mandel mike (34 Ergebnisse)

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. 1970. No Edition Remarks. 2 pages. Loose leaf sheet music. Pages remain bright and clear. Outside has some creasing and rubbing.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.95.

Buch. Zustand: Neu. Neuware - Zone Eleven is a reference to Ansel Adams' Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams' photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing page relationships, and sequence. Zone Eleven is the product of Mike Mandel's research of over 50,000 Adams images located within four different archives to present a body of Adams' work that was unknown until now. Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published Evidence in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. Conceptually, Zone Eleven is a companion book to Evidence. As Evidence reframes the institutional documentary photograph with new context and meaning, Zone Eleven responds to the audience expectation of 'the iconic Ansel Adams nature photograph.' But Mandel selects images that do not fit that expectation. Zone Eleven is a book of Ansel Adams images that surprisingly speak to issues of the social relations, the built environment, and alienation.

Hardcover. Zustand: Brand New. 272 pages. 9.50x8.20x1.10 inches. In Stock.

First edition. Oblong softcover. 134 pages. The simultaneous wrappers edition. An interesting photographic look at this area of California. Features a preface by Jennifer Dowley along with an introduction by Paul Metcalf. A terrific anthology of images of a beautiful area in California by Miles DeCoster, Mark Klett, Mike Mandel, Paul Metcalf, and Larry Sultan. A near fine copy in wrappers with some very minor wear.

First edition. Softcover. 80 pages. Features Aaron Schulman writing on Mike Mandel's seminal photographic baseball card project, an essay by E.L. Doctorow, Deborah Willis writing on photographers of the aftermath of Hurricane Katrina, and Martin Parr writing on the photographs of Oscar Fernando Gomez. A near fine copy in wrappers.

First edition. Softcover. 72 pages. Simultaneously printed paperback issue. Features a preface by Edward W. Earle. A quirky book of color and black and white photographs from one of the collaborators from the book "Evidence." A near fine copy in photographically illustrated wrappers with some of the usual rubbing.

First edition. Hardcover. Preface by Edward W. Earle. Text by Mandel. A quirky book of color and black and white photographs from one the collaborators from the book "Evidence." An about very good copy that has the typical rubbing to the boards and some minor foxing. No dust jacket as issued.

Paperback. Zustand: Brand New. 4th edition. 400 pages. 10.75x9.02x0.67 inches. In Stock.

Zustand: As New. Used book that is in almost brand-new condition.

First edition. Hardcover. Features a preface by Edward W. Earle along with text by Mandel. A quirky book of color and black and white photographs from one the collaborators from the book "Evidence." A very good copy in photo-illustrated boards with some of the usual rubbing and with a laid in four page illustrated order form. Signed and inscribed by Mandel on the title page to another photographer.

First edition and first printing. Oblong hardcover. 263 pages. A look at this long time friendship and collaboration between these two California artists and photographers who met at art school. Edited by Thomas Zander. Features essays by Charlotte Cotton, Jonathan Lethem, Constance M. Lewallen, Carter Ratcliff, and Thomas Wagner. Includes 190 color and black and white illustrations. A fine copy in black cloth boards and in a fine dust jacket. Signed by Mike Mandel on the half title page. Uncommon thus. A very fresh copy.

First printing of the second edition. Hardcover. A first edition thus. A re-issue of their important debut. Features an introduction by Sandra S. Phillips and and afterword by Robert F. Forth. A fine copy in a very near fine dust jacket. Signed by both Sultan and Mandel on the title page in 2004. The original book appeared in both Parr & Badger v2, 220-221 / Roth 101, 240-241.

Zustand: Good. Mike Mendel, 1974. 8vo Paperback. Unpaginated. B/W and color illustrations. Very Good book. Some surface wear and spine ticks. Front cover slightly dampstained. (portraits, portrait photography ) Inquire if you need further information.

Paperback. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 0.15.

CD-ROM. Zustand: New. 2. STANDALONE access code. Brand new item, never opened! Ship within 24hrs. APO/FPO addresses supported.

Zustand: New. KlappentextMandel s M: Economics, The Basics fourth edition focuses on developing a student s economic literacy without overwhelming to provide a window into what s happening in the current economy. Michael Mandel is the former Chief Eco.

Zustand: Very good plus. First edition. Clever artist's book that questions the importance of association to the quality or value of a photograph, signed by Mandel as "Ed." At once humorous and heartfelt, this photographic work showcases surveys and portraits of Americans who happen to be named EDWARD WESTON, but bear no connection to the photographer of the same name. The other Edwards have occupations ranging from insurance agent to beekeeper, and their surveys offer a glimpse into their lives and those of their loved ones. Uncommon signed. 8.5'' x 5.5''. Original staple-bound color illustrated wrappers. Three color and four black-and-white photographic illustrations, with seven images of completed questionnaires. [20] pages. Inscribed by Mandel in ink to title page: "Your pal, / Ed. / 3-25 75." Mild rubbing, as usual; slight curve to front cover. Very light brown spotting to upper extremities of pages. Else sound and bright.

First edition. Oblong 8vo. [54 pp]. Near fine in glossy illustrated wrappers. Preceding their important collaboration EVIDENCE by three years, this volume recontextualizes advertising images of useful household and personal items.

