Mayo jean (15 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 142 pages. 9.75x8.25x0.50 inches. In Stock.

Zustand: Very Good. Bon état. 16 8x2 2x10 8cm. 2009. mass_market. Very Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Gebunden. Zustand: New.

Paris Éditions Jean-Jacques Pauvert revue Bizarre n°VII mars 1957 - Broché 19 cm x 27 cm 78 pages - Textes de René de Solier Jean Follain Marianne Andrau René de Obaldia André Blavier Olivier de Carfort Jacques Siclier ; illustrations noir photographies de Robert David et Pierre Espagne - Très bon état. Bon état.…

Taschenbuch. Zustand: Neu. Science ou Sorcellerie | Théâtre africain pour écoliers | Jean Mayo Mpia | Taschenbuch | Französisch | 2024 | Éditions Muse | EAN 9786204959740 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu. …

Couverture souple. Zustand: Assez bon. Catalogue d'exposition « MAYO Peintures » à la Galerie Dina Vierny, juin-juillet 1948, 21 pages, une lithographie en couleurs, deux illustrations hors texte en noir. Présent : 1 carte d'invitation séparée. Il a été tiré de cet ouvrage 50 exemplaires sur vélin d'Arches numérotés à la presse, signés par les auteurs et l'artiste. Notre exemplaire est marqué N° 143, sans autre indication de tirage, et ne comporte aucune signature. Couverture souple à petit rabat, lettrage en noir sur le plat. Prévoir une réduction des frais de port, catégorie enveloppe environ 250 g ; nous vous renseignons volontiers. Etat : Assez bon. Couverture : moyen, dos fragilisé (petites réparations avec papier transparent autocollant (Scotch), ombres de salissures et salissures. Intérieur : papier jauni et défraîchi, sinon bon. 24.1 x 19 x 0.3 cm 110g. Antoine Malliarakis, dit MAYO (illustrator).…

Zustand: Good. Original pictorial wraps. 18.2 x 25.8cm. 52pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca. The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????1940????????????????????????????????????????????????????????????????????????????????????????????????SCAP????????????????????????????????????????????????????????????????????????..…

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…

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