mccarthy gallagher (12 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. First. 8vo. From the Library of K Lovell educational psychologist. covers heavily worn with some creasing. Book.

Zustand: New. In.

Paperback. Zustand: Brand New. illustrated edition. 300 pages. 10.25x8.50x1.00 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0306400898.

Hardcover 23x16. Zustand: Gut. xviii, 258 Seiten altersentsprechend gebrauchtes gutes Bibl.-Exemplar, Einband leicht berieben/angestoßen, Inhalt ist gut erhalten ha1004749 Sprache: Englisch Gewicht in Gramm: 570.

Broché. Zustand: Etat moyen. in-8 Description :132 pp. Couverture salie. Langue : Anglais Nb de volumes : 1.

Broché. Zustand: Etat satisfaisant. in-8 Description :144 pp. Couverture légèrement salie avec une pliure. Langue : Anglais Nb de volumes : 1.

Broché. Zustand: Etat satisfaisant. in-8 Description :130 pp. Couverture salie. Langue : Anglais Nb de volumes : 1.

Broché. Zustand: Bon état. in-8 Description :126 pp. Couverture légèrement salie. Langue : Anglais Nb de volumes : 1.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. The tension generated by the old newspaper on the cover derives from several contrasting associations. Someone may have thoughtfully made a personal cover for Parkett: a newspaper that proverbially lasts but a single day protectively wrapped around an art publication to preserve its so-called claim to eternity. Who were the readers of this daily newspaper, which is obviously older than Parkett and once targeted non-white readers? Newspapers stand for reality. Yet no matter how low-key Ellen Gallagher s interventions may be, they counter images of relentlessly determined existence with a world that is both playful and fantastic. Paul McCarthy s art banks on brawn, excess, outbursts and sweeping spatial and mental dimensions, incorporating everything from the conventional image of humanity to his own ego and mythological figures. Here he has so thoroughly revamped the usual question and answer format of his interview with Jeremy Sigler that it is beyond legibility. And as in the modified newspaper, the resulting image makes new demands on readers. The words interview and newspaper also loom large in the work of Anri Sala, the third Collaboration ar tist in this issue of Parkett. In 2003, Sala published a book titled Thousand Windows The World of the Insane. It contains photos that the then 18-year-old ar tist took in 1991 of the untold newspapers that sprang up after the fall of the socialist régime as well as the improvised newsstands where they were sold on the streets of Tirana. The book takes its title from two such newspapers. In her conversation with Anri Sala, Lynne Cooke inquires about another well-known work, INTERVISTA FINDING THE WORDS (1998), and hence the essence of Sala s ar tistic concerns: The strand that I m tracing in your works has to do not only with actual silence but, more often, with not speaking or not being able to speak, or speaking via conduits or other channels. In his Insert, Matthew Brannon also takes what might be called a meta-look at printed matter. The ar tist as collector traces the contours of human fear in contemporary civilization in his prosaic lineup of movie posters. Their telling slogans and compact visual language speak volumes, covering territory that ranges from Schopenhauer to Freud and cogently illustrating a truism of journalism: Unhappiness is a more easily accessible experience than that of happiness. We are threatened with suffering from three directions: from our own body, which is doomed to decay and dissolution and which cannot even do without pain and anxiety as warning signals; from the external world, which may rage against us with overwhelming and merciless forces of destruction; and finally from our relations to other men. (Sigmund Freud) The spine has been designed by Carsten Nicolai. Table of Content Where is Wickerfinn Lutz? Jason Dodge by Angela Rosenberg Ellen Gallagher Oblique Brilliance by Michelle Cliff The Racial Colorist by Ben Okri The History Lesson Flesh Is a Texture as Much as Color by Thyrza Nichols Goodeve Anri Sala Missing Presences by Mark Godfrey From Silence to Language and Back Again by Lynne Cooke On the Margins of History by Jan Verwoert Paul McCarthy A Few Words for DEAD H by Lane Relyea A Dialogue with Language Itself by Jeremy Sigler & Paul McCarthy Matthew Brannon, Insert RoseLee Goldberg: Dreaming in Cuban by Tania Bruguera Natural Pathos: Harald Szeemann (1933 2005) by Tobia Bezzola A Post-Biennal Post-Script, Cumulus from America by Debra Singer What to Do With Alternative/Artistic Knowledge, Cumulus from Europe by Natasa Petresin Steven Parrino (1958 2005) by Fabrice Stroun.