Maria michelangelo (25 Ergebnisse)

First Edition. Fine paperback copy with illustrated French flaps. Particularly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 191 pages : illustrations (some color) ; 29 cm. Notes; Published to accompany the exhibition held at the National Gallery, London, 23rd February - 22nd May 2005. Illustrations on fold-out covers. Includes bibliographical references. Texts in English, some translated from Italian. Contents; Caravaggio, the final years (1606-1610) / Ferdinando Bologna -- New data and some hypotheses on Caravaggio's stays in Naples / Antonio Ernesto Denunzio -- Caravaggio in black and white / Keith Sciberras and David M. Stone -- From the burial of Saint Lucy to the scenes of the Passion / Gioacchino Barbera and Donatella Spagnola -- Caravaggio in Palermo / Vincenzo Abbate. Subjects; Caravaggio, Michelangelo Merisi da 1573-1610 ; Exhibitions. Caravaggio, Michelangelo Merisi da 1573-1610 Last years. Caravaggio, Michelangelo Merisi da 1573-1610 Criticism and interpretation. National Gallery (London, England) ; Exhibitions. National Gallery (Great Britain). 1600-1699. Painters Italy ; Biography. Last years of a person's life. Painting, Baroque Italy ; Catalogs. Painting, Italian 17th century ; Catalogs. 1 Kg. …

Softcover. 8°, Originalbroschur, am Einband stärker lädiert und angestaubt, der Rückenbezug wurde teils nachgeleimt. Vollständig mit den Seiten 129-192 der fortlaufenden Jahrgangspaginierung, einfarbig illustriert. Das Papier ist gebräunt, aber ansonsten sauber. Noch guter Zustand. Umschlagzeichnung: Emil Preetorius. - aus dem Inhalt: Felix Braun - zu Hermann Bahrs 60. Geburtstag / Jean Paul: Träume / Ricarda Huch: Bakunins Ideen / Michelangelo: Fragment. Übertragen durch Rainer Maria Rilke. - -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! K00280-436267. …

Broschiert. Zustand: Gut. 30 pages 60 plates 28 cm. Sprache: Englisch Gewicht in Gramm: 300.

Zustand: Good. 8vo. 80 pp. Hard Covers. Very Good. Printed paper covered boards. Corners chipped. Loss along spine. Text in German.From the Collection of the Art Historian Peter Selz.

Zustand: TBE. Paris, broché, couverture illustr; grand in-8, 160 pp.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This open access book explores cultural landscapes as living territories where heritage, ecology, community practices, risk, accessibility, and sustainable regeneration intersect, with a particular focus on collaborative governance and territorial resilience.The UNESCO concept of cultural landscapes has broadened heritage protection beyond individual monuments, extending it to ordinary landscapes as essential expressions of community identity, shaped by history, everyday practices, and ecological relations. Today, the valorization of these landscapes is closely linked to global challenges such as climate change, territorial fragility, social inequalities, and the need for sustainable spatial and socio-economic development models. This calls for a shift from restrictive conservation toward collaborative, public-oriented governance, recognizing landscapes as shared and livable territorial assets.This book brings together research outcomes developed at University Federico II Department of Architecture, within CHANGES Cultural Heritage Active Innovation for Sustainable Society, Spoke 1 Historical Landscapes, Traditions and Cultural Identities, supported by the NextGenerationEU programme. Through interdisciplinary contributions, the volume explores cultural landscapes as living territories where heritage, ecology, risk, accessibility, production, welfare, and community practices intersect. It views cultural heritage even in fragmented, vulnerable, and degraded areas as a key asset for territorial regeneration, promoting a regenerative and circular approach based on existing urban resources, neglected spaces, and marginal landscapes.The research establishes a Heritage Community Urban Living Lab and proposes a co-productive, proximity-based planning methodology aimed at reactivating heritage as a shared community resource. This approach is applied to the Phlegraean Fields / Campi Flegrei, in the metropolitan area of Naples (Italy): a high-risk volcanic territory where uncontrolled urban expansion and land consumption have compromised an extraordinary archaeological, rural, and ecological heritage, rendering many sites and landscape resources invisible, difficult to access, and excluded from cultural, and economic valorization.…

