Mel herbert (12 Ergebnisse)

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In.

Zustand: Very good. First Edition. First edition of this companion book to a mammoth retrospective exhibit on the modernist sculpture artist's work. 10.75'' x 9''. Original glossy green pictorial paper boards. Yellow endpapers. 255 illustrations, including 130 duotone and 10 color plates. 248 pages. Book with rough 1.5 inch scrape to rear joint, tiny bit of lamination pulling. Small, faint crease to rear endpaper. Else fresh, clean. …

hardcover. Zustand: very good(+). near fine. Illustrated abundantly in color and in black and white. 240 pages. 4to, blue cloth with gilt spine lettering, d.w. (cloth lightly sunned on low edge). New York: Harper & Row, (1988). Endpaper at rear hinge torn. A very good(+) copy in a near fine dust wrapper.…

[6] pp. (folder) ; [8] pp. (illustrations); 28 x 21.5 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed March 1971 issue of Art Now : New York. Edited by Paul Katz and Ward Jackson. Artists include Herbert Ferber, Loren MacIver, Brice Marden, Isamu Noguchi, Philip Pearlstein, Mel Ramos, Hyde Solomon, and John Tweddle. Off-white folder containing 8 loose-leaf color plates. Includes statements about the artists and statements by the artists. Good. Yellowing of cover edges and significant dfust soiling of covers. 1.3 cm. stain to recto. Bumping of bottom right corner of publication. Light yellowing of illustrations and bumping of illustration corners. Contents clean and unmarked. …

Tapa blanda. Zustand: Muy bien. Primera edición. Lawrence Sanders; Donn Pearce; James F. Fixx; Roy Andries; De Groot; Calvin Trillin; Mel Ramos; Herbert Gold; J. B. Handelsman; Robert L. Green; Michael Crichton "The Terminal Man"; Richard Pollak; Neil Martin; Alberto Vargas; Mao Tse - Tung "Sevin Poems"; Anthony Burgess "Precognition"; Alden Erikson. MUY BUEN ejemplar. 254pp.…

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…

First Draft script for the 1952 film. The script's development history began in the US with Vanguard Films and this draft by Dinelli, and was ultimately produced by Republic Pictures in conjunction with Herbert Wilcox Productions in the UK. Script credit was ultimately given to Pamela Bower. Based on the 1913 novel by E. C. Bentley. A reporter is assigned to cover the case of an international businessman in town who was found dead. He poses as a member of the family to gain access to the businessman's house and information from the lead detective on the case who suspects the death was a suicide. Set in Hampshire, England. Blue titled wrappers, noted as First Draft on the front wrapper, rubber-stamped copy No. 12, dated May 22, 1947, with credits for novelist E.C. Bentley and screenwriter Mel Dinelli. Distribution page present, with receipt intact. 110 leaves, with last page of text numbered 109. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three silver brads.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Quarto. Fine in fine dustwrapper.