marcel duchamp 1887 (46 Ergebnisse)

First Edition. Very good paperback copy; wrappers slightly dust-dulled. Tight and clean internally. Remains well-preserved overall. Physical description; 24 pages : illustrations ; 15 cm. Notes; Exhibition catalogue. Subjects; Duchamp, Marcel (1887-1968). Box in a valise. Readymade (Art)--Exhibitions. 1 Kg.

Softcover. Unrevised proof. Octavo, vii, 191 pages. In Good minus condition. Spine is yellow without print. Cover is yellow with black print. Light edge wear, light shelf wear. Text block has name in ink on bottom edge, spotting to top edge. NOTE: Shelved in Netdesk Column L. 1383707. FP New Rockville Stock.

paperback. Zustand: Good. DETAILS: PAPERBACK, very good, paper browning but good, light fold marks on front cover. DUCHAMP, MARCEL. Ingénieur du temps perdu : entretiens avec Pierre Cabanne. Paris: P. Belfond, 1976, Nouvelle édition, 217pp., . Collection Entretiens. 9782714410771 ISBN 2714410774.

Pictorial wrappers, fine. On pp. 1-18, 19-38, 39-51, 52-7, 58-62 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 45 (1976):1-2. Stockholm 1976. 4to. [ii] + 78 pp. + colour plate (Bruegel). Illustrated. "On the significance of Notke's St. George Monument in Stockholm" and "Remarks on three altarpieces by Titian" both in German.

Pictorial wrappers. As new. New York, Da Capo Press, 2002. Paperback. 190 pp. Illustrated. With chronology and bibliography. First published in 1975, this is the updated edition with new introduction.

Häftad, dek. omslag. Fint skick. Stockholm, Moderna museet, 2011. 4:o. 208 sid. Rikt illustrerad. / In Swedish. Utställning på Konstakademien 29 september-13 november 2011. - - - Produced as an extension of the exhibition organized by the Royal Swedish Academy of Fine Arts and Moderna Museet at the Royal Swedish Academy of Fine arts in 2011. For more than 50 years Linde has pursued intense studies of Duchamp's oeuvre and has made perfect replicas of all his major works. - - - (Moderna museets utställningskatalog, 367. / Konstakademiens skriftserie, 17.) - - - Published in conjunction with a Duchamp exhibition by Ulf Linde in Stockholm, 2011. Richly illustrated. Sewn as issued, pictorial wrappers. As new. In Swedish.

Stapled as issued, pictorial wrappers. Very fine. Frankfurt 2022. Large 8vo. 72 pp. Illustrated. Text in German. Published for an exhibition at The Museum für Moderne Kunst, Frankfurt am Man, April-October 2022.

Stapled as issued, pictorial wrappers, price label on lower cover. Fine. Philadelphia, Philadelphia Museum of Art, 1987. 8vo. 68 pp. Illustrated. (Second reprint of the Philadelphia Museum of Art Bulletin, volume LXIV, numbers 299 and 300, April-September 1969, with the 1973 Afterword by Anne d'Harnoncourt.).

(DuMont Taschenbücher 283.). Pictorial wrappers. As new. Köln, DuMont Tachenbücher, 1992. Paperback. 380 pp. Bibliography and index. In German.

Pictorial boards. Fine. Köln, Walther König, 2014. 8:o. 112 pp. Illustrated. In 1945 Marcel Duchamp published a photographic self-portrait in the American magazine View, which depicts him, according to the caption, "at the age of 85." In reality he was, at the time, only 58 years old. Thus far the circumstances of surrounding this incunable of the "staged photograph" were unknown. A recently discovered script by Friedrich Kiesler is published in this book for the first time, in which he describes in full detail how he assisted his friend Marcel Duchamp to style himself as a senile artist-philosopher in front of the camera of New York photographer Percy Rainford. The well-known Duchamp expert Herbert Molderings interprets Duchamp's self-portrait as an innovative, conceptual use of photography. The camera was used as a "time machine," but not, as customary, to capture a present moment, but rather to look into the future.

Häftad, dek. omslag, lätt kantnött. Lund, Bo Cavefors bokförlag, 1977. 8:o. 152 sid. Illustrerad. Innehåll: "Inledning av Robert Motherwell", "1. Atta års simlektioner ", "2. Ett fönster mot något nytt", "3. Genom det stora glaset", "4. Jag tar det hellre lugnt än förtar mig", "5. Jag lever ett kyparliv", "Litteraturförteckning".

Publisher's cloth, lightly worn dustjacket. Bern, Piet Meyer Verlag, 2010. 8vo. 344 pp. With 30 illustrations, 6 in colour. With index. Text in German. "My Marriage to Marcel Duchamp", in German, memoir of Lydie Fischer Sarazin-Levassor, who was married to Duchamp for less than a year.

