louis boucher (46 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Zustand: Very Good. No Jacket. Emsh - Edmund Alexander Emshwiller (cover) (illustrator). First Edition. Vol 32 # 2 of Ellery Queen's Mystery Magazine, August 1958.Contains stories by Cyril Hare (Sermon in Bags), Bret Harte (What Happened at the Fonda), Frederick Nebel (Pity the Poor Underdog), George Harmon Coxe (Two Minute Alibi), C S Forester - Cecil Louis Troughton Smith (That Old Computer), Ellery Queen (The Motive: First of Two Parts), Anthony Boucher - William Anthony Parker White (Best Mysteries of the Month), and others. Light wear at the edges with browning to the margins of the pages. A very good copy.

Zustand: New. In.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Trade Paperback. Zustand: Good - Very Good. No Jacket. George Salter (cover) (illustrator). First Edition. Vol 15 # 76 of Ellery Queen's Mystery Magazine, March 1950. Contains stories by Cornell Woolrich (The Humming Bird Comes Home), Louis Golding (Pale Blue Nightgown), Frank Gruber (1000-to-1 for Your Money), T S Stribling (A Daylight Adventure), Dorothy L Sayers (The Necklace of Pearls), Melville Davisson Post (The Twilight Adventure), A Conan Doyle (The Red-Headed League), Thomas Narcejac (The Vampire), Anthony Boucher (William Anthony Parker White) (The Best Mysteries of the Month), Francisco A Branco (The Dwarfs' Club), and others. Light wear at the edges with rubbing to the spine. Browning to the pages and the edges of the front cover. A good to very good copy.

Zustand: New. In.