Hardcover/Hardback. Zustand: Good. Dichtungen des MichelangeloMichelangelo Buonarroti Nr. uebertragen von Rainer Maria RilkeLeipzig: Insel-Verlag, 1936. Erstausgabe in der Insel-Buecherei, Insel-Buecherei Nr. 496. 79, 1 S. Mit einem Nachwort von Friedrich Michael. Sprache: Deutsch. Erscheinungsland: Deutschland. Original-Pappband mit blau-gemustertem berzugspapier und montiertem Titelschild. EADDie Nr.Dichtungen des MichelangeloNr. in der bertragung Rainer Maria Rilkes gehoeren zu den bedeutenden dichterischen bertragungsarbeiten Rilkes. Der Band versammelt Michelangelos Sonette, Madrigale und weitere lyrische Texte in deutscher Nachdichtung. Rilke beschaeftigte sich intensiv mit Michelangelos Dichtung und uebertrug sie mit dem Anspruch, nicht nur den Inhalt, sondern auch die sprachliche Kraft und geistige Spannung der italienischen Texte wiederzugeben. Die vorliegende Ausgabe erschien 1936 erstmals als Band 496 der Insel-Buecherei und enthaelt 79 Seiten sowie ein Nachwort von Friedrich Michael. Ein charakteristischer frueher Insel-Band und zugleich eine interessante Rilke-Erstausgabe innerhalb der Insel-Buecherei. EADZustand: Befriedigender altersgemaesser Zustand. Original-Pappband erhalten. Das gemusterte berzugspapier ist deutlich berieben, insbesondere an Ruecken, Kanten und Ecken; dort teilweise kleinere Materialverluste und Bestossungen. Das montierte Titelschild ist vollstaendig erhalten. Buchblock fest. Papier altersbedingt gebraeunt; auf dem Titelblatt und weiteren Seiten deutlich sichtbare Stockflecken.nbsp. …

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

. 19,5 cm. 172 pág. Ilustr. con 107 figuras en el texto. Enc. en media tela. Exlibris de caucho de antiguo poseedor. Física.

Zustand: Very Good. 813 pp., Hardcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.…

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

Amsterdam, 2012. 160 pp. Col. & b./w. ills. Hardcover.

Zustand: Ottime. italiano Condizioni dell'esterno: Ottime Condizioni dell'interno: Ottime.

830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. INDEX4/8 Enrico R. Comi:Due poesie / Two poems10 Vadim Zakharov:Text and works / Testi e lavori28 Igor Lutz / Vadim Zakharov30 Nadejshda Solpovsksja / Vadim Zakharov31 Victor Skersis / Vadim Zakharov33 S. Anufriev, P.Peppershtein / V. Zakharov34/36/38 Serge Gavronsky : Quatre tryptiques et une coda / Four tryptichs and a coda / Quattro trittici e una coda40 Maria Serebrjakova:Works / Lavori42/43 Ruth Danon:The defenestration of China / La defenestrazione della Cina48/49 Roberto Sanesi:La differenza / The difference52/55 William Allen:Love poem / Poesia d'amore56 Franz West:Works / Lavori58/62 Paul Vangelisti:A poem / Una poesia64 Anatolij Shuravlev:Works and text / Lavori e testi70/74/78 Kathrin Becker-Anatolij Shuravlev :Totale Hilflosigkeit / Total Abandonement / Abbandono Totale82 Günther Förg:Works / Lavori84/87 Giampiero Neri:Una poesia /A poem88 Wim Delvoye:Works / Lavori90 Giuseppe Penone:Lavori / Works92/95 Dennis Phillips:A poem / Una poesia96 Pier Paolo Calzolari:Lavori / Works100/101 Tomaso Franco:A una bimba morta / To a dead little girl102 Claes Oldenburg:Works / Lavori106 Rebecca Horn:Works / Lavori108 Michelangelo Pistoletto:Lavori / Works110 Ettore Spalletti:Lavori / Works114 Enrico R. Comi:Rosa e Giallo (Una selezione di lavori/A selection of works)118 Enrico R. Comi: Due mostre e una performance (Una selezione di lavori) / Two exhibitions and one performance (A selection of works)134 Carla Mazzarello:Una poesia / A poem136 Goran Petercol:Works / Lavori138/143/146 Pedro Fiori:Un poema / A poem / Una poesia149/153 Victoria P. Brown: Not the tragic affair / Non la relazione tragica158/160/162 Zvonko Makovic:Poezija / A poem / Una poesia. …

Zustand: New.