Publisher's pictorial boards. Very fine. London, Thames & Hudson, 2014. 8vo. 224 pp. With 64 illustrations by Heretic. Select bibliography.

Förlagets guldpräglade klotband, dek. skyddsomslag. Gott skick. Stockholm, Rabén & Sjögren / Nationalmuseum (tr. Björkmans eftr.), 1986. 8:o. 192 sid. Illustrerad, bl. a. med några monterade färgplancher. Med register. (Förordet:) "Den här skriften handlar om en stor målning på glas, en kopia, som sedan länge befinner sig i Moderna Museets ägo, La mariée mise à nu par ses celibataires, méme - certifié pour copie conforme / Marcel Duchamp / Stockholm 1961. På svenska, ungefär, Bruden avklädd av sina ungkarlar, till och med - rätt avskrivet intygas / Marcel Duchamp / Stockholm 1961. Man kunde likna målningen vid ett stort skyltfönster där en rad gåtfulla föremål visas upp. Nu är ju skyltfönster så beskaffade att man helst bör stå i dunkel när man ser in i dem. Avger man för mycket ljus syns bara ens spegelbild i fönsterrutan; föremålen skyms. Vänta er därför inte att skriften skall innehålla några särskilt lysande förklaringar. Om ni då och då under läsningen tycker att föremålen glimmar till av ett eget ljus har jag lyckats över förväntan. I drygt ett kvarts sekel har jag varit besatt av Duchamps glas. Jag började arbeta på kopian 1961, och Duchamp signerade den samma år. Men av och till fortsatte jag arbeta på den fram till 1982 ; jag ville få den mer lik originalet - som jag för övrigt aldrig sett. Ändå var mina grå celler under de åren långt mer upptagna av projektet än mina händer. Det gick säkert inte en dag utan att jag funderade på La mariée. Det som här följer är ett slags journal, en dokumentation av besatthetens stadier. Jag har också bifogat ett försök att förstå förloppets orsak, om nu 'orsak' är rätt ord". - - - (Årsbok för Statens konstmuseer, 32.).

fresh attractive green and pink hardcover, in very good cardboard slipcover, appears little used if at all. DUCHAMP, MARCEL. Interviews und Statements. Gesammelt, übersetzt und annotiert von Serge Stauffer. Stuttgart: Cantz, 1992, 241pp., . TEXT IN GERMAN. 9783893222247 ISBN 3893222243.

paperback. Zustand: Molto buono (Very Good). Edited by Anne d'Harnoncourt and Kynaston McShine. 429 illustrations (12 in color). Chronology. Bibliography . 4to. pp. 360. . Molto buono (Very Good). . . . Book.

Häftad, vita omslag, dek. skyddsomslag. Minimal stötning vid övre kapitälet. Gott skick. Stockholm, Errata, 2009. 8:o. 68 sid. "Dessa inspelningar från franska radion genomfördes december 1960 och januari 1961. Den första boken om Duchamp hade publicerats 1959, författad och sammanställd av Robert Lebel, och dessutom utkom en bok med Duchamps egna anteckningar om konst. Han hade fram till detta år uppfattats som en som sedan länge övergett konsten, oftast mest sedd såsom yngre bror till den mer kände Jacques Villon, och hans roll i konsten var fortfarande relativt okänd. Han var 73 år gammal. Men nu ökade intresset för denne solitär. Han hade gift sig med Teeny Matisse, svärdotter till Henri Matisse, med ett förflutet i konsthandlarbranschen. Vilken roll detta spelade för den förändring av hans liv de sista åtta åren är svår att fastställa. Under dessa sex radioprogram intervjuades Duchamp av kulturjournalisten Georges Charbonnier, som senare gav ut ett antal intervjuböcker med filosofer och författare". - - - (Kungliga Akademien för de fria konsternas skriftserie, 15.).

Encuadernación de tapa blanda. Zustand: Excelente. 1ª Edición. 207 páginas. Dimensiones: 24x17 cm., ilustraciones en color, facsímiles, retratos. Incluye notas bibliográficas. Texto en español con partes en inglés. Arte y Ajedrez Francia (GR). Peso: 722 gramos.

Publisher's cloth, without dustjacket. Troy, N.Y., Whitston, 1981. 8vo. 476 pp. With a few illustrations. Bibliography and index.

Hardcover. Zustand: Fine. First edition thus. Quarto (12" x 10-1/2"). Unpaginated (56)pp. Plus a laid in (4)pp. folded Philadelphia Museum of Art introduction by Anne d'Harnoncourt. Faux lizard skin black boards, spine lettered in red, with a translucent obi band. Profusely illustrated with photos (some in color) and hand written facsimiles (some folding). A very exact replica of Duchamp's original notes as they appeared in his ring binder.

