mahn anne (24 Ergebnisse)

24 x 16 cm ; kart. ; Zustand: Gut. Lachmund, Silke (illustrator). 67 S. ; Paperbackausgabe, 67 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. pw320 ISBN: 3927637432.

paperback. Lachmund, Silke (illustrator). 67 Seiten; (Lager 1053) 153BE15E92D4 Sprache: Deutsch Gewicht in Gramm: 500.

Gr.-8°, gebunden mit Umschlag. Zustand: Sehr gut. 1. Auflage,. 143 Seiten, Widmung des einen Autors auf Titel, sonst sehr sauberes Exemplar. A26183 Sprache: Deutsch Gewicht in Gramm: 1100.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection attends to the locations of memory along and about the Indo-Pakistan and Indo-Bangladesh borders and the complex ways in which such memories are both allowed for and erased in the present. The collection is situated at the intersection of narratives connected to memory and commemoration in order to ask how memories have been formed and perpetuated across the imposition of these borders. It explores how national boundaries both silence memories and can be subverted in important ways, through consideration of physical sites and cultural practices on both sides of the India-Pakistan-Bangladesh borders that gesture towards that which has been lost - that is, the cultural whole that was the cultural regions of Punjab and Bengal before Partition, as well as broader cultural 'wholes' across South Asia, across religious and linguistic lines - alongside forces that deny such connections. The chapters address issues of heritage and memory through specific case-studies on present-day memorial, museological and commemoration practices, through which sometimes competing memorial landscapes have been constructed, and show how memories of past traumas and histories become inscribed into diverse forms of cultural heritage (the built landscape, literature, film).

Taschenbuch. Zustand: Neu. Neuware -This edited collection attends to the locations of memory along and about the Indo-Pakistan and Indo-Bangladesh borders and the complex ways in which such memories are both allowed for and erased in the present. The collection is situated at the intersection of narratives connected to memory and commemoration in order to ask how memories have been formed and perpetuated across the imposition of these borders. It explores how national boundaries both silence memories and can be subverted in important ways, through consideration of physical sites and cultural practices on both sides of the India-Pakistan-Bangladesh borders that gesture towards that which has been lost ¿ that is, the cultural whole that was the cultural regions of Punjab and Bengal before Partition, as well as broader cultural 'wholes' across South Asia, across religious and linguistic lines ¿ alongside forces that deny such connections. The chapters address issues of heritage and memory through specific case-studies on present-day memorial, museological and commemoration practices, through which sometimes competing memorial landscapes have been constructed, and show how memories of past traumas and histories become inscribed into diverse forms of cultural heritage (the built landscape, literature, film).Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 296 pp. Englisch.

Taschenbuch. Zustand: Neu. Partition and the Practice of Memory | Anne Murphy (u. a.) | Taschenbuch | xv | Englisch | 2018 | Springer International Publishing | EAN 9783319878089 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection attends to the locations of memory along and about the Indo-Pakistan and Indo-Bangladesh borders and the complex ways in which such memories are both allowed for and erased in the present. The collection is situated at the intersection of narratives connected to memory and commemoration in order to ask how memories have been formed and perpetuated across the imposition of these borders. It explores how national boundaries both silence memories and can be subverted in important ways, through consideration of physical sites and cultural practices on both sides of the India-Pakistan-Bangladesh borders that gesture towards that which has been lost - that is, the cultural whole that was the cultural regions of Punjab and Bengal before Partition, as well as broader cultural 'wholes' across South Asia, across religious and linguistic lines - alongside forces that deny such connections. The chapters address issues of heritage and memory through specific case-studies on present-day memorial, museological and commemoration practices, through which sometimes competing memorial landscapes have been constructed, and show how memories of past traumas and histories become inscribed into diverse forms of cultural heritage (the built landscape, literature, film).

Hardcover. Zustand: Brand New. 280 pages. 8.50x6.00x0.75 inches. In Stock.

Zustand: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware -This edited collection attends to the locations of memory along and about the Indo-Pakistan and Indo-Bangladesh borders and the complex ways in which such memories are both allowed for and erased in the present. The collection is situated at the intersection of narratives connected to memory and commemoration in order to ask how memories have been formed and perpetuated across the imposition of these borders. It explores how national boundaries both silence memories and can be subverted in important ways, through consideration of physical sites and cultural practices on both sides of the India-Pakistan-Bangladesh borders that gesture towards that which has been lost ¿ that is, the cultural whole that was the cultural regions of Punjab and Bengal before Partition, as well as broader cultural 'wholes' across South Asia, across religious and linguistic lines ¿ alongside forces that deny such connections. The chapters address issues of heritage and memory through specific case-studies on present-day memorial, museological and commemoration practices, through which sometimes competing memorial landscapes have been constructed, and show how memories of past traumas and histories become inscribed into diverse forms of cultural heritage (the built landscape, literature, film).Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 296 pp. Englisch.

Z : 144 Seiten, mit vielen s/w und farbigen Tafeln. Einband mit Prägung. Im Anhang Ausstellungsverzeichnisse und Bibliografie. - wichtige Retrospektive.

1. Auflage, Altonaer Museum für Kunst und Kulturgeschichte, Hamburg, 2008. 214 S. mit vielen Abbildungen, Pappband mit Lesebändchen, quart---- gutes Exemplar - 1095 Gramm.

