maher karen (9 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. New edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: NEW.

Paperback. Zustand: Brand New. 1st edition. 356 pages. 9.25x6.25x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - A practical, evidence-based approach to psychological and professional well-being for midwives.

Taschenbuch. Zustand: Neu. Surviving and Thriving in Midwifery | Karen Maher (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | John Wiley and Sons Ltd | EAN 9781119881001 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.