is undeniable, and was recognized as such by his musical contemporaries in many countries." John Wagstaff and Andrew Lamb in Grove Music Online.

Brossura. Zustand: discrete. Testo francese. Cm.33x26. Pg.8. Coperta decorata. 50 gr.

Quarto. Original publisher's decorative blue wrappers printed in dark blue. 1f. (title), 1f. (recto decorative title printed in sepia and black, verso blank), 1f. (first performance information and named cast list), [iii] (contents), [i] (copyright statement), 233, [i] (blank) pp. Named cast includes Mariette Sully, Germ. Gallois, Marg. Fournier, Ginette, Lavernière, Nita Rolla, Dalba, Valfort, Valmory, Valdiny, Eymard, Marius, Prince, Alberthal, Claudius, Simon, Bergerat, Maréchal, Rocher, Duclerc, Guérin, Darcourt, and Armand. Wrappers slightly worn; minor damage to head and tail of spine; hinges tender. Slightly browned; some signatures split. First Edition. Les dragons de l'impératrice, to a libretto by Duval and Vanloo, was first performed in Paris at the Variétés on 13 February 1905. "Messager's style is characterized by fine orchestration (evident also in the ballet music), a gift for easy-flowing melody, often in a waltz rhythm, and a skill in writing music of a dance-like character. [His] contribution to French music, both through his own works and as conductor and promoter of opera, is undeniable, and was recognized as such by his musical contemporaries in many countries." John Wagstaff and Andrew Lamb in Grove Music Online.

27 S. OUmschlag. Rücken verstärkt, Ränder gering vergilbt. Erstausgabe. - Mit Beilage: Titelillustration in Farbe.

Photographie von Henri Manuel (Portrait). Format: Postkarte. Messager war an der Niedermeyerschen Kirchenmusikschule in Paris. Er studierte auch einige Zeit bei Saint-Saëns. Nachdem er als Chororganist an Saint-Sulpice in Paris und als Kapellmeister am Eden-Theater in Brüssel gearbeitet hatte, war er an verschiedenen Kirchen in Paris tätig. Als Directeur général der Opéra Comique dirigierte er 1902 die Uraufführung von Debussys "Peleas et Mélisande". Sein kompositorisches Schaffen umfasst zahlreiche Bühnenstücke aber auch Romanzen, Chansons, Violinstücke u.a. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

Photographie (Portrait). Format: Kabinettkarte. Messager war an der Niedermeyerschen Kirchenmusikschule in Paris. Er studierte auch einige Zeit bei Saint-Saëns. Nachdem er als Chororganist an Saint-Sulpice in Paris und als Kapellmeister am Eden-Theater in Brüssel gearbeitet hatte, war er an verschiedenen Kirchen in Paris tätig. Als Directeur général der Opéra Comique dirigierte er 1902 die Uraufführung von Debussys "Peleas et Mélisande". Sein kompositorisches Schaffen umfasst zahlreiche Bühnenstücke aber auch Romanzen, Chansons, Violinstücke u.a. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

Zus. 5 SS. auf einem Doppelblatt und 4 Einzelbll. 4to und 8vo. In französischer Sprache an einen Bekannten, bedauernd, dass der Opernsänger Jean de Reszké (1850-1925) aufgrund eines Emphysems nicht an einem Wettbewerb teilnehmen könne, sowie in der Absicht, dem Sänger Jean-François Delmas den ersten Akt aus der Oper "Alceste" anzubieten: "Jean de Reszké ne peut malheureusement pas prêter son concours au concert Marty. Il a de l'emphysème et est en train de suivre un traitement qui le met dans l'impossibilité de chanter [.] Je vais parler demain à Delmas du 1er acte d'Alceste. J'espère qu'il acceptera [.]". Auf Briefpapier mit gepr. Briefkopf. - An einen Freund mit dem Wunsch, zur Aufführung von dessen Theaterstück zu kommen, sowie in der Hoffnung auf ein gemeinsames Abendessen und einen Besuch des "Gymnase" im Anschluss an die Vorstellung: "Vous m'avez aimablement proposé hier soir une place pour aller voir votre pièce; pouvez-vous me caser ce soir? J'irai diner à l'Américain tout exprès pour vous rencontrer et je pense que nous pouvons aller au Gymnase ensemble après. Ma femme y est allé hier soir et est revenue enthousiasmée [.]". - Das Manuskript mit einem Nachruf auf den Operettenkomponisten Claude Terrasse (1867-1923): "Une bien triste nouvelle nous parvient ce soir: Claude Terrasse vient de mourir. C'est un excellent musicien, un parfait honnête homme, un confrère serviable et bon qui disparait. Depuis déjà plusieurs mois l'état de sa santé donnait de vives inquiétudes à ses amis, mais nous avions confiance comme lui-même, car son caractère heureux lui faisait entrevoir un retour à la santé que la belle saison et l'air de la campagne devaient hâter [.]". - Randläsuren.

French composer and conductor. ALS in French, 1p, 4½" X 6¼", Paris, France, 1922 February 24. Addressed to "Mon cher Franz." Near fine. Nice music content: "You must direct the Colonne concert from the 19th of March and give the first scene of the third act of Parsifal. Can I count on your cooperation? Delmas has accepted singing Gurnemary. Naturally, he read it without understanding it. I am waiting for a good yes." Most attractive.