Martina droth (78 Ergebnisse)

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: New. Brand New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 88 pages. 7.50x5.25x0.25 inches. In Stock.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. From the Library of Tim Llewellyn, OBE.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 176.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. First Edition. Superior copy, gift-quality condition, inside and out, no discernible wear, bright and shiny dust jacket, protected. Bound simply in heavy black cloth over boards, blind-stamped lettering to spine. A super-fine artist monograph penned by Julius Bryant and Martina Droth, with an essay by Robert Storr. Featuring over 60 fine illustrations in full color. Fabulous paintings from the contemporary master of several mediums. x, 1-279 [1] pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Paperback. Zustand: Brand New. 176 pages. 9.75x7.50x0.75 inches. In Stock.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:1900081741.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Heavily illustrated exhibition catalogue. 230 pages. 4to. black cloth, pictorial d.w. London: Yale University Press, (2012). Fine in fine dust wrapper. Anthony Caro (illustrator).

Hardback. Zustand: Very Good. An in-depth look at the innovative career of an artist renowned for his multimedia explorations of colonial and postcolonial power For the past thirty years, Guyanese British artist Hew Locke (b. 1959) has used strategies of appropriation to reveal and upend the visual codes of imperialism. Incorporating sculpture, photography, drawing, and found objects, Locke?s oeuvre has been described as a ?postcolonial baroque? that deconstructs and reimagines deeply entrenched iconographies of British sovereignty. This richly illustrated catalogue showcases the full spectrum of Locke?s practice, bringing together distinct bodies of work that scrutinize the visual language of empire and colonialism?s present-day legacies of global market capitalism, migration, and diaspora. Essays from leading curators, critics, and scholars of contemporary art situate Locke?s work within the context of colonial and postcolonial history and theory, reveal how his use of nontraditional materials?including cardboard, fabric, beads, sequins, and readymade toys?enables the artist to reflect on his Guyanese-British heritage, and consider how the artist?s dense, highly textured, and multilayered works fuse vernacular and formal traditions. Published by the Yale Center for British Art/Distributed by Yale University Press Exhibition Schedule: Yale Center for British Art(October 2, 2025?January 11, 2026) Wexner Center for the Arts, Columbus, OH(February 13?May 24, 2026) Museum of Fine Arts, Houston(June 21?September 13, 2026).…

Zustand: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Hardcover. Zustand: Brand New. 96 pages. 10.50x8.50x10.83 inches. In Stock.

Zustand: Very Good.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Some Shelfwear. 1st Edition. 208pp. Fully illustrated in colour ans b&w a=photographs.

Hardcover. Zustand: Good. 208 pages. used minor wear / marks creases & shelf wear to djDrawing upon the rich collections of Temple Newsam House in West Yorkshire and t he J Paul Getty Museum in California, Taking Shape focuses on the inventive imag ination of Baroque and Rococo that dominated sculpture and the decorative arts i n the 17th and 18th centuries and presents it in a new light. Including a divers e range of objects - richly-carved console tables and candle-stands, a spectacul ar mirror and clock, statuettes, bronzes and busts, etchings and engravings - th e works feature all manner of fantastic motifs. Angels and deities, foliage and flowers metamorphose into animals and mythological figures, abstract scrolls and invented ornaments. Normally seen in the context of the period room, their pres entation within a contemporary gallery space offers the viewer the opportunity t o focus on the objects themselves. Ultimately, the exhibition suggests that scul pture can be understood not only in terms of autonomous figural form, but as ope rating more prolifically as a quality that informs spatial practices as a whole, thereby embracing furniture and decorative art as innately sculptural modes of expression. Published alongside an exhibition at The Henry Moore Institute, Leed s and The J Paul Getty Museum, Los Angeles, 2008 - 2009.…

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - 'My desire has been to indicate the most practical modes in which we can employ the noblest and the most refined of the plastic arts in the adornment of our streets and public buildings on the one hand, and of our private houses on the other.' --Edmund Gosse.Author, translator, librarian, and scholar Edmund Gosse (1849-1928) was one of the most important art critics writing about sculpture in late-nineteenth century Britain. In 1895, he published the The Place of Sculpture in Daily Life, a quirky, four-part series of essays that ran in the Magazine of Art under the headings 'Certain Fallacies,' 'Sculpture in the House,' 'Monuments,' and 'Decoration.' Often cited but never before reprinted, Gosse's essays sought to demystify sculpture and to promote its patronage and appreciation. Martina Droth's introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy's afterword connects the essays' themes to the present, offering a resonant perspective on the sculpture of today.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2850grams, ISBN:9780300208030.…

Hardcover. Zustand: Brand New. 96 pages. 10.50x8.50x10.83 inches. In Stock.