maul tim (8 Ergebnisse)

First edition. Softcover. 48 pages. Essay by Jeffrey Hoone. Includes numerous color and black and white images from the photographers were part of the artist in residence program: Margaret Stratton, Ajamu, Saiman Li, Elijah Gowin, Nancy Floyd, Chan Chao, Tim Maul, Stephen Mahan, Tony Gleaton, Zana Briski, Michael Putnam, Beth B, Rita Hammond, and many others. A clean near fine copy in wrappers with some very slight wear.

First edition. Softcover. 16 pages. Text by Jeffrey Hoone and Gina Murtagh. Includes several color and black and white images by Tim Maul, Frank Stewart, Gail Nicholson, Eric Bretenbach, and Ronald A. Wilcox. A close to near fine copy in stapled wrappers. Uncommon.

Zustand: Very good. - Small quarto [approximately 8-1/2 inches square], softcover bound in pictorial wrappers. The wraps are lightly bumped. [18] pages, including inside wraps. Photographic illustrations in color and black & white. Very good. Light Work, director Jeffrey Hoone, associate director Gina Murtagh, supports photographers and fosters the appreciation and understanding of photographic arts, with an emphasis on Central New York photographers, through a grant program, an artist-in-residence program, exhibitions and the publication "Contact Sheet".

Taschenbuch. Zustand: Neu. Neuware.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Perry Ogden (Author photograph) and Tim Maul (Jac (illustrator). First Printing [Stated]. [8], 500, [2] pages. Inscribed by the author on the title page. Inscription reads Nuala O'Faolain for Catherine. Nuala O'Faolain (1 March 1940 - 9 May 2008) was an Irish journalist, TV producer, book reviewer, teacher and writer. She became well known after the publication of her memoirs Are You Somebody? and Almost There. She wrote a biography of Irish criminal Chicago May and two novels. O'Faolain was born in Clontarf, Dublin. Her father, known as 'TerryO' was a well-known Irish journalist. She was educated at University College Dublin, the University of Hull, and Oxford University. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expected her to marry and have children, neither of which she did. In Are You Somebody?, she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who published her own memoir, Nell. From 2002 until her death, O'Faolain lived much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. She became internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. Her posthumous novel Best Love, Rosie was published in 2009. O'Faolain's feminism stemmed from a fundamental belief in social justice. O'Faolain, placed herself at the center of things, a high-risk strategy that worked because of her broad range of erudition, her courage and a truthfulness that sometimes bordered on the self-destructive. Derived from a Kirkus review: With her first fiction, memoirist O'Faolain offers an expansive work touching on the nature of passion, loss, and hope. Approaching 50, Kathleen de Burca finds her life a tidy ruin: a travel writer for decades, she's led a life that may seem glamorous and exciting, yet she has little to show for her wandering years, which seem now less like exploring than simply running away. "The older I got," she says "the heavier my burden of not having been happy yet." At the death of her dearest friend, Kathleen decides to quit her job and return to her native Ireland, where she hasn't set foot since she was 20, to research a little-known divorce case from near the end of the Great Potato Famine (1845-49). She hopes to discover grand passion between the English Marianne Talbot and her Irish stable groom William Mullen, but all she finds are questionsâ"and buried, haunting memories of her own. A nesting box of stories, her narrative slips from the present to a full recounting of her past, then to the distant past in the fairy tale she begins writing about Marianne and William. Not surprisingly, she elevates their love, something she's had little of in her own life. Involved in one debasing sexual experience after another (including a submission to her aged London landlord simply because he asks for it in lieu of paying a clean-up fee), Kathleen is now left to confront the lonely shape of the life she's created and the Ireland she left behind. In a lyrical and often brutal account of Irish life, the Talbot affair and even the misery of her own parents become sins of the dead bearing down on the living. Kathleen's journey home, though, provides the needed catharsis and introduces her, as well, to a man who will love herâ"if she chooses. An honest and poignant account of a woman attempting to build a future on the ruins of the past.

62 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March / April 1980 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Barnett Newman," by Barbara Cavaliere; "Salvador Dali," by Laura Cherubini; "Demythization. The End of Nature and the Death of Art," by Rosario Assunto; "Interview with Clement Greenberg," by Ann Stubbs; "Flash Art New York," reviews by Barbara Cavaliere, Thomas Lawson, Douglas Blau, Valentine Tatransky, and Kim Levin; "Modern Painting and Modern Criticism in England," by Ian Bennett; "Style and Sensibility in British Painting," by Andrea Hill; "Recent British Painting. Future Space," by Adrian Searle; "Flash Art California," review by Richard Armstrong; "The Bewildered Image," by Achille Bonito Oliva; "Italy;" "American Avant-Garde Theater: The Eighties," by Mel Gordon; "Post Avant-Garde Theater in Italy. From Analysis deviance, from subjectivity to the 'show' (1975-1979)," by Giuseppe Bartolucci; "New York 1980," by John Howell; "Reviews," by Tim Maul, Douglas Blau, Andrea Hill, and Helena Kontova; "Switzerland," review by Christoph Schenker and "Flash Art Germany: Notizen," reviews by Annelie Pohlen, Ernst Busche, Heftige Malerei," by Ernst Busch. English translations, corrections, and editings by Michael Moore, Gwen Jones, and Nella Verducci. Cover: Barnett Newman. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

52 pp.; 24 x 17.5 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 6 - May 31, 1991. Curated by Todd Alden. Exhibition includes works by Nayland Blake, John Boskovich, David Carrino, Andrew Masullo, Tim Maul, Maria Porges, Tim Rollins & K.O.S., Cindy Smith, Buzz Spector, Steve Wolfe. Essays by Alden and Paul Holdengräber. Includes exhibition checklist, illustrations of works in exhibition and artists' biographies. Catalogue design by Buzz Spector. Reference : No. 55 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 36. Good. Dust soiling of covers including fingerprint markings on verso. Light yellowing along spine edge and bumping of cover corners with additional light edge-wear. Contents are clean and unmarked.