Lowden john (88 Ergebnisse)

Zustand: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Reprint. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Monet (Colour Library) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Fine.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fine.

Zustand: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Reprint. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. our photos, binding is solid, light wear on dust jacket, text is free of markings, previous owner name on inside free endpaper, we ship quickly with tracking.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Not Indicated. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

New edition. Bookplate signed by author pasted to half-title page. A bright, clean copy, with B&W illustrations Used - Very Good. "Signed" copy VG paperback Used - Very Good. "Signed" copy VG paperback.

Zustand: New. pp. 128.

Soft cover. Zustand: Fine. 448 pp., illustrated, small folio, card wrapper. Profusely illustrated. Published on the occasion of an exhibition at the British Library, 11 November 2011 - 13 March 2012. Fine copy.

paperback. Zustand: Good. Good condition, pages are clean, however there is some shelf wear on cover, including some marking, creasing and / or tears Shipped from the UK within 2 business days of order being placed.

Zustand: Very Good. the books cover is in very good condition with wear such as scuffs and scratches. The content is in new condition.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. internally clean, unmarked, top corners (only) lightly bumped, hinges remain firm and solid. DJ has touch of wear to corners, o/w clean and shiny. KRM/Books on Books.

Zustand: Fine. Unused, some outer edges have minor scuffs, cover has light scratches, book content is in like new condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Not Indicated. Some shelf wear. Rear jacket panel scraped and scuffed; small fray at bottom corner of front panel. Else fine. A sound copy with crisp, clean internals. The book takes as its starting point a small group of illuminated manuscripts made in Byzantium in the tenth to thirteenth centuries. These are fully illustrated here for the first time, and described in detail. This material provides the opportunity to discuss fundamental questions about the way all artist of this period worked and were trained, and what their intentions and expectations were. The study moves from a brief theoretical introduction, explaining the choice of material, to a preliminary overview of the group. Each manuscript is then discussed in detail, in an attempt to show how and why it has come to look the way it does. Analysis then proceeds in an ever-widening spiral, moving from the individual manuscripts, to the relationship within the group, to possible connections with art from the West to the Christian Orient, from the Early Christian period to the fourteenth century, and, finally, to the possibility of lost material unlike that which survives. This broad survey raises crucial questions about how artists knew what to paint and how we should approach the material left for study. The answers proposed here, in emphasizing the importance of an artist's workshop training, the evidence for artistic originality, and the necessity to build hypotheses on the basis of surviving material, represent an approach to manuscripts which can be broadly applied. The originality of the artist and the uniqueness of the work of art (concepts often assumed to be unimportant before the Renaissance) are revealed here, not merely in the manuscripts of the group but throughout the Byzantine world and beyond its frontiers.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Not Indicated. Minor shelf wear; faint sunning. Rear jacket panel creased along spine. Faint crimping along edges of panels. Else fine. Internally a bright, clean copy with pristine plates. The book takes as its starting point a small group of illuminated manuscripts made in Byzantium in the tenth to thirteenth centuries. These are fully illustrated here for the first time, and described in detail. This material provides the opportunity to discuss fundamental questions about the way all artist of this period worked and were trained, and what their intentions and expectations were. The study moves from a brief theoretical introduction, explaining the choice of material, to a preliminary overview of the group. Each manuscript is then discussed in detail, in an attempt to show how and why it has come to look the way it does. Analysis then proceeds in an ever-widening spiral, moving from the individual manuscripts, to the relationship within the group, to possible connections with art from the West to the Christian Orient, from the Early Christian period to the fourteenth century, and, finally, to the possibility of lost material unlike that which survives. This broad survey raises crucial questions about how artists knew what to paint and how we should approach the material left for study. The answers proposed here, in emphasizing the importance of an artist's workshop training, the evidence for artistic originality, and the necessity to build hypotheses on the basis of surviving material, represent an approach to manuscripts which can be broadly applied. The originality of the artist and the uniqueness of the work of art (concepts often assumed to be unimportant before the Renaissance) are revealed here, not merely in the manuscripts of the group but throughout the Byzantine world and beyond its frontiers.…

Hardcover. Zustand: Fine. No dust jacket as issued. 1st Edition. First Edition, 2009, Gagosian Gallery. Fine contents and binding. No remainder mark. No dust jacket as issued. Insured international shipping and domestic Priority Mail may require added postage charges.

Hardcover. Zustand: Very Good. Cover and edges may have some wear.

Soft cover. Zustand: Very Good. 1st Edition. 448pp card covers well illustrated.

Zustand: New. pp. 150 Illus. (Col.).

Zustand: New. 2008. Paperback. Num Pages: 128 pages, 150 colour illustrations. BIC Classification: 1KBCO; ACK; AFKC; AGC. Category: (G) General (US: Trade). Dimension: 280 x 241 x 15. Weight in Grams: 868. 128 pages, 150 colour illustrations. Cateogry: (G) General (US: Trade). BIC Classification: 1KBCO; ACK; AFKC; AGC. Dimension: 280 x 241 x 15. Weight: 870. . . . . . Books ship from the US and Ireland. …