lieberman william editor (18 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.

softcover. Zustand: Fine copy. Well-illustrated (illustrator). exhib. cat. Oblong 8vo, 32 pp., Introduction by Eila Kokkinen.

First edition. Softcover. 103 pages. Features an introduction by William S. Lieberman. Includes numerous black and white illustrations. A near fine copy in wrpapers.

8vo; stiff wraps; softcover; 63 pages; color and black and white illustrations; color illustration attached to page opposite title page; The Museum of Modern Art, New York: March 1- May 7, 1961 and The Art Institute of Chicago: June 16-July 23, 1961, sunned wraps with some internal foxing else a very good clean tight copy.

Oblong 12mo.; pictorial stiff wraps, 44 pages; softcover; black and white illustrations; lightly soiled covers else a very good clean tight copy.

Paperback. Zustand: Very Good. Paperback. 63pp. Small ink marking on the front cover, else very good.

First edition. Softcover. 63 pages. Exhibition catalog for a show at The Museum of Modern Art. Includes a tipped in color frontispiece and numerous black and white illustrations, checklist, and a selected bibliography. A near fine copy in wrappers.

First edition. Small oblong softcover. 43 pages. Edited and with an introduction by Wiliam S. Lieberman. Includes black and white illustrations by Lyonel Feininger, John Marin, George Grosz, Pol Bury, Antonio Frasconi, John Sloan, Childe Hassam, Richard Hamilton, Charles Sheeler, and numerous others. A very good plus copy in wrappers with some slight toning.

First edition. Small oblong softcover. 32 pages. Introduction by Eila Kokkinen. Includes a number of color and black and white illustrations. A clean very good copy and from the Cranbrook Academy of Art Library with their stamp to the title page. Otherwise a clean copy free of marks.

Softcover. Zustand: Very Good. First edition. Very good in wrappers.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Tipped In Color Plates, B/W Illustrations (illustrator). 1st Edition. 239 Pp. Black Cloth Spine, Gilt, Patterned Boards. First Printing. Near Fine In Near Fine Dj Priced $15.00. Small Name Label On Front Free Endpaper.

22 x 25 cm Originalkartoniert. Zustand: Gut. 1. Aufl. 63 Seiten kartonierter Band mit grossen "Max Ernst-Lettern" auf Deckel; Titelblatt und Vorsatz etwas braunfleckig, sonst gut erhaltenes Exemplar mit zahlreichen Abbildugen, Sprache: Englisch Gewicht in Gramm: 1.

The Metropolitan Museum of Art, 1989. Paperback, 4to, xv,360pp, illust. Covers a little rubbed. A fair copy. 0900946334.

Trade paperback. Zustand: Very good. Presumed First Edition, First printing. The format is approximately 11 inches by 9 inches. 142, [2] pages. Illustrations, Contents include Introduction, Chronology, The Art of the Twenties: The City, The Machine, The False Mirror, The World Transformed,and The Modern Style. William Slattery Lieberman (1924-2005), began his lengthy career at The Museum of Modern Art in 1943 as a volunteer in the Department of Exhibitions and Publications. He graduated from Swarthmore College. He left the Museum for two years of graduate study at Harvard University. In 1945 he returned to the Museum; in 1949 he became the first curator of prints in the newly established Abby Aldrich Rockefeller Print Room under the aegis of the Department of Museum Collections. When the department expanded and gained independence as the Department of Drawings and Prints in 1960, Lieberman became its curator, and in 1966, its director. In 1967 he was concurrently appointed curator in the Department of Painting and Sculpture, then director in 1969. In 1969, a Department of Prints and Illustrated Books was formed. In 1971, a separate Department of Drawings was created, and Lieberman concentrated his energies solely on that department serving as its first director (1971-1979). While at the Museum, he directed over forty exhibitions including Modern Masters: Manet to Matisse, Max Ernst, Joan Miró, Modigliani, Etchings by Matisse, and Art of the Twenties. He left the Museum in November 1979 to become Chairman of the Twentieth Century Art Department at the Metropolitan Museum of Art. This book provides an excellent overview of a wide variety of art of that era. The images are clear and concise. Since many of the images are photographs and prints, the black and white printing style presents them as they look. While some of the artists are well known like Bourke-White, Alexander Calder, Marc Chagall, Marcel Duchamp, Edward Hopper, Paul Klee, Le Corbusier, Man Ray, Henri Matisse, Joan Miro, Modigliani,.Mondrian, Claude Monet, Edvard Munch, Georgia O;Keefe, Pablo Picasso, Edward Steichen, Alfred Stieglitz, the book also introduces the reader to less well known artists.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. xii, 356pp, fully illustrated with in-text photographs. Blue cloth-covered boards; gilt titles on spine; light green endpapers. 4to. Volume is neat, clean, bright and tight throughout. Dust jacket has light shelf wear.

Softcover. Zustand: Very Good. 1st US Edition. 116 pages in very good condition. Pages are clean and unmarked with black and white and colour plates throughout. Page edges are lightly darkened. Bound in black and white card covers. Lightly worn around the edges and spine. 1ST US EDITION. VG. Book.

30,5 x 23 cm - 151 pgs - original cover - well illustrated, mostly colour - good copy.

Exhbition catalogue. 215x215mm 63 pages. Color frontispiece and all other illustrations black and white. Card covers. Very good. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 30 years experience and a real-life bookshop. You may order with confidence.