mark addison (12 Ergebnisse)

Soft cover. Zustand: Fine. 1st Edition. Softcover 2004, 1st edition. Text and covers in near fine condition. Binding firm. Pages unmarked and clean. (282 pages).

Hardcover. Zustand: Brand New. 232 pages. 8.25x5.25x0.75 inches. In Stock.

Paperback. Zustand: Brand New. new title edition. 308 pages. 8.75x5.75x0.75 inches. In Stock.

Soft Cover. Zustand: Good. 34 pages. Pages are clean and tight. Cover shows slight wear. 34 pages.

Paperback. Zustand: Brand New. 460 pages. 8.50x5.43x1.18 inches. In Stock.

Paperback. Zustand: Brand New. 570 pages. 8.35x5.51x1.50 inches. In Stock.

Hardcover with dust jacket. Zustand: Sehr gut. xxvi, 282 p., Ill. Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. The copy is in a very good and clean condition without markings. - (publishing text:) FIRST STAGED IN 1713, Joseph Addison's Cato: A Tragedy inspired many in the eigh- teenth century with its portrayal of Roman sena- tor Cato the Younger's (95-46 B.c.) willingness to take his own life rather than to submit to the tyrannical rule of Julius Caesar. Set in North Africa, the play depicts the final hours of Cato's resistance to Caesar. George Washington found Cato such a powerful statement of liberty, honor, virtue, and patriotism that he had it performed for his men in Valley Forge during the American Revolution. Despite Cato's enormous success, Addison was perhaps best known as an essayist. In peri- odicals like the Spectator, Guardian, Tatler, and Freeholder, he sought to educate England's devel- oping middle class in the habits, morals, and manners he believed necessary for the preserva- tion of a free society. Addison's work in these periodicals helped to define the modern English essay form. Samuel Johnson said of his writing, "Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the study of Addison." This volume brings together Addison's dramatic masterpiece along with a selection of his essays that are directly related to the play and that develop its key themes. -- Contents -- Foreword by Forrest McDonald -- Introduction by Christine Dunn Henderson and Mark E. Yellin -- Editors' Note -- Acknowledgments -- Part I: Cato, A Tragedy -- Part II: Selected Essays -- Tatler 161 (April 20, 1710) -- Tatler 162 (April 22, 1710) -- Whig Examiner 5 (October 12, 1710) -- Spectator 55 (May 3, 1711) -- Spectator 125 (July 24, 1711) -- Spectator 169 (September 13, 1711) -- Spectator 215 (November 6, 1711) -- Spectator 219 (November 10, 1711) -- Spectator 231 (November 24, 1711) -- Spectator 237 (December 1, 1711) -- Spectator 243 (December 8, 1711) -- Spectator 255 (December 22, 1711) -- Spectator 256 (December 24, 1711) -- Spectator 257 (December 25, 1711) -- Spectator 287 (January 29, 1712) -- Spectator 293 (February 5, 1712) -- Spectator 349 (April 10, 1712) -- Spectator 446 (August 1, 1712) -- Spectator 557 (June 21, 1714) -- Guardian 99 (July 4, 1713) -- Guardian 161 (September 15, 1713) -- Freeholder 1 (December 23, 1715) -- Freeholder 2 (December 26, 1715) -- Freeholder 5 (January 6, 1716) -- Freeholder 10 (January 23, 1716) -- Freeholder 12 (January 30, 1716) -- Freeholder 13 (February 3, 1716) -- Freeholder 16 (February 13, 1716) -- Freeholder 29 (March 30, 1716) -- Freeholder 34 (April 16, 1716) -- Freeholder 39 (May 4, 1716) -- Freeholder 51 (June 15, 1716) -- Appendix: Lewis Theobald's The Life and Character of Marcus Portius Cato Uticensis (1713) -- Index. ISBN 9780865974425 Sprache: Englisch Gewicht in Gramm: 627.

Paperback. Zustand: Very good. Paperback Octavo. wraps, 282 pp Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Zustand: Good. 4to. 224 pp. Soft Cover. Very Good. Color and Black & White Plates. From the collection of UC Berkeley art historian Peter Selz (1919 -2019).

Zustand: New. pp. 240.

Hb. Zustand: Good+. 490pp.

Soft cover. Zustand: Fine. 1st Edition. 1976-1983. First edition, first printing. 27 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin catalogue which has creasing to the rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24-November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24-November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19-September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978-February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21-September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10-December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979-February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982-January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4-July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7-November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9-March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980-January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21-June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4-December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15-June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3-March 26, 1978. 27) Janica Yoder, 1979. 16 pp., with 10 black-and-white plates. Exhibition dates: February 29-April 22, 1979.