maxfield richard (18 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 2nd Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Subsequent. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Subsequent. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Oversized Paperback. Zustand: Good - Cash. General use wear, surface and edges rubbed. Corners bumped and show wear. Pages show reader wear. Fading on spine from sun exposure. Stock photos may not look exactly like the book.

Hardcover. Zustand: Brand New. 504 pages. 8.20x5.80x1.20 inches. In Stock.

[1] pp.; 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed; Vintage photocopy of program for performances held at The Living Theatre, August 8, 1960. Performances include "A Salute To Our National Guard," by John Herbert McDowell, with Stephen De Naut, Peter Hartman, Donald Jennings, Allen McGill, Dino Narizzano and Nicolas Roussakis; "Beserk in the Park," by Stephen De Naut, with John Herbert McDowell, Michael Arquette, Nicola Cernovich, Barbara Mostel, and Cynthia Bebout, directed by Michael Arquette; "Solo Study," choreographed and danced by David Gordon, with music by James Waring and costume by Barbara Kastle; "Murder Cake," by Diane Di Prima, with Audree Rae, Dino Narizzano, Cynthia Bebout, Dino Narizzano, Richard Nelson, Nicola Cernovich, and Peter Hartman, directed by Nicola Cernovich; "Gossoon," by George Brecht with dancers Joan Baker, Jerry King and movement arranged by James Waring; "Odiphery," by Nicola Cernovich with music by Richard Maxfield "Awake in Spain," by Frank O''Hara, with David Cattanach, Nicola Cernovich, Anita Dencks, John Herbert McDowell, Dino Narizzano and Audree Rae, directed by James Waring and music arranged by Peter Hartman. Fair. Numbers written in pencil on top right corner of recto. "Program" written on top left corner of original copy. Horizontal crease at center. 6 mm. tear on right edge.

Second Edition, a trade softcover original, with all inserts present. The faithful reprint of the seminal Fluxus manifesto, originally published in 1963. INSCRIBED by editor Jackson MacLow on the front wrapper verso: "This copy for David [and] Ellie [and] Blaine / Jackson / 3/11/74." Good to Very Good in perfect bound red-and-black wrappers, with loss at the bottom fore-edges, and moderate fading on the spine and page edges. Fluxus Codex US. Signed.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint.

[12] pp.; 22.8 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for three plays produced during the 1959-60 season at the Living Theatre. "The Theatre of Chance I : The Marrying Maiden," by Jackson MacLow, directed by Judith Malina, designed by Julian Beck, lighting by Nikola Cernovich, and music by John Cage with the assistance of Richard Maxfield ; "The Theatre of Chance II : Women of Trachis," by Sophocles, a version by Ezra Pound, directed and designed by Julian Beck, music by Lucia Dlugoszewski, lighting by Nikola Cernovich, film by Willard Maas and Marie Menken and "The Connection," by Jack Gelber, directed by Judith Malina, designed by Julian Beck, lighting by Nikola Cernovich, and music by Freddie Redd. Program also includes the essay "The Theatre of Chance by Judith Malina and "A History of the Living Theatre." Good / Very Good. Light wear to cover edges and light yellowing of pages, otherwise clean and unmarked.

[1] pp.; 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; mimeograph; Single-sided program for performances held at The Living Theatre, August 8, 1960. Performances include "A Salute To Our National Guard," by John Herbert McDowell, with Stephen De Naut, Peter Hartman, Donald Jennings, Allen McGill, Dino Narizzano and Nicolas Roussakis; "Beserk in the Park," by Stephen De Naut, with John Herbert McDowell, Michael Arquette, Nicola Cernovich, Barbara Mostel, and Cynthia Bebout, directed by Michael Arquette; "Solo Study," choreographed and danced by David Gordon, with music by James Waring and costume by Barbara Kastle; "Murder Cake," by Diane Di Prima, with Audree Rae, Dino Narizzano, Cynthia Bebout, Dino Narizzano, Richard Nelson, Nicola Cernovich, and Peter Hartman, directed by Nicola Cernovich; "Gossoon," by George Brecht with dancers Joan Baker, Jerry King and movement arranged by James Waring; "Odiphery," by Nicola Cernovich with music by Richard Maxfield "Awake in Spain," by Frank O'Hara, with David Cattanach, Nicola Cernovich, Anita Dencks, John Herbert McDowell, Dino Narizzano and Audree Rae, directed by James Waring and music arranged by Peter Hartman. Fair. "Program" written in red ink on top left corner of recto. Horizontal crease at center. Edge-wear and yellowing of page.

