max frye (8 Ergebnisse)

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Xiii, 88 Pp. Black And Blue Cloth, Gilt, Green Endpapers. Second Printing Stated (1969), First Published 1967. Fine In Near Fine Price-Clipped Dust Jacket.

Black and blue cloth. Zustand: VG-Fine. 1st ed. Issued by The Society for the Humanities, Cornell University as Studies in the Humanities I. xiii+88, top edge partly yellow tinted; brown flecking, covers clean and unworn but top edge faded from top spine across for c. 3 cms. Otherwise clean, tight & unmarked. Note: quoted non-UK shipping rates are calculated for 500-700 gram net weight, cost will be modified up or down as appropriate outside this range. Size: 14.5 Cm x 22 Cm.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. Reviews by Richard Armstrong, Donald Kuspit, Kate Linker, Ronny H. Cohen, Charles Hagen, Lisa Liebmann, Jeanne Silverthorne, John Howell, Jeff Kelley, Nancy Stapen, Michael Bonesteel, Judith Russi Kirshner, Robert Atkins, Suzaan Boettger, Melinda Wortz, Linda Frye Burnham, Susan C. Larsen, Howard Singerman, Jeanne Randolph, Annelie Pohlen, Max Wechsler, and Luciana Rogozinsky. Cover: Eric Fischl.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. Reviews by Richard Armstrong, Donald Kuspit, Kate Linker, Ronny H. Cohen, Charles Hagen, Lisa Liebmann, Jeanne Silverthorne, John Howell, Jeff Kelley, Nancy Stapen, Michael Bonesteel, Judith Russi Kirshner, Robert Atkins, Suzaan Boettger, Melinda Wortz, Linda Frye Burnham, Susan C. Larsen, Howard Singerman, Jeanne Randolph, Annelie Pohlen, Max Wechsler, and Luciana Rogozinsky. Cover: Eric Fischl.

Vintage studio still photograph of director Jonathan Demme, and actors Jeff Daniels, and Melanie Griffith on the set of the 1986 film. An uptight yuppie is coerced by a free spirited young woman into a road trip back to her home town, where things take a more serious turn when her ex-con husband shows up. Shot on location in Florida, New Jersey, New York, and Pennsylvania. 8 x 10 inches. Annotations in manuscript blue marker on bottom margin, else Near Fine. Criterion Collection 563. Spicer Neo-Noir.

Zustand: Good. Gebundene Ausgabe. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. Festpreis. 88 Seiten. In englischer Sprache. Schutzumschlag mit leichten Gebrauchsspuren sowie leicht verfärbt, Einband gut. Stockfleckig.