Mcdonald michael david (14 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. No dustjacket. Wear to spine. Scuffs to cover. Inscription at front. Light tanning to pages & foxing to edges/endpapers. Pen marks/underlining to content.

Paperback. Zustand: Brand New. 236 pages. 8.25x6.00x0.75 inches. In Stock.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Near Fine. 1st Edition. First US edition; dust jacket has small piece missing from top of spine. Otherwise in excellent condition - no inscriptions.

hardcover. Zustand: Gut. 224 Seiten; 9780861879656.3 Gewicht in Gramm: 1.

Hardcover. Zustand: Brand New. 236 pages. 8.50x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 246 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 578 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: gut. Collecting prints and drawings in Europe, c. 1500-1750 In englischer Sprache. pages.

Hardcover with dusjacket, 225 pages, Illustrated. **fine!! ISBN 9780754600374. Collecting prints and drawings in Europe, c. 1500-1750 ; Papers of a conference held at the National Gallery in London in 1997, organized by the Burlington Magazine and sponsored by the Getty 0 g.

Soft cover. Zustand: Very Good. Landmark document by the Art Workers Coalition which compiled documents and correspondence aggregated to push for better situations for artists. 121 pages in stiff stapled wraps, this original is quite scarce in any condition, this copy being quite decent with one or two notes, most significant of which is a large stain to front cover, alongside some similar but significantly smaller and more faint iterations on front and back panel. Couple of teeny tiny dot stains to front and rear free endpages but hardly so and no other stains besides. Offset toning to full vertical length of front panel, also a bit around the very edges of the margins of the covers and to a lesser extent the interior pages. Staples rusted but still seem quite sturdy, and seems binding should hold well. Interior is clean and free of marks. Covers now in mylar.…

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.…