levine marilyn a (9 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

240 pp.; 22.8 x 15.3 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 16 of the tri-annual arts and prose periodical Open City. Edited by Thomas Beller, Daniel Pinchbeck, and Joanna Yas. Contents include: "Contributors' Notes;" "The Crossing Guard," by Robert Bingham; "Four Poems," by Dana Goodyear; "Book Worms," by David Bunn; "Four Stories," by Joe Andoe; "Happens All the Time," by Deborah Shapiro; "Three Poems," by Nathaniel Bellows; "Dubrovnik," by Cannon Thomas; "Resuscitations of the Shih Tzu," by Ryan Kenealy; "Three Poems," by Craig Arnold; "Hope from the Third Person," by Evan Harris; "The Unread Unreadable.(bookmark)," by Matthew Brannon; "Four Poems," by Kevin Young; "From the Poetical Dictionary," by Lohren Green; "A Ticket for Kat," by Erich Eisenegger; "From the Sorted Books Project," by Nina Katchadourian; "From Arachnida Speak," by Ed Pavlic; "Two Poems," by Margaret Levine; "The Diver," by Lewis Robinson; "The First Visit to the Louvre," by Rafael Fernández de Villa-Urrutia; "Alley," by Peter Gray; "Lost," by Bruce Jay Friedman; "Her Deflowering," by Marilyn A. Johnson; "Private Beach Bitches," by Tim Wilson; "This Island Earth," by Bryan D. Dietrich; "Three Parts," by Matthew Higgs; "The Birdlady of Houston," by Michael Sledge; "Proust and the Rat," by Nick Tosches; "Two Letters," by Rick Rofihe and "Greetings from L.A.," by Allen Ruppersberg. Cover: Matthew Higgs. Very Good. Light bumping of corners with minimal handling wear. Contents clean and unmarked.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 1993. First Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 287 pages. 9.50x6.50x1.00 inches. In Stock.

Zustand: New. Explores the origins, development, and significance of the European Branches of the Chinese Communist Organizations (ECCO), highlights the differences between it and the Communist home organization, and describes its impact on the Chinese Communist Party. T.

Buch. Zustand: Neu. Neuware - In contrast to the Lost Generation of youth in the West, who were disoriented and disillusioned by the First World War and its aftermath, the Chinese youth born between 1895 and 1905 not only believed they had a duty to 'save' their nation but pursued their goal through social and political experimentation. The vigorous purpose and optimism of this Found Generation contrasted with the apathy and detachment of their Western counterparts, who followed a different path in coming to terms with the new world of the twentieth century.Just after the First World War, sixteen hundred Chinese young men and women traveled to Europe, most of them to France, as members of the Work-Study Movement. Their goal was to study Western technology and culture and utilize this knowledge to achieve 'national salvation,' and they planned to finance their study at European schools by factory work. While in Europe, many of these students became politicized, partly through their exposure to European political ideas such as Marxism, and partly through the social network based on shared experience that transcended what would have separated them in China. One important result of this political activity was the formation of the European Branches of the Chinese Communist ORganizations (ECCO).The Found Generation explores the origins, development, and significance of the ECCO, highlights the differences between it and the Communist home organization, and describes its impact on the Chinese Communist Party. The founders of the ECCO shared values and goals with their compatriots in China, but their experiences and opportunities in Europe molded them in different ways that can be traced in their later careers.On their return to China, many of the young activists--including Zhou Enlai, Deng Xiaoping, Chen Yi, Cai Hesen, Li Lisan, Zhu De, Nie Rongzhen, and Wang Ruofei--quickly assumed powerful positions in Chinese politics, and their influence is still felt today. Levine's examination of the early experiences of this important cohort of Chinese leaders helps explain their adherence to the Leninist concept of Party discipline and their tenacious hold over central governmental power.The Found Generation is a pioneering study based on original sources (including interviews with several prominent participants in the Work-Study Movement and the ECCO), Chinese studies and memoirs, and Chinese and French periodicals. It provides otherwise unavailable information and analysis about the political leadership of modern China and, by pointing out the differences between the Chinese radicals in Europe in China, it furthers our understanding of the conflicts, motivations, and values of modern Chinese leaders.

audioCD. Zustand: Gut. Seiten; Artikel stammt aus Nichtraucherhaushalt! NB1-5934 Sