Meeuf (56 Ergebnisse)

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Softcover. Zustand: Fine Crisp, bright, clean. Stated First Edition. no owners' marks; as new. vii, 236pp incl. index..

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Zustand: New. Num Pages: 248 pages. BIC Classification: APFA; JFD. Category: (G) General (US: Trade). Weight in Grams: 681. . 2017. Paperback. . . . . Books ship from the US and Ireland.

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Taschenbuch. Zustand: Neu. Neuware - What kinds of terror lurk beneath the surface of White respectability Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.…

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Taschenbuch. Zustand: Neu. Neuware - Contributions by Eric Gary Anderson, Hatice Bay, Thomas Britt, Robert Burgoyne, Emily Diane Burkett, Jack Finucane, Adam Hebert, Noemí Fernández Labarga, Russell Meeuf, Wade Newhouse, Isaiah Frost Rivera, Nancy McGuire Roche, Laurent Shervington, Amira Shokr, James Steck, Christy Tidwell, and Lauren Tocci After the commercial and critical success of 2017's Get Out, Jordan Peele quickly established himself as an exciting and innovative auteur with a knack for reinventing Hollywood's genres through the lens of contemporary race relations. With a focus on horror, his films invert the racial preoccupations of an industry that, especially since the mid-2000s, has been fixated on white fears and anxieties. A highly anticipated cinematic event, the release of Nope (2022), Peele's newest meditation on race, filmmaking, and media spectacle, did not disappoint. The Impossible Shot: Race, Genre, and Spectacle in Jordan Peele's 'Nope' explores the director's latest film from a variety of perspectives and situates Nope within his larger work, alongside the growing body of scholarship on Peele and the political turn in post-Trump US horror. His third film offered a sprawling, epic, sci-fi, Western, family melodrama focused on those at the margins of Hollywood image making. This collection offers groups of essays organized around three interconnected themes: Nope's interrogation of media spectacle and the politics of gazing in the social media era; its expansive intertextuality and layers of pop culture referents; and its investment in positioning animals and ecology into a narrative about media and consumption. By teasing out the nuances and complexity of Peele's work, this volume will appeal to film and media scholars; teachers and students exploring issues of race, media, genre, or Peele as a director; and fans of horror in general. …

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Paperback. Zustand: Brand New. 1st edition. 268 pages. 9.00x5.75x0.75 inches. In Stock.

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Zustand: New. &Uumlber den AutorRussell MeeufInhaltsverzeichnisAcknowledgmentsIntroduction: Whiteness, Politics, and Horror1. Whiteness Under Siege, Part 1: Haunted House Films2. Whiteness Under Siege..