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In den WarenkorbZustand: New. pp. 256.
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In den WarenkorbHardcover. Zustand: Brand New. new title edition. 256 pages. 9.25x6.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474461565 ISBN 13: 9781474461566
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Zustand: New. Num Pages: 256 pages, Illustrations, BIC Classification: APFA; HBJD; HBTZ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 239 x 162 x 17. Weight in Grams: 498. . 2007. Hardcover. . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
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Verlag: Edinburgh University Press, 2019
ISBN 10: 1474461565 ISBN 13: 9781474461566
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In den WarenkorbPaperback. Zustand: Brand New. special edition. 128 pages. 9.00x6.25x0.50 inches. In Stock.
Zustand: New. Num Pages: 256 pages, black & white illustrations. BIC Classification: APFA; HBJD; HBTZ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 234 x 159 x 12. Weight in Grams: 340. . 2008. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. new title edition. 256 pages. 9.00x6.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474461565 ISBN 13: 9781474461566
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In den WarenkorbZustand: New. pp. 134.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
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Zustand: very good. London : Wallflower, 2008. Paperback. viii,162 pp. Condition : very good copy. ISBN 9781905674350. Keywords : PHILOSOPHY,
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In den WarenkorbPaperback. Zustand: Brand New. 192 pages. 9.21x6.14x0.41 inches. In Stock.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474461565 ISBN 13: 9781474461566
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In den WarenkorbZustand: New. Über den AutorrnrnLibby SaxtonKlappentextrnrnHaunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Que.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
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In den WarenkorbZustand: NEW.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
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In den WarenkorbZustand: New. Über den AutorLibby Saxton is Senior Lecturer in Film Studies at Queen Mary, University of LondonKlappentext A singularly important and rich intervention that explores the entwined media of film and photo.
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In den WarenkorbPaperback. Zustand: Brand New. 160 pages. 9.17x6.22x0.47 inches. In Stock.
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In den WarenkorbZustand: New. KlappentextThe special issue responds to two concurrent phenomena: the re-emergence in the 21st century of religion as a political and cultural force, and its resurgence in a range of theoretical discourses, from postsecularism to New At.
Sprache: Englisch
Verlag: Edinburgh University Press Aug 2022, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474463169 ISBN 13: 9781474463164
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. No Power Without an Image | Icons Between Photography and Film | Libby Saxton | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Edinburgh University Press | EAN 9781474463164 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Sprache: Englisch
Verlag: Edinburgh University Press Okt 2019, 2019
ISBN 10: 1474461565 ISBN 13: 9781474461566
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The special issue responds to two concurrent phenomena: the re-emergence in the 21st century of religion as a political and cultural force, and its resurgence in a range of theoretical discourses, from postsecularism to New Atheism. Mirroring this theoretical and cultural turn, cinema across the world is renewing its acquaintance with religion as private practice, public display and political force and exploring overlapping material, spiritual and doctrinal concerns in the new millennium. This issue probes intersections between contemporary cinema and diverse theoretical, philosophical and theological engagements with religion. It compares cinema's capacity to present visual expressions of faith, evoke embodied experience and varied modalities of love, correlate earthly and divine realities and inspire belief and doubt with writings on religion and postsecularism. Contributors explore ideas about transcendence, vocation, affliction, love, doubt and forms of religious practice and expression that connect specific films with theoretical accounts that look beyond the secular. Key Features -Covers a wide range of cinemas from the United States, France, Poland, Russia, Saudi Arabia and China. -Juxtaposes responses to Judaeo-Christian thought with Islamic feminism, theology from the Arab-speaking world and Buddhist ethics. -Situates recent films within traditions of idiosyncratic thinking about God that stretch back to the work of Søren Kierkegaard and Simone Weil. -Challenges the established (male, white) canon of religious film criticism and filmmakers, from Carl Theodor Dreyer and Robert Bresson to Bruno Dumont and Lars von Trier. Libby Saxton is Senior Lecturer in Film Studies at Queen Mary, University of London. She is author of Haunted Images: Film, Ethics, Testimony and the Holocaust (Wallflower, 2008), co-author of Film and Ethics: Foreclosed Encounters (Routledge, 2010) and co-editor of Holocaust Intersections: Genocide and Visual Culture at the New Millennium (Legenda: 2013). She is writing a book on iconic images, photography and cinema. Anat Pick is Reader in Film Studies at Queen Mary, University of London. She is author of Creaturely Poetics: Animality and Vulnerability in Literature and Film (Columbia University Press, 2011), co-editor of Screening Nature: Cinema Beyond the Human (Berghahn, 2013), and has published articles on animals, ethics and film. Her new book project is on the philosopher and mystic Simone Weil and cinema.