[1] pp.; 35.5 x 25.4 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with the world premiere of the electronic opera "Stacked Deck" held April 30, 1960. Book by Dick Higgins, score by Richard Maxfield, directed by Maurice Edwards, and produced by David Johnson. Cast included Martin Sameth, Richard La Tessa, Gui Burton, Francis Dux, Kenneth Shelton, Harry Brauser, John Wynne, Alice Spivak, Marcia Pavia, Tomi Romer, Ann Alpert, Florence Tarlow, and Ruth Sobotka. Lighting by Nick Cernovitch. Very Good. Mailed copy with mailing marks and wear, sent by Dick Higgins c/o Alison Knowles. Folded in six for mailing. Light bumping of edges and light rubbing, otherwise unmarked.

[1] pp.; 36 x 25.4 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster / announcement for performances held at Hunter College Playhouse, New York City, February 3, [1963]. Musical Director, Richard Maxfield, and lighting designer Nicola Cernovich. Dancers include Valda Setterfield, Yvonne Rainer, Diana Munzer, Arlene Rothlein, David Gordon, Fred Herko, Aileen Passloff, Deborah Hay, Elizabeth Keen, Barbara Lloyd, Linda Sidon, and Maryann Tobier. Designs by Remy Charlip, Red Grooms, Al Hansen, Robert Indiana, Larry Poons, Lucas Samaras, Robert Watts, and Robert Whitman. Very Good. Folded in four, mailed copy with mailing marks and stamp on verso, hand addressed in ink.

Zustand: Very Good+. AN ANTHOLOGY OF CHANCE OPERATIONS (Edited by Jackson Mac Low), New York: Heiner Friedrich. 1970. 208 x 230mm. 112pp. Second edition. One of 4000 copies. Faithful re-issue of the 1963 Fluxus publication. Printed on 7 coloured paper stocks with 2 loose sheets and 2 mounted envelopes containing performance scores. Designed by Maciunas, with contributions by George Brecht, Claus Bremer, Earle Brown, Joseph Bryd, John Cage, David Degener, Walter De Maria, Henry Flynt, Yoko Ono, Dick Higgins, Toshi Ichiyanagi, Terry Jennings Dennis, Ding Dong, Ray Johnson, Jackson Mac Low, Richard Maxfield, Malka Safro, Simone Forti, Nam June Paik, Terry Riley, Dieter Rot [Dieter Roth], James Waring, Emmett Williams, and Christian Wolff. Condition: Sunning to spine, light wear to edges of front cover, handling marks to front cover and back cover as seen. Minor toning to some pages. Internally Very Good+, no tears or major issues. Overall Very Good+ in Very Good dust jacket.

[1] pp.; 32.2 x 21.1 cm.; black-and-white; edition size unknown; unsigned and unnumbered; mimeograph; Flyer / announcement published in conjunction with "A Concert of New Music" held March 14, 1960. The night of performances included "Sound Piece 1958" by Allan Kaprow; "Card Piece for Voice" by George Brecht; "Telephone Music" by Robert Rauschenberg; "Symphonie Pastorale" by Richard Maxfield; "Suite for Toy Piano" by John Cage; "Bibbe's Tao" by Al Hansen; "Cough Music" by Maxfield; "Music for a While" by John Herbert McDowell; "Imaginary Landscape No. 5" by Cage; and "Candle Piece for Radios" by Brecht and others. Also incorporated construction in lobby, "The Hep Amazon" by Al Hansen. Program arranged by Nicola Cernovich and James Waring. References : "Allan Kaprow : 18 Happenings in 6 Parts" by Allan Kaprow, Andrè Lepeke, Eva Meyer-Hermann, Stefanie Rosenthal. London / London, United Kingdom : Steidl / Hauser & Wirth, 2007 14.3.60, No. 1 in "Happening & Fluxus" by Hans Sohm, Harald Szeemann. Cologne, Germany : Koelnischer Kunstverein, 1970, unpaginated. Good. Folded in eighths with dog-ears to three of the four corners, the largest measuring 8.7 cm.'s. 1.7 cm. tear and folding of torn edges along lower right edge. Moderate overall handling wear.

Vintage flyer for an experimental music show, held at The Living Theatre on March 14, 1960. Flyer advertises performances by John Cage, George Brecht, Alfred Hansen, Allan Kaprow, Richard Maxfield, John Herbert McDowell, and Robert Rauschenberg. Among the pieces performed were Kaprow's "Sound Piece 1958," Brecht's "Candle Piece for Radios" and "Card Piece for Voice," Rauschenberg's "Telephone Music," Maxfield's "Cough Music" and "Symphonie Pastorale," Cage's "Imaginary Landscape No. 5" and "Suite for Toy Piano," Hansen's "Bibbe's Tao," and McDowell's "Music for a While." Founded in 1947, The Living Theatre laid the foundation for a robust underground art scene in the New York City. After more than a decade of successful original radical stage productions and adaptations of works by playwrights such as Bertold Brecht and Gertrude Stein, founders Judith Malina and Julian Beck used their space and resources for the nourishment of the arts more broadly, offering the theatre for literary benefits, film screenings, and musical performances, such as the ones advertised here. 8.5 x 12.75 inches. Near Fine.