Vintage borderless reference photograph from the 1975 film, showing director Michelangelo Antonioni behind the camera. With manuscript pencil layout annotations on the verso. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer, following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 10 x 8 inches. Very Good plus, lightly edgeworn and faintly toned. Rosenbaum 1000.…

hardcover. Zustand: Gut. 126 Seiten; 9783458192350.3 Gewicht in Gramm: 500.

[Roma], De Luca Editori d'Arte, [2018]. 126 pp. Col. & b./w. ills. Orig. hardcover (boards), d./j. 4to. - Very light shelfwear.

104 pp.; 21.5 x 10.7 cm.; glue bound; black-and-white; edition size 5000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the traveling show "do it," conceived and curated and with an introduction by Hans-Ulrich Obrist. Essay by Bruce Altshuler. Artists in the museum portion of the exhibit include Andrew Bolton, Joan Brossa, Critical Art Ensemble, Jimmie Durham, Maria Eichhorn, Hans-Peter Feldmann, Paul-Armand Gette, Felix Gonzalez-Torres, Joseph Grigely, Ulrike Grossarth, Shere Hite, Fabrice Hybert, Ilya Kabakov, Mike Kelley, Alison Knowles, Koo Jeong-a, Bertrand Lavier, Siobhan Liddell, Eva Marisaldi, Chris Marker, Yoko Ono, Michelangelo Pistoletto, Emilio Prini, Jason Rhoades, Rupert Sheldrake, Andreas Slominski, Bruce Sterling, Rirkrit Tiravanija, Lawrence Weiner, Erwin Wurm, Marina Abramovic, Dara Birnbaum, Gilbert & George, Liam Gillick, Douglas Gordon, Dan Graham, Marie-Ange Guilleminot, María Teresa Hincapié, Allan Kaprow, Ben Kinmont, Jiri Kolar, Annette Messager, Eileen Myles, Pepón Osorio, Steven Pippin, Pipilotti Rist, Nancy Spero, Rosemarie Trockel and Franz West. Artists included in do it (tv) broadcast on Austrian television include Gilbert & George, Leon Golub, Douglas Gordon, Marie-Ange Guilleminot, Shere Hite, Robert Jelinek, Ilya Kabakov, Jonas Mekas, Eileen Myles, Yoko Ono, Steven Pippin, Michelangelo Pistoletto, Michael Smith, Nancy Spero, Rirkrit Tiravanija, Lawrence Weiner, Christian Boltanski, John Baldessari, and Erwin Wurm. Very Good. Light rubbing of covers and fading at spine. Contents clean and unmarked.…

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.…

Vintage borderless reference photograph of actors Maria Schneider and Jack Nicholson on the set of the 1975 film. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a loose trilogy (as well as a three-picture contract with Metro-Goldwyn-Mayer), following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 8 x 10 inches. Near Fine. Rosenbaum 1000.…

Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping, as well as the stamp of Cinema International in London. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer, following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 10 x 8 inches. Near Fine. Rosenbaum 1000.…

Vintage borderless reference photograph from the 1975 Italian film, showing actors Jack Nicholson and Maria Schneider. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer, following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 10 x 8 inches. Near Fine. Rosenbaum 1000.…

Archive of 15 single weight and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival, there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger," in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine, Prisco de Majo, and Daniel Angeli (four, two, and two photographs respectively) on the verso. The archive shows three distinct events during the festival, as well as other candid and posed images of Schneider. These include the premiere of the film, a press conference, and a party on a boat. Numerous photographs also feature Antonioni and co-star Jenny Runacre. Sadly, Nicholson is nowhere to be found, we assume because he was too busy hanging out with Ken Russell and The Who, as "Tommy" was screening out of competition. Other photographs show Schneider with Bernardo Bertolucci, who had directed her to instant stardom three years earlier in "Last Tango in Paris," as well as a single photograph of Schneider with Dustin Hoffman, starring in the also Palme d'Or nominated "Lenny," directed by Bob Fosse. Also included in the archive are four large negatives of photographs from the archive, a strip of five negatives of a beach, and two strips of color negatives, containing four and five images respectively, as well as three large negative of what appears to be a photoshoot of Schneider at the beach. These images are distinct from the photographs in the archive, and we can find no corresponding images online. Photograph sizes vary between 9.5 x 7.25 and 8 x 12 inches, with most being 10 x 8 inches. Near Fine.…