Loose Leaf. Zustand: New. Reproduction. Original title: Frontispice pour le "Tombeau de Guillaume III" (Frontispiece for the Tomb of William III), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) German: Frontispice pour le "Tombeau de Guillaume III" (Frontispiece für das Grab von William III), von Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) French: Frontispice pour le "Tombeau de Guillaume III", de Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres Spanish: Frontispice pour le "Tombeau de Guillaume III", de Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombes of Princes, Great Captains, y otros hombres ilustristas) High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (ca. 1736). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Chinoiserie with a woman playing a musical instrument, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 5 German: Chinoiserie mit einer Frau, die ein Musikinstrument spielt, aus Suite de Figures Chinoisese. . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie der Chinoiserie Figuren. . .Aus den Kammern von Mr. d'Azaincourt), Platte 5 French: Chinoiserie avec une femme jouant un instrument de musique, de la Suite de Figures Chinoises. . .Tiré du Cabinet de M. d'Azaincourt (Série de Chineries Figures. . . Des Chambres de M. d'Azaincourt), plateau 5 Spanish: Chinoiserie con una mujer tocando un instrumento musical, de la Suite de Figuras Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt), plato 5 High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Chinoiserie with a woman playing a musical instrument, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt) German: Chinoiserie mit einer Frau, die ein Musikinstrument spielt, aus Suite de Figures Chinoisese. . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie von Chinoiserie Figuren. . .Aus den Kammern von Mr. d'Azaincourt) French: Chinoiserie avec une femme jouant un instrument de musique, de la Suite de Figures Chinoises. . .Tiré du Cabinet de M. d'Azaincourt (Série de Chineries Figures. . .Des Chambres de M. d'Azaincourt) Spanish: Chinoiserie con una mujer tocando un instrumento musical, de Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt) High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Chinoiserie with a woman playing a gong, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 6 German: Chinoiserie mit einer Frau, die einen Gong spielt, aus Suite de Figures Chinoisese. . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie von Chinoiserie Figuren. . . aus den Kammern von Mr. d'Azaincourt), Platte 6 French: Chinerie avec une femme jouant un gong, de la Suite de Figures Chinoises. . .Tiré du Cabinet de M. d'Azaincourt (Série de Chinerie Figures. . .Des Chambres de M. d'Azaincourt), plateau 6 Spanish: Chinoiserie con una mujer jugando un gong, de la Suite de Figuras Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt), plato 6 High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Chinoiserie with a woman holding cymbals, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 4 German: Chinoiserie mit einer Frau, die Zimbeln hält, aus Suite de Figures Chinoisese. . . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie von Chinoiserie Figuren. . . aus den Kammern von Mr. d'Azaincourt), Teller 4 French: Chinoiserie avec une femme tenant des cymbales, de la Suite de Figures Chinoises. . .Tiré du Cabinet de M. d'Azaincourt (Série de Chineries Figures. . . Des Chambres de M. d'Azaincourt), plaque 4 Spanish: Chinoiserie con una mujer que sostiene platillos, de la Suite de Figuras Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt), placa 4 High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Chinoiserie with a woman playing the mouth organ, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 3 German: Chinoiserie mit einer Frau, die die Mundorgel spielt, aus Suite de Figures Chinoisese. . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie der Chinoiserie Figuren. . .Aus den Kammern von Mr. d'Azaincourt), Platte 3 French: Chinoiserie avec une femme jouant de l'orgue de bouche, de la Suite de Figures Chinoises. . .Tiré du Cabinet de M. d'Azaincourt (Série de Chineries Figures. . . Des Chambres de M. d'Azaincourt), plateau 3 Spanish: Chinoiserie con una mujer tocando el órgano bucal, de la Suite de Figuras Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt), placa 3 High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Chinoiserie with a female figure holding burning perfumes, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 2 German: Chinoiserie mit einer weiblichen Figur mit brennenden Parfüms, aus Suite de Figures Chinoises. . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie von Chinoiserie Figuren. . . aus den Kammern von Mr. d'Azaincourt), Platte 2 French: Chinoiserie avec une figure féminine tenant des parfums brûlants, de la Suite de Figures Chinoises. . .Tiré du Cabinet de M. d'Azaincourt (Série de Chinerie Figures. . . Des Chambres de M. d'Azaincourt), plaque 2 Spanish: Chinoiserie con una figura femenina sosteniendo perfumes ardientes, de Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt), placa 2 High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Frontispiece, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 1 German: Frontispiece, aus Suite de Figures Chinoises. . . .Tiré du Cabinet de Mr. d'Azaincourt (Serie von Chinoiserie Figuren. . . aus den Kammern von Mr. d'Azaincourt), Platte 1 French: Frontispice, de la Suite de Figures Chinoises. . . Titre du Cabinet de M. d'Azaincourt (Série de Chinerie Figures. . . Des Chambres de M. d'Azaincourt), assiette 1 Spanish: frontispicio, de la Suite de Figuras Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Serie de Figuras Chinoiserie. . .De las Cámaras del Sr. d'Azaincourt), placa 1 High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt German: Suite de Figures Chinoises. . Tiré du Cabinet de Mr. d'Azaincourt French: Suite de Figures Chinoises. . . Téré du Cabinet de M. d'Azaincourt Spanish: Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1755?76). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Broché. Zustand: Bon état. in-8 carré Description :143 pp. Couverture défraîchie. Langue : Français Nb de volumes : 1.