Soft cover. Zustand: Very Good. Sm. 4° - 142 pp. Profusely illustrated with color and b/w reproductions. In fine condition safe from a slight crease across the cover. Sophie Henriette Gertrud Taeuber-Arp (19 January 1889 13 January 1943)[1] was a Swiss artist, painter, sculptor, textile designer, furniture and interior designer, architect, and dancer. Born in 1889 in Davos and raised in Trogen, Switzerland, she attended a trade school in St. Gallen and, later, art schools in Germany, before moving back to Switzerland during the First World War. At an exhibition in 1915, she met for the first time the German-French artist Jean Arp, whom she married shortly after. It was during these years that they became associated with the Dada movement, which emerged in 1916, and Taeuber-Arp's most famous works Dada Head (Tête Dada; 1920) date from these years. They moved to France in 1926, where they stayed until the invasion of France during the Second World War, at the event of which they went back to Switzerland. In 1943, she died in an accident with a leaking gas stove. Despite being overlooked since her death, she is considered one of the most important artists of concrete art and geometric abstraction of the 20th century.

Soft cover. Zustand: Very Good. 1st Edition. 4° - 142pp - Color & B/w reproductions. Published as Exhibition Catalog: Sophie Taeuber-Art (1889-1943) Swiss artist, painter, sculptor, textile designer, furniture and interior designer, architect and dancer. She is considered one of the most important artists of concrete art and geometric abstraction of the 20th century. First edition, text in German and Italian. Original boards. In Very good conditon.

Mit zahlreichen Abbildungen. Orig.kartoniert. 128 Seiten. Herausgeber: Stiftung Historische Museen Hamburg. 4°. Gut erhalten. ISBN 9783927637521.

gr.-8°, Gebundene Ausgabe. 215 Seiten Einband etwas berieben bzw. leicht bestossen, sonst sauber und gut. Sprache: Deutsch Gewicht in Gramm: 1200.

128 Seiten, OKart., 24,5 x 22,5 cm. Reich illustrierte Firmengeschichte über die Hamburger Firma Dennert und Pape, die seit 1872 die Aristo-Rechenschieber produzierte. - Themen u.a.: Landvermessung durch die Altonaer Sternwarte; astronomische Zahlen und Logarithmen; Rechenschieber von Dennert und Pape; Massengebrauch in Schule und Studium; Nutzung des Rechenschiebers im Beruf; Digitalisierung. - Provenienz: Joachim Kersten (Rechtsanwalt und Literaturvermittler, 1946-2023; Nachlassexlibris auf der vorderen Umschlaginnenseite; Namenszug in zartem Bleistift auf dem Vortitel). - Gutes Exemplar.

4°, Pappband-O. Zustand: Sehr gut. 214, (1) S., Mit zahlreichen teils farbigen Abbildungen, sehr gutes Exemplar. P108110_Schiffbau Sprache: Deutsch Gewicht in Gramm: 2100.

1. Aifl. zahlreiche teils farbige Abbildungen, 215 S. Sprache: Deutsch Gewicht in Gramm: 550.

4°. 27,5 x 21 cm. 470 Seiten. Original-Pappband. 1. Auflage. Mit einigen Abbildungen. Hinterdeckel mit wenigen winzigen Kratzspuren. Sehr gutes Exemplar.

Gebunden. Zustand: New. Beinahe waere etwas aus mir geworden. - dieses Zitat ist bezeichnend fuer die facettenreiche Kuenstlerpersoenlichkeit Karl Jakob Hirschs (1892-1952), den Dichter, Graphiker, Maler, Buehnenbildner, Journalist und Autor.Die vorliegende Arbeit beschaef.

Buch. Zustand: Neu. Neuware - 'Beinahe wäre etwas aus mir geworden.' - dieses Zitat ist bezeichnend für die facettenreiche Künstlerpersönlichkeit Karl Jakob Hirschs (1892-1952), den Dichter, Graphiker, Maler, Bühnenbildner, Journalist und Autor.Die vorliegende Arbeit beschäftigt sich mit dieser Vielfachbegabung, die sich vom Expressionismus in der Druckgraphik über Worpswede hin zum Theater der Volksbühne in den 1920ern und zur Literatur entwickelte - der Roman 'Kaiserwetter' von 1931 war Karl Jakob Hirschs größter Erfolg. Kurz darauf musste der politisch links stehende Jude aus Deutschland fliehen und versuchte, im New Yorker Exil wieder Fuß zu fassen. Als ihm dies weder schriftstellerisch noch religiös gelang, konvertierte er zum Protestantismus und kehrte nach dem Krieg, nun als GI Joe Gassner, nach Deutschland zurück. Das Gesamtwerk Hirschs, zu dem mit 'Heimkehr zu Gott' auch eine kontrovers aufgenommene Bekenntnis-Autobiographie gehört, ist zu Unrecht in Vergessenheit geraten.Das Buch stellt erstmals das ganze Schaffen Hirschs dar, stellt die Werke zueinander und zum Lebensweg in Beziehung und nimmt eine kritische Wertung über nachhaltige Gültigkeit oder ein 'Beinahe' vor. Mit einer umfangreichen Quellenrecherche, einer ausführlichen Bibliographie, zahlreichen Abbildungen und der genauen Analyse der Graphik und Texte liegt nun endlich ein Referenzwerk zu Karl Jakob Hirsch vor.

Zustand: Very good.