Mcginley chris (11 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 180 pages. 8.00x5.00x0.45 inches. In Stock.

Paperback. Zustand: Brand New. 332 pages. 8.50x5.50x0.83 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Neu. Neuware - Coal Black is unfiltered mountain crime. Set in the hills of eastern Kentucky, these tales lay bare the dark realities of the region. Sometimes the backdrop is the opioid epidemic and all the human detritus and bloodshed that comes with it. Other times it's poachers or petty thieves who take center stage, people whose wild desperation invite danger everywhere they go. High in the hills the action takes place, alongside the rarely seen animals who hunt up there, and sometimes alongside the 'haints' and spirits of popular folklore.…

Taschenbuch. Zustand: Neu. Neuware - 'In 1898, life on Black Boar Mountain in eastern Kentucky is quiet for the small settlement of farmers and drovers who work the land around their little cabins. But when ten-year old Lydia King and her father unearth an ancient, preserved body up on the seep bog, a curse is let loose . . . or so some believe. Once These Hills is a gritty, historical crime novel aimed at fans of rural noir. It's set in the hills of Appalachia, a place where spirits, dangerous animals, and escaped criminals roam the terrain right alongside the settlers who seek only to live simply. Life first begins to change for the hard-working mountaineers when the railroad lays track to support the timber company, hell bent on clearcutting the entire forest despite the damage caused to people and the landscape. To keep costs down, the railroad uses convict labor. Problem is, a trio of violent prisoners feel the work isn't exactly to their liking, and so they decide to kill a guard and take to the hills. Guided by their ring leader Burr Hollis, a predatory, sadistic man whose name inspires fear amongst the hardest of criminals, they sneak onto Black Boar under cover of night. There they murder Lydia's father and terrorize the family. But Lydia, now thirteen and deadly with a bow and arrow, slays one of the marauding convicts and sends the other two running. Of course, the town sheriff works hand-in-glove with the railroad, and he puts more effort into protecting the company from bad publicity than into tracking the escaped prisoners-a fact that doesn't sit well with those on Black Boar. Clytie Noe, a whiskey-sipping friend of the King family, handy with a rifle herself, encourages Lydia to pursue the convicts along with her--using evidence from a tintype one of the rouges has accidentally left behind. But in the meantime, Lydia falls in love, and after a few years she marries a mountain boy named Cole Clemmons, someone as skilled and at home in the woods as she. Lydia discovers an intimate part of herself with Cole, and she experiences both a sexual and spiritual awakening that allows her to put the tragedy behind her. Or so she thinks.'. …

256 pp.; 28.5 x 22.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Contemporary Arts Center, Cincinnati, March 13 - May 23, 2004. Traveled to Yerba Buena Center for the Arts, San Francisco, CA, July 17 - October 3, 2004. Traveled to the Orange County Museum of Art, Newport Beach, CA, February 5 - May 8, 2005. Exhibition organized and catalogue edited by Aaron Rose and Christian Strike. Essays by Aaron Rose, Christian Strike, Alex Baker, Thom Collins, Jeffrey Deitch, Carlo McCormick, Arty Nelson, James E. Walmesley, and Jocko Weyland. Artists include Thomas Campbell, Cynthia Connolly, Brian Donnelly, Cheryl Dunn, Shepard Fairey, Phil Frost, Mark Gonzales, Evan Hecox, Jo Jackson, Todd James (REAS), James Jarvis, Andy Jenkins, Chris Johanson, Spike Jonze, Margaret Kilgallen, Harmony Korine, Geoff McFetridge, Barry McGee, Ryan McGinley, Ryan McGuinness, Mike Mills, Stephen Powers (ESPO), Terry Richardson, Clare E. Rojas, Rostarr, Ed Templeton, and Tobin Yelland. Includes full page artists' pages on Raymond Pettibon, Clare E. Rojas, Jo Jackson, Craig R. Stecyk III, Chris Johanson, Thomas Campbell, Ed Templeton, and Barry McGee. Includes biographies of artists as well as of artists identified as roots and influencers including Jean-Michel Basquiat, Neil Blender, Henry Chalfant, Larry Clark, R. Crumb, Glen E. Friedman, Futura, Keith Haring, Wes Humpston, Ari Marcopoulos, Raymond Pettibon, Pushead, Craig R. Stecyk III, and Andy Warhol. Also includes contributor biographies. Very Good / Fine. Small bump to bottom right corner of publication and right side of recto. Light dusting of dust jackets. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

166 pp.; 23.5 x 28 cm.; glue bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed "This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. The book, then, can be seen as a sort of memoir. Always placing the artists and their works within a social milieu, while also aware of how art travels across time, he reminds us that both lead multiple lives, as an exhibition can reanimate a work from the past, and occasion the discovery of forgotten and marginalized figures among those who are very well-known. This retrospective catalog is also in many ways an ideal exhibition -- or collection -- 27 years in the making." -- publisher''s statement. Artists include: Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O''Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smithson, Mark Stahl, Haim Steinbach, Rudolf Stingel, Lily van der Stokker, Aaron Suggs, Philip Taaffe, Paul Thek, Wolfgang Tillmans, Betty Tompkins, Josh Tonsfeldt, John Tremblay, Alan Uglow, Kelley Walker, Jeff Wall, Joan Wallace, Wallace & Donohue, Dan Walsh, Andy Warhol, and Christopher Wool. Fine. Covers and contents clean and unmarked.…