Zustand: New. In.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; xix, 127 pages : illustrations ; 26 cm ISBN 9780252015533, 0252015533 OCLC 17676686 LCCN 88004825 LC KF5692 .C67 1989 Dewey 346.73045 and 347.30645 ; grey cloth in pictorial dustjacket ; Contents : Aesthetics in the Museum and in the Courthouse -- East side, west side all around the town (and nation) -- The case for coherence -- Aesthetics at any price opr no aesthetics at all -- The case for legal aesthetics -- Aesthetics and the Legal System -- The swinging pendulum -- A blessed union? -- A return to first principles -- Legal Aesthetics and legal institutions -- Icons and Aliens -- A format for aesthetics controversies -- The aesthetics impulse: Beauty as a nonstarter -- Aesthetics and Process Values -- Legal language and lay language -- Process and end-state values: Pathways to accommodation -- Epilogue -- Notes -- Index ; Discusses issues surrounding the daily war being fought in cities across the country--developmental change and business growth versus historic preservation. Can there be a meeting of the minds beween those who strive to preserve our environment and historical landmarks and those who continue to try to meet the needs of a changing society? publisher's promotional materials laid in, associated with a Kiwanis Club presentation to Memphis area Law alumni ; SIGNED letter to attorney Richard W. Foster from the author with comments upon the city of Memphis, laid-in with envelope ; John Costinis was dean of the Vanderbilt Law School who previously taught in the urban design, historic preservation and property fields on the law faculties of New York University and Illinois. A frequent contributor of essays on design and land use topics to legal and lay publications, Costonis was also the author of Space Adrift, Landmark Preservation and the Marketplace, a seminal study of the use of incentive zoning to finance the preservation of endangered urban landmarks. ; Allan Jacobs was was a professor of environmental design, University of California at Berkeley and the former director of planning, Department of City Planning, San Francisco ; includes discussions about the Zucchini on Park Avenue, East Side buildings on Manhattan's West Side, Billboards along a scenic Arizona highway, Sodium vapor lamps in downtown Bronxville, An international style tower atop the Beaux Arts Grand Central Terminal, a Con Ed pumping station on Storm King Mountain, the Transamerica Building in San Francisco, McDonald's Speedee Service Drive-in, Goodyear Airdock, Isaac I Rice Mansion, Upper East Side Historic District, ; inlcudes numerous New Yorker cartoons and black and white photographs ; FINE/FINE. Signed by Author(s). Book.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Couverture souple. Zustand: bon. RO20268757: 1970. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 199 pages. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Limited Edition. [1st edition, 1st printing] ; Limited edition No. 4832 of 5000 (as stated on colophon) ; 301 p. (some folded) : chiefly color illustrations, maps, plans ; 30 cm. ; ISBN: 8821601269; 9788821601262 ; LC: NA9072.M55; Dewey: 711.5 ; OCLC: 23695425 ; text in Italian and English. ; Issued in Montedison-designed slipcase. ; black silk, with hand-laid paper ; photographic plate paste-down on front cover ; decorative black endpapers ; signed card of Montedison Director General Carlo Maria Columbo, laid in ; publisher Franco Maria Ricci initialled quality control card, laid in ; Design, Franco Maria Ricci, Laura Casalis; Grafica, Silvia Fois; Fotolito : Fotoincisioni Bassoli, Fotolito Storti, Milano; Stampa, Grafiche Milani ; Gruppo Ferruzzi ; "Edison was established in 1884 in Milan as a power utility. In 1966, Edison merged with Montecatini, to create Montedison"-wikipedia ; 'In 1801, Antolini was hired during the short-lived Repubblica Cisalpina to complete a massive plan for the center of Milan, a project later taken over by Napoleon and called the Foro Bonaparte. The city was designated the capital of Napoleonic Italy in 1805, and the Foro Bonaparte was part of a larger redevelopment project that consisted of cutting wide roads through the medieval center and constructing monumental government buildings and shopping areas that linked together the major neighborhoods of the city. The Foro was to be located in the area around the Castello Sforzesco.and Napoleon ordered the outer walls of the Castello to be updated with an ordered classical arrangement and a temple facade plan. Encircling this area Antolini designed 12.buildings to include a theater, museum, bathhouse and stock exchange.the plan was scaled down due to its high cost by Luigi Canonica in 1802."--Allison Lee Palmer ; Contents (English) : The publisher to the reader -- The Foro Bonaparte, a Jacobin utopia in Milan -- The first plans for the Foro Bonaparte (1801) -- La Bastiglia di Milano, un audace impresario, L'amico Sommariva -- The drawings of the Foro Bonaparte -- Designing the city : The 1801 Economic and Political Plan -- An architect for the Republic amid Doric and Freemasonry -- A man from the Romagna at the court of Pope Pius VI, The Doric comes to Faenza, The advantages of Freemasonry -- The Marengo column, A discussion with the First Consul, The schemings of the Commission -- Contrasting Pistocchi, Rectangle versus circle, A project in progress -- Enter the military, The astute Canonica, A question of money -- From project to model, The Description of the Foro Bonaparte -- Opposition to Antolini, the Letter from Citizen X to a friend -- Barabino, Canonical, Rossi : plans for the modification of the Foro Bonaparte -- Milan, Archivo Storico Civico Fin-de-siecle projects -- From utopia to bourgeoisie, Fin-de-siecle in Foro Bonaparte ; color tipped-in plates, 18 fold-out plates, several in full color ; artwork by Felice Giani, Giuseppe Camporesi, Domenico Lucchi, Hubert Robert, Feliz Albites, Alessandro Emanuele Marvuglia, Domenico Santi, Giovanni Lazarini, Fernando Bonsignore, Jacques-Louis David, Giacomo Pinchetti, Franz Hogenberg, Giovanni Battista Clarici, Arcangelo Lavelli, Adele Chavassieu d'Houdebert, Domenico Aspari, Vincenzo Magnani, Vincenzo Berenzi, Paolo Bargigli, Andrea Appiani, Luigi Rados, Giuseppe Pistocchi, Giuseppe Longhi, A.-G.-L. Boucher-Desnoyers, Luigi Canonica, Francisco Rosaspina, Luigi Cagnola, Gaspare Gallinari, Gaetano Berettini, Alois Schmid, Cesare Beruto, Pietro Gadda, Giuseppe Pirovano, Enrico Combi, Giovanni Giachi, A, Bellani, Romeo Botelli, and Luigi Montini ; a beautifully produced publication ; " (This volume is part of a special edition reserved for Montedison, and was printed in an edition of 5000 numbered copies under the direction of Franco Maria Ricci, Milan, in October 1989. The typeface used is Bodoni. The handmade paper was laid by Cartiere Miliani di Fabriano) ; fading spots to slipcase spine, else AS NEW/FINE. Book.