Publisher's boards. Very fine. Los Angeles, Getty Research Institute, 2016. 8vo. 404 pp. Illustrated with colour plates. Text bilingual in English and French. "Robert Lebel, a French art critic and collector, was instrumental in rendering Marcel Duchamp's often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with Sur Marcel Duchamp (1959), the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book's creation. His active participation in both its conception and layout was so substantial that the book is considered part of the artist's oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, not to mention illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and to a friendship in art. This is a bilingual edition, with all texts in English and French." - - - Contents: Foreword: "Thanks for the buggy-ride" / Jean-Jacques Lebel -- Marcel Duchamp and Robert Lebel: the art of friendship, a friendship in art / Paul B. Franklin -- The correspondence / Marcel Duchamp and Robert Lebel -- "Besides it is always the others who die": a chronology of Marcel Duchamp's life and work / Paul B. Franklin.

Fint exemplar. Stockholm, Galerie Bel'Art, 2006. 21 x 15 cm. Vikt folder för en utställning i april 2006. [8] sid. Illustrerad. Med omtryck av Leckius' artikel om Duchamp från tidskriften Salamander (1955).

Publisher's cloth, pictorial dustjacket. Fine. Bookplate of Olle Granath. New York, Abbeville Press, 1988. 8vo. 352 pp. Illustrated with c. 70 reproductions and photos including 21 in colour. New edition of the classic, well-documented work on the international exhibition of modern art held at the 69th Regiment Armory in New York 1913. Includes Catalogue Raisonné of the works shown at this landmark exhibition.

Publisher's boards, pictorial dustjacket. Fine. London, Thames & Hudson, 2000. 8vo. 408 pp. + 16 pp. of plates. With index. (Publisher:) "Duchamp left behind a large volume of correspondence: letters, postcards and telegrams that he wrote to relatives, friends, colleagues and professional acquaintances. Amazingly, these documents - an invaluable source of information in our attempts to understand the artist and his work - are little-known, and never before have they been collated and published in English. Noted art historian Francis M. Naumann has devoted over twenty years to assembling Duchamp's traceable letters, and he has translated and annotated them for a variety of publications. Here, in The Selected Correspondence of Marcel Duchamp, he and Hector Obalk have selected 285 of the artist's most important and informative documents, and arranged them chronologically. The letters were transcribed by Hector Obalk, annotated by Francis Naumann and translated where necessary from the original French by Jill Taylor. The book contains a selection of Duchamp's correspondence with Louise and Walter Arensberg, Constantin Brancusi, André Breton, Jean Crotti, Jacques Doucet, Katherine S. Dreier, Suzanne Duchamp, Arne Ekstrom, Yvonne Crotti-Lyon, Man Ray, Henry McBride, Walter Pach, Francis Picabia, John Quinn, Robert Lebel, Henri-Pierre Roché, Alice Rouillier, Alfred Stieglitz, Carrie, Ettie and Florine Stettheimer, Tristan Tzara, Jacques Villon, Beatrice Wood and many others. The Selected Correspondence of Marcel Duchamp is an essential volume for art historians and lovers of modern art, and will bring a special insight into the life and work of one of the most influential artists of the twentieth century".

Sewn as issued, white wrappers, pictorial dustjacket. Very fine. Stockholm, Errata-4dx.com, 2009. 8vo. 144 pp.

Stapled as issued, pictorial wrappers. Fine. Paris, edité par Collège de Pataphysique, 1959. 8vo. [iv] + 106 pp. Illustrated. With on pp. 75-9 "A propos d'une oeuvre de Marcel Duchamp".

paperback. Zustand: Fine. Catalogo della mostra ?By or Of Marcel Duchamp or Rrose Sélavy?, Galleria Casoli, Roma, ottobre 2018. Testo in italiano e inglese di Eduardo Solimene. Tavole a colori ed elenco delle opere esposte . Cm 25x21,5. pp. 48. . Ottimo (Fine). . . . La mostra esponeva disegni, progetti, fotografie da una grande collezione privata. Book.

Pictorial, ownership inscription fated Paris 1967, else fine. Paris, Éditions Belfond, 1967. Paperback. 224 pp. Lists of exhibitions and publications about Duchamp. "Interviews with Marcel Duchamp", in French.

Embossed wrappers, some edgewear. London, Arts Council of Great Britain, 1966. 4to. 29,7 x 21 cms. 110 pp. Richly illustrated, and with 6 reproductions in colour at end. 244 catalogue entries. With "Elements of a descriptive bibliography of Marcel Duchamp's writings, lectures, translations and interviews" (188 entries) by Arturo Schwartz. Index.

hardcover. Zustand: Fine. Testo critico di Arturo Schwarz (traduzione di Tommaso Trini). Con 211 illustrazioni in bianco e nero e a colori . Cm 32x26. pp. 45 + illustrazioni. . Ottimo (Fine). Timbro di appartenenza (Owner's stamp). . . Book.