maynard geoffrey (13 Ergebnisse)

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Jg 350 Sprache: Englisch Gewicht in Gramm: 550.

Paperback. Zustand: Very Good. 59p pink booklet with card cover, stapled, pages clean, very good Language: English.

Zustand: Good. 1962. Hardcover. 295p. d.w. Keywords: Subjects. Not a first edition copy. . . .

Hardcover. Zustand: Good. 295p navy cloth hardback with purple dustjacket, some wear and light tearing to dustjacket, this copy from a Cambridge college library with light markings, slight tear to front hinge, sparse delicate pencil notes, text is clear and bright throughout Language: English.

London 1976. 272 pages. Original cloth. Dust jacket.[#120323].

Zustand: New. KlappentextrnrnThis is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we hav.

OLwd (St.a.T.). London, MacMillan, 1962. 8vo. VIII, 295 S. OLwd (St.a.T.).

First edition, second printing of this collection of narrative poetry, some of which appear for the first time here. Octavo, original cloth, illustrated with engravings by John Nash. Presentation copy, inscribed by H.S. Mackintosh, "To Miss S. Fraser-Luckis from H.S. Mackintosh. September 1937." In very good condition with some toning to the spine and light rubbing to the extremities. Promoted as "dancing songs," the ballade originated as one of the three original French formes fixes. The verse form typically consists of three eight-line stanzas, each with a consistent metre, a particular rhyme scheme and a refrain at the end of each stanza. The form later evolved into the popular narrative "ballad" of Great Britain and Ireland from the Late Middle Ages until the 19th century, which took on the romantic context of the love song.