Zustand: New.

Zustand: very good. Con una nota di lettura di Witold Wolodkiewicz. Napoli : Jovene, c1986. Paperback. xlvii, 185 pp. 4 unnumbered pages of plates : illustrations ; 24 cm. (Antiqva, 38). - Excerpts reprinted from Diderot's Encyclopédie, 1751. Condition : very good copy. Keywords : ROMAN LAW, Diderot, Denis (1713-1784) *2006-100 roman law.

Zustand: Gut. Zustand: Gut | Sprache: Französisch | Produktart: Bücher | Si nous possédons les registres du procès en réhabilitation de Jeanne d'Arc (1450-1456) avec les témoignages donnés sous la foi du serment de plus de cent vingt témoins oculaires qui avaient connu la Pucelle à différentes périodes, de son enfance jusqu'à son martyre, de nombreuses zones d'ombre pèsent encore sur la vie et la mort d'un des plus célèbres personnages de l'Histoire de France. Le principal défaut du procès de réhabilitation est ce fait singulier, que deux personnes seulement furent appelées à donner leur témoignage sur les événements de la vie de Jeanne d'Arc, compris entre l'échec à Paris en septembre 1429 et sa prise à Compiègne en mai 1430. Aucune question ne fut posée sur cette période à son confesseur Pasquerel, par exemple, ni à son écuyer d'Aulon, omission qui ne saurait avoir son excuse dans le seul désir de ménager les sentiments du roi Charles VII. C'est en ce basant sur ces incohérences qu'Andrew Lang affûte au début du XXe siècle ses hypothèses, adoptant des méthodes d'investigation dignes de celles la police scientifique. Le silence sur l'action de Jeanne d'Arc entre 1429 et 1430 ainsi que d'autres faits troublants relatés dans les annexes de ce livre de 1908 donnent corps à une clef de lecture totalement originale et inédite dans les travaux publiés jusqu'ici sur la vie de la Pucelle de France.