loran erle (36 Ergebnisse)

Paperback. Zustand: Very Good. Well-illustrated (illustrator). Edges very lightly rubbed. U.S. orders are shipped from N.Y. state.

softcover. Zustand: Nearly fine copy. Well-illustrated (illustrator). 1st. 4to, 95 pp.

paperback. Zustand: Good.

1964. Art exhibition. University of Califiornia, Berkely, Worth Ryder Art Gallery. 23p. 5 color plates, 1 b/w photo. Stapled binding, very good paper, black and white photo on cover.

Well-illustrated (illustrator). 28.0 x 21.5cms 96pp with 107 b/w & colour illusts very good paperback & cover The Lorans began collecting African and Precolumbian sculpture in the 1940s. This catalogue has chapters on 'African ancestors as cosmic connectors' and 'ancient art of Mexico: death and the ancestors.

Well-illustrated (illustrator). Very Good Demy 4to 96pp with 107 b/w & colour Illusts. Very Slightly Rubbed Spine Soft Cover Exhibition Catalogue The Lorans began collecting African and Precolumbian sculpture in the 1940s. This catalogue has chapters on 'African ancestors as cosmic connectors' and 'ancient art of Mexico: death and the ancestors.

Kartoniert. Zustand: Gut. 28 x 21,5 cm 95,1 S. Orig.-Karton. Sprache: Englisch, Mit zahlreichen Abbildungen im Text. Gutes Exemplar.

Soft cover. Zustand: Good. Well-illustrated (illustrator). Exhibit catalog: De Young October 12, 1974 to January 12, 1975. Rubbed spine and moderate edge wear, small tear on back bottom edge, fine interior. 22 x 28 cm. 107 illustrations, primarily in black and white. Essays by Erle Loran, Thomas K. Seligman, Jane P. Dwyer and Edward B. Dwyer. Bibliography by Jane Gray Nelson. Maps. Erle Loran gained a national recognition for his work as a painter, writer of Cezanne's Compositions, and collector of African art. 95p. Book.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0520007689.

Couverture rigide. Zustand: Assez bon. Texte en anglais / text in english ! Art. Second edition. 5th printing. Nombreuses illustrations n&b. 24x32 cm. 141 p. Reliure éditeur. Etat correct. Plats légèrement défraîchis. Intérieur correct. Message, nom et date en page de garde. Tranches salies/tachées. Certaines pages sont tachées en marge sans conséquence pour la lecture. Petites déchirures marginales. in-folio.

Zustand: Good. 8vo. Soft cover, Very Good, Copies of press release included as inserts, 23pp. Color plates.

Zustand: Good. 4to. 23 pp. Soft cover. Very Good. Illustrated paper wraps. Staple binding. Minor shelf wear. Color plates throughout. Stamp of the SF MoMA library on free end paper, and small library sticker on bottom left of front wrap. Scarce.Collection from San Francisco Museum of Modern Art.

Zustand: Good. 23 pp. Illustrated in color. 4to. Presentation copy signed by the author. Wraps.

Hardcover. Zustand: Good. 1959 2nd edition, 6th printing. lacking dj. cover shows minor wear, rubbing, tanning. pages clean.

32.0 x 24.0cms 144pp b/w illusts very good hardback & dustwrapper The chapters are: Cezanee as theorist & artist; how Cezanne organised a picture; Cezanne's materials & methods; problems of perspective; the problem of scape & the control of volume & space; distortion through the shifting of eye levels; the problem of distortion through tipping axes; distortion in drawing; aerial perspectives; realism & abstraction; further comparisons.

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: Good. Second Edition. 141 p. 32 cm. Mainly b&w illustrations with one colour. Red and beige cloth under dustjacket. Jacket has chips and tears to edges, worn hinges, some wrinkling. Moderate soiling to white rear panel of jacket. Corners a bit bumped.

Soft cover. Zustand: VG (-). Establishes the beginnings, at least, of a few general principles of drawing and composition that can be applied to creative work, teaching, and criticism in general. Because Cézanne is the father of modern art it is in his work that we may expect to find such principles. From the collection of Sanje (Frank) Elliott, Buddhist mentor, artist, and friend to many. Condition notes: 143 numbered pp; TPB. Pages: clean, bright, tight; bottom edge slightly grubby. Cover: glossy black wraps, color artwork front, white titles front/spine; moderate edge shelfwear, extrems somewhat worn especially head.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good+. 3rd Edition, Revised. Berkeley & Los Angeles: University of California Press, 1963. Third Edition (stated), Revised. 12.5" x 9.5". 143pp, Index. Quarter red cloth & tan cloth boards, black letters. Book in fine condition, dj very good plus, slightly worn at edges, with $8.00 price intact. Numerous illustrations in color and b&w, and diagrams.; 12.5 x 9.5 inches; 143 pages.

Zustand: Very Good. University of California Press 1943 grey cloth boards with red cloth spine. large chip to front of dust jacket.

Zustand: Very good. - Quarto, 12-1/2 inches high by 9-5/8 inches wide. Hardcover, bound in light green cloth titled and decorated in darker green on the front cover, in a pictorial red, white and black dust wrapper. There is a very small piece out from the front edge of the dust jacket's rear inner flap. [xiv] & 143 pages, profusely illustrated in black & white. Near fine. Third edition.

Zustand: Good. [Dedication program]. 16mo. [8 pp]. Single printed sheet, folded into fourths. Very good. 2 color plates and 2 black and white plates. Writings by Peter Selz and Erle Loran. Program created on occasion of official dedication of Hans Hofmann wing at the University of California Berkeley Art Museum on November 6, 1970.From the Collection of the Art Historian Peter Selz.

hardcover. Zustand: Good.

hardcover. Zustand: good. Zustand des Schutzumschlags: None. Unmarked hardcover no jacket. Unmarked glossy pages but for a gift inscription on front flyleaf. 1970 Third edition Second printing.

Hardcover. Dust Jacket Included. folio. pp. 7 p.l., 143. profusely illus. index. cloth. dw. Third Edition. Freitag 1531. Lucas p. 132.

Hardcover. Zustand: Very Good. University of California Press 1944 Binding: Hardcover second edition, 1944. minor chipping and tearing to dust jacket. snag to top spine of dust jacket. $NRP.

(8) 143 S., ca. 100 Abb. 4° HLn.mS. *Umschlag mit geringen Randläsuren*.

Zustand: Gut. Well-illustrated (illustrator). 95 S.; Illustr. (tls. auch farbig); 28 cm; kart. Gutes Exemplar. - Aus der Bibliothek von Dr. H. J. Koloß / Völkerkunde-Museum Berlin. - Englisch. - By Erie Loran, Thomas K. Seligman, Jane P. Dwyer, Edward B. Dwyer. // INHALT : Foreword ----- By Ian McKibbin White ----- Preface ----- By Thomas K. Seligman ----- On Our Collection ----- By Erie Loran ----- African Ancestors as Cosmic Connectors ----- By Thomas K. Seligman ----- African Catalogue ----- Entries by Thomas K. Seligman and Kathleen Berrin ----- Ancient Art of Mexico: Death and the Ancestors ----- By Jane P. Dwyer and Edward B. Dwyer ----- Ancient Mexican Catalogue ----- Entries by Jane P. Dwyer and Edward B. Dwyer ----- Selected Bibliography ----- By Jane Gray Nelson. // . The ancestors as harmonizers are also capable of giving power to spirits who can, in turn, cleanse the village or tribe from illness, personal misfortune, witchcraft, social tension and a myriad of other problems. The Baule gba gba and kplekple masks (plate 41) are excellent illustrations of this process, as are the Ekpo society masks (plate 55) and figures (plate 56) of the Ibibio people. The ancestors may also function to ward off evil powers, especially those from witchcraft. This practice can be clearly seen among the Kota and Fang people of Gabon whose ancestral reliquaries (plates 60 & 61) are used to drive off malevolent supernatural forces. During a lifetime, the ancestors invest every act, every word, and every thought with their energy. At birth, a child will often be named after a venerated ancestor so that he will acquire extra strength. During initiation rituals the ancestors are present in many forms, helping to prepare the initiate for complete integration within the group. At such times, masks which represent various aspects of ancestral power and wisdom appear in order to instruct initiates. Literally hundreds of masks are used to convey tribal traditions to initiates among the complex secret initiation societies such as the Poro and Sande of Liberia and adjacent areas of Sierra Leone, Guinea, and Ivory Coast (plates 38 & 39). Masks from these areas also function to maintain the traditional social system that was established long ago by the ancestors. Vitally important in life, ancestral intervention becomes especially crucial at death for that is when the deceased moves towards the realm of the ancestors. As Mbiti (1969, p. 149) says, "Death stands between the world of human beings and the world of the spirits, between the visible and the 'invisible.'" (S. 18) ISBN 088401004X Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 3rd Edition. 143 pages : illustrations. Publisher's binding retains its freshness, corners sharp; endpapers clean, title page very attractive, contents as new. The dust jacket, now in Mylar, shows one short open tear, as well as sunning to spine and to head of rear panel. 1140 grams.

62 pp.; 27 x 26.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "Problems of 'New Directions' Exhibitions," by William C. Seitz; "NO is an Involvement," by Michelle Stuart; "The Armory Show," by Kate T. Steinitz; "The New York Story," by Alfred Leslie; "Anti-Sensibility Painting," by Ivan C. Karp; "Born Before 1900," by Alfred Werner; "'Transformation' in Cézanne and Lichtenstein," by Erle Loran "Puerealism: 'The End' with Innocence," by Rosalind G. Wholden. Reviews by Palmer D. French, Philip Leider, Joanna C. Magloff, James Monte, and Knute Stiles. Cover: Sonia Gechtoff, color lithograph. Good. Rubbing of covers and bumping of corners. 1 cm. tear at bottom of verso. Contents clean and unmarked.

56 pp.; 27 x 26.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Philip Leider. Essays "The 83rd S.F.A.I. Annual," by James Monte; "The Cellini Marble at the De Young Museum," by Walter Heil; "Hassel Smith," by John Coplans; "Hans Hofmann and his Work," by Erle Loran; "Alexi Jawlensky: Variation and Meditation," by James T. Demetrion "Richard Diebenkorn," by Philip Leider. Reviews by Palmer D. French, James Monte, Elizabeth M. Polley, and Knute Stiles. Cover: Hans Hofmann, "The Lark," 1959. Good / Very Good. Rubbing of covers and bumping of corners. Contents clean and unmarked.