lorenz natter (18 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Taschenbuch. Zustand: Neu. Neuware.

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Taschenbuch. Zustand: Neu. Neuware - The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT120486Londres: de l'imprimerie de J. Haberkorn, 1761. [6],40p., plates; 4°.

Taschenbuch. Zustand: Neu. Neuware - The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT131064With a half-title.Londres: de l'imprimerie de J. Haberkorn & Comp. MDCCLIIII. Chez l'auteur, [1754]. [2], xxxix, [1],54, [2]p., plates; 2°.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT120486Londres: de l'imprimerie de J. Haberkorn, 1761. [6],40p., plates; 4°.

Buch. Zustand: Neu. Neuware - The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT131064With a half-title.Londres: de l'imprimerie de J. Haberkorn & Comp. MDCCLIIII. Chez l'auteur, [1754]. [2], xxxix, [1],54, [2]p., plates; 2°.

Third (first in 1742), revised and enlarged edition. . In its first, blue hard paper binding. [1] leaf frontispiece, [14 (last blank)] 126 [2 (with engraved musical notation and text on the first page] pages, and [2] leaves (with 2 pages of engraved sheet music). Important masonic text with Benjamin Franklin's musical compositions. A curious, anonymously published apology on behalf of the Masonic Order, one of the key texts on the exclusiveness of Christians in the lodges in the 18th century, supplemented with two early American Masonic songs by Benjamin Franklin. Both the text and the songs are erroneously attributed to different authors by many bibliographies, the text to François Felix Nogaret (17401831) probably because he also wrote masonic hymns, the songs to Jacques-Christophe Naudot, an unrelated French Masonic composer. In fact, the book was written by Johann Lorenz Natter (17051763) the German goldsmith and gem-cutter, a member of the Florence Masonic Lodge and an ardent promoter of the Masonic ideas, and as it is indicated in the title of the first edition the songs by the American brother ("composées par Le Frére Américain"), who was no one else than Benjamin Franklin. (Basso 1994, p. 154.) All editions are rare on the market. The second was published in a different format only by Gosse and lacks the engraved music and the frontispiece. Wolfstieg 23736 (first edition); not in Sabin. Literature: Basso, Alberto. L' invenzione della gioia: musica e massoneria nell'età dei lumi. Milano: Garzanti, 1994. . In its first, blue hard paper binding Third (first in 1742), revised and enlarged edition.

La Haye, Pierre Gosse - Dresde, George Conrad Walther, 1745. In-12 (163 X 102 mm) basane fauve marbrée, double encadrement à froid sur les plats, dos lisse cloisonné et orné, pièce de titre maroquin havane, coupes et coiffes filetées or, tranches rouges (Reliure de l'époque) ; frontispice dépliant, (7) ff. de titre (imprimé en rouge et noir), dédicace, avertissement et table des matières, 126 pages, 2 planches gravées (dont 1 à double page) - [Relié à la suite :] Amsterdam et Genève, Henri-Albert Gosse, 1752. (1) f. de titre, 147-172 pages, 2 planches hors-texte (dont 1 dépliante) - (1) f. de titre, 175-205 pages, 5 planches hors-texte (dont 1 dépliante) de musique. Coiffe supérieure habilement restaurée, petit manque d'un centimètre en marge latérale du frontispice, sans atteinte au dessin de la gravure. TROISIÈME ÉDITION, révisée et augmentée par l'auteur, la première ayant été publiée en 1742. Cet IMPORTANT TEXTE MAÇONNIQUE, publié anonymement, a été écrit par Johann Lorenz NATTER (1705-1763), graveur de pierres précieuses et médailleur allemand, membre de la loge maçonnique de Florence et fervent promoteur des idées maçonniques. Le FRONTISPICE représente Benjamin FRANKLIN (1706-1790), éminent franc-maçon, dans une scène titrée "L'Amour maçon" : c'est de lui dont il s'agit dans les deux chansons gravées à la fin de l'ouvrage, toutes deux titrées "Chanson Maçonne par le Frère Américain". (Fesch, 115 - Caillet, I-344 - Dorbon, 122 - Pas dans Sabin). Il a été relié à la suite 2 SUPPLÉMENTS avec page de titre propre et pagination continue ; ces deux textes prennent place à la fin de l'ouvrage "L'Ordre des francs-maçons trahi" de Gabriel-Louis Calabre PÉRAU (1700-1767), prieur à la Sorbonne qui se faisait appeler « abbé » mais ne fut jamais ordonné prêtre. Bien que le titre de l'ouvrage laisse entendre qu'il s'agisse d'un pamphlet anti-maçonnique, il n'en est rien et l'auteur s'en défend dans sa préface ; il dédie d'ailleurs l'ouvrage "au très vénérable Frère Procope". On trouve dans le premier supplément une belle GRAVURE de cérémonie maçonnique mettant en scène des femmes et une PLANCHE dépliante du "Plan de la loge des Mopses", légendée. Le second supplément comporte 5 PLANCHES gravées de musique. (Fesch, 1044, pour les suppléments). BEL EXEMPLAIRE de ce rare ensemble de textes maçonniques, très frais, conservé dans sa reliure d'époque en PARFAIT ÉTAT. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST.