mary rolfe (9 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: Good. Illustrated (illustrator). Early Reprint. New York, Cincinnati, Chicago: American Book Company, 1890. 12mo. Green olive cloth binding, 270 pp. Illustrated throughout with engravings. Titles in black with relief design to front board. Early reprint from Harper & Brothers. Ownership signature from 1906. Pencil notes on free front end paper. Rear hinge cracked. Good.

23 pp.; 27.9 x 21.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and numbered; offset-printed; Issue number 74 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Body Count," by Susan A. Davis; "Introduction," by Jeremy Gilbert-Rolfe and John Johnston; "The Refrain of Being and Meaning: Analysis of a Dream About A.D.," by Felix Guattari; "The Erotics of Doubt," by Norman Bryson; "Duchamp, Gender, and the Radical Alternative to Modernism," by Amelia Jones; "Doubt," by Amy Gerstler and "The Erotics of Doubt: Hirsch's Kisses," by John Welchman. Cover: Mary Boochever. Very Good. Light rubbing and yellowing soiling of covers. 3 cm. gentle dog-ear to bottom right corner of table of contents with light 1.5 cm. area of yellow soiling. Contents otherwise clean and unmarked.

hardcover. Zustand: Good. Book shows some shelf & handling wear, including minor edge wear and cover scuffing. Pages are slightly worn & taning. A previous owner's gift inscription has been marked on the frontispiece, otherwise interiors show no markings.

hardcover. Zustand: Good. Cover/edges have light wear. Pages are clean/intact.

Eighteen pages, octavo, with four plates on art paper. In original grey printed wraps. Some light staining, creasing and wear. One of 600 copies. Lists seventy-seven items, with addenda of a further eleven. This milestone catalogue was published, according to Sims (A Life in Catalogues, 1994), in May 1949. At foot of title-page: 'N.B. This collection, with the exception of the Addenda of Books, has been sold.'.

First Edition. First Issue. Octavo. 20cm. Publisher's pale mauve boards titled in gilt to spine and titled and decorated in white to front board. [xiii]; 257pp. +[36pp] ads to rear (for bibliographical purposes there is a 4pp. ads insert to the rear, separated by a single leaf bearing only the publisher's imprint, followed by a 32pp. Chatto advertisement catalog). Sunning and discoloration to the famously fugitive cloth, with the spine faded to a uniform tan and patches of fading affecting the entirety of the cloth to varying degrees, Light scuffing, bumping and edgewear to extremities and spine ends, internally clean, pencil annotations to the gutter of one leaf; although prone to foxing the spotting here is limited to untrimmed page edges and some intermittent internal spotting, a very good copy of an elusive book with some signs of wear. A characteristically esoteric bit of lush lunacy from the invincibly eccentric Fr. Rolfe (actually just a rather disingenuous abbreviation of Frederick rather than the ecclesiastical validation he yearned for), a day in the life of a teenage Venetian, swept into Borgia-esque intrigue and the inner machinations of the Papal See. Rolfe lived his life spryly skipping back and forth across the borders of the verifiably real, and the unverifiably fantastic, and never met a piece of string he didn't think would become the better for being knotted up. Between the Baron Corvo, and Edward Heron-Allen, the fin-de-siecle literary bacchanal was in good if occasionally shaky, gropey hands.