Hardcover. Zustand: Near fine to fine condition. First edition. Oblong Quarto. Unpaginated, 92pp. Original blue cloth with gilt lettering on cover and spine, protected by modern mylar, housed in custom matching slipcase with plastic foil window on cover revealing the gilt title of book. Light blue-gray endpapers. Epilogue by Robert F. Forth. Illustrated with 59 full page b/w duotone photographs, with list of government agencies, educational institutions and corporations these photographs have been selected from. Intriguing group of Mike Mandel and Larry Sultan's 1977 uncaptioned images. The publication gained legendary status since its original publication (Parr/Badger 220/221, Vol. II). "By definition these found images are records and by implication they are cultural artifacts," write the artists in their statement about the exhibition [at the San Francisco Museum of Modern Art]. "This is not a compilation of photographs that define any specific place in time but rather a poetic exploration upon the restructuring of imagery. It is difficult to pinpoint the subject matter of these pictures: human contact with mechanical apparatus, bits and pieces of industrial environments that depict a world separate from our everyday experience where the process of technology is tested and recorded, tension and explosion, and above all, a carefully designed invitation to participate in the closure of the meaning of the images." (Museum Press release, 1977). A copy of this press release is laid in along with a photo-illustrated double page invitation for exhibition). Binding and slipcase with minor wear along edges. Very light sunning of endpapers along edges. Binding in overall near fine, laid in ephemera lightly sunned along edges, photographs in fine condition.

First edition, signed by both authors on the title-page at the time of publication; oblong 4to (227 x 247 mm, 9 x 9¾ in); black-and-white photographs printed in offset, text by Robert F. Forth, light foxing to preliminary and end pages; light grey endpapers, blue cloth-covered boards, spine and upper side lettered in gilt; light rubbing to spine ends and tips, staining on front to top corner. Light discolouration to hinges from binding glue and foxing to top and fore-edge occasionally visible in margins, both fairly common issues with this title, a very good copy; [72]pp. In 1975, Mike Mandel and Larry Sultan were awarded an NEA grant to explore photographic archives belonging to over 100 local corporations, government agencies and research institutions. Evidence presents a selection of their findings: photographs previously used merely for recording or instructional purposes presented in a new context. This book accompanied a 1977 exhibition at the San Francisco Museum of Modern Art. In a jointly signed press release for this show, Mandel and Sultan wrote that 'by definition these found objects are records and by implication they are cultural artifacts,' describing the work as being 'a poetic exploration upon the restructuring of imagery.' The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, pp240-1; The Open Book pp314-5; The Photobook: A History II, pp220-1; 802 photo books from the M+M Auer collection p607.

First edition. Oblong 8 vo. [72 pp]. Fine in full blue cloth with gilt lettering to spine and front panel. Afterword by Robert F. Forth. Sultan and Mandel's landmark assemblage of found archival images.

FirstÂedition of this groundbreaking collection of 59 evidentiary photographs selected from diverse archives, documenting crime scenes, scientific experiments, industrial tests, and natural disasters. Slim oblong quarto, original dark blue cloth gilt. Signed by both authors on the title page, "Mike Mandel 6-21-77" and by Larry Sultan. Afterword by Robert F. Forth. In fine condition. With the advent of âart photographyâ in the 1960s and 70s came a somewhat pretentious insistence by the artistic community that only âartistsâ could create valuable photographs. When Evidence appeared, it shifted our appreciation of the photograph toward something more than a purely artistic expression, and forever designated âfound imagesâ and âcandid shotsâ as acceptable in the photographic arts. In the afterword to this collection, art professor Robert Forth warns (tongue in cheek) that to interpret evidence correctly, we must âunderpin and surround the evident with more circumstantial materials,â that archeology, for example, âis nothing more than sociology without live people around to fill in the gaps between the remains.â Roth 101, Parr & Badger; Photobook.

First US edition. Oblong 8vo. 263 pp. Fine in fine dust jacket. Small "Autographed Copy" sticker on front cover. Essays by Charlotte Cotton, Jonathan Lethem, Constance M. Lewallen, Carter Ratcliff, and Thomas Wagner. SIGNED by Mandel on the half-title page.

Zustand: Sehr gut. Distributed Art Publishers. 2003. First edition, first printing. Signed by Larry Sultan and Mike Mandel! New, mint, unread; only opened once for the signatures. New edition of the photobook classic from 1977 (Martin Parr, The photobook, vol 2, page 220/221). Larry Sultan is also famous for "Pictures at home" (Martin Parr, The photobook , vol 2, page 302). Hardcover with dustjacket. 260 x 240 mm. 92 pages. 61 duotone and 25 black and white illustrations. Designed by Victor Mingovits. Introduction by Sandra S. Phillips. Foreword by Robert F. Forth. Text in english. Perfect condition! Signed by both artists! Collector`s copy! Quite simply one of the most innovative, entertaining and thought-provoking photography books yet published, Mike Mandel and Larry Sultan`s 1977 collection of uncaptioned evidentiary images has rightfully gained a legendary status in the thirty-five years since its initial publication. Now, "Evidence" is available once again in its original format, with the addition of a dust jacket, a new essay by SFMoMA curator Sandra Phillips on the book`s impact and significance, and a two page layout of eighteen previously unpublished images entitled "Outtakes from Evidence, 1977-2003". **************Distributed Art Publishers. 2003. Signiert von Larry Sultan und Mike Mandel! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signaturen. Neuauflage des Fotobuch-Klassikers von 1977 (Martin Parr, The photobook, vol 2, Seite 220/221). Larry Sultan ist auch berühmt für: "Pictures at home" (Martin Parr, The photobook , vol 2, Seite 302). Hardcover mit Schutzumschlag. 260 x 240 cm. 92 Seiten. 61 Duotone und 25 schwarz-weiss Fotos. Gestaltet von Victor Mingovits. Einführung von Sandra S. Phillips. Vorwort von Robert F. Forth. Text in englischer Sprache. Perfekter Zustand! Signiert von beiden Künstlern! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.