lloyd seth (46 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.6.

hardcover. Zustand: Gut. 240 Seiten Buch ist durch eine Druckstelle verlagert (durchgebogen), kleine Lagerspuren am Buch, Inhalt einwandfrei und ungelesen 240305 Sprache: Englisch Gewicht in Gramm: 530.

Hardback. Zustand: Very Good. Illustrated (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.4.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. New York: Knopf [2006]. First edition. First printing. Hardbound. NEW/NEW. Very fine/very fine in all respects, a pristine, unread copy. Comes with mylar jacket protector. Shipped in well padded box with bubble wrap. Smoke-free shop. Synopsis: M.I.T. professor Lloyd depicts the universe itself as a quantum computer, processing information since its own inception. By observing the universe, particularly the mechanics of atoms, the author argues that humans can imitate and, eventually, fully understand it. [c3] 0.0.

Zustand: Gut. Zustand: Gut | Seiten: 106 | Sprache: Englisch | Produktart: Bücher.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First printing. Hardbound. Very fine/very fine in all respects, a pristine, unread copy. SIGNED BY AUTHOR on title page. Comes with mylar jacket protector. Shipped in well padded box with bubble wrap. Smoke-free shop. Synopsis: M.I.T. professor Lloyd depicts the universe itself as a quantum computer, processing information since its own inception. By observing the universe, particularly the mechanics of atoms, the author argues that humans can imitate and, eventually, fully understand it. Signed by Author(s).

Hardcover. Zustand: Brand New. 283 pages. 9.00x6.00x0.75 inches. In Stock.

Wraps. Zustand: Very Good. First Edition. In 1996, Seth Lloyd proved that a universal quantum simulator was possible by showing that a quantum computer can be programmed to simulate any local quantum system efficiently. 1017-1140 pp. 4to. Magazine with mailing label and light scuffing from shelf wear.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.