Paperback. Zustand: Good. Minor scuffing on cover. Pages are tanned. Ex price sticker on cover.
Paperback. Zustand: Very Good.
Verlag: Journal of Aesthetics and Art Criticism., 1947
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. Reprinted for private circulation from Journal of Aesthetics and Art Criticism, vol. VI, no. 1, September, 1947, pp. 31-36. Very good in stapled paper wraps.
Verlag: State University of Iowa, School of Fine Arts, Iowa City, IA, 1954
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First Edition. First edition. Oblong softcover. [32 pages.] Exhibition catalog for a show that ran June 13 through July 31, 1954. Features a short text by Earl E. Harper, and a foreword by Lester D. Longman. Includes black and white illustrations of works by Willem de Kooning, Franz Kline, Philip Guston, Edward Hopper, John Steurt Curry, and others. A clean near fine copy in stapled wrappers. Scarce.
Verlag: E-344
Anbieter: Last Exit Books, Charlottesville, VA, USA
Paperback. Zustand: Very Good. Trade PB. 4to. College Art Association, New York, 1941. 14 issues from the final two years of Parnassus' existence. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. The College Art Association of America (CAA) , founded in 1911, is a membership organization dedicated to education in the visual arts. Throughout its history, this goal has been pursued, in part, by the publication of periodicals, including Parnassus, The College Art Journal and The Index of Twentieth Century Artists, all of which are no longer published. Others, like CAA News, The Art Bulletin and Art Journal, are still in print. Parnassus, which published from 1929 until 1941, and was in many ways not the cookbook the early Art Bulletin had been or was accused of being.6 At least early on, it had a quite specific mission: it was, according to a membership solicitation in its inaugural issue in January 1929, "a quarterly of news and topical value devoted largely to art activities in Europe and edited by authorities in the field. " Through the first few years, it featured letters from editors in Rome, Berlin, London, Austria, the Soviet Union, and Spain, and abstracts from recent international periodicalsBelvedere, The Burlington Magazine, Pantheon, Pinacotheca, La Rivista d'Arteand only a handful, if that, of articles devoted to the college campus or to anything outside the campus museum. Despite the focus on Europe, and to a certain extent written within that focus, Parnassus was a very local magazine; its view was that from CAA's offices on Washington Square. It ran auction results, a New York exhibitions calendar, and a review of "art activities" in New York in its second number. Ten issues later, when it began to survey art activities nationally, its title was telling: the May 1930 issue featured both "A Perspective View of the New York Season, " by Audrey McMahon, and "A Cursive Review of Recent Museum Activities and Exhibitions outside New York, " by Irene Weir. EB; 8vo 8" - 9" tall.
Verlag: Philosophical Library New York, NY, 1944
Anbieter: Specific Object / David Platzker, New York, NY, USA
144 pp.; 24.3 x 17.3 cm.; sewn bound; other special feature[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Special Issue of the Journal of Aesthetics and Art Criticism published in 1944. Edited by Dagobert D. Runes. Contents include: "Editorial;" "The Visual Arts and Post-War Society," by Robert L. Lepper; "Contemporary Painting," by Lester D. Longman which incorporates a four-fold horizontal pull-out topographic map of "Post-Impressionism, 1885 - 1905"; "Theatre Today, Symptoms and Surmises," by George Beiswanger; "The Role of Architecture in Future Civilization," by Paul Zucker; "The Art of the Movies in American Life," by Milton S. Fox; "Music and Social Crisis," by Ernst Krenek; "Poetry Today and Tomorrow," by Robert P. Tristram Coffin; "Problems and Prospects of Civic Planning," by Theron I. Cain; "The Arts and Social Reconstruction," by Alfred Neumeyer; "Art, Aesthetics, and Liberal Education," by Thomas Munro; "Art Ahead," by Van Meter Ames; "The Social Message of Art," by Max Schoen; "Of Democracy and the Arts," by H.M. Kallen and "Contributors." Good. 2.2 cm. loss of covers along bottom of spine with 1.2 cm. tear. 2.5 cm. tear to recto at spine edge. 4 mm. loss and 8 mm. tear to top edge of spine. 1 cm. loss to bottom right corner of recto and 2.8 cm. dog-ear to bottom right corner of recto. 4.6 cm. dog-ear to top right corner of recto. Additional rubbing and staining of covers. 19.3 cm. of crease to bottom left corner of verso. Glue has loosened so that spine edge of cover and verso are not attached to text block but are held in place by their attachment to the recto. Light yellow spotting 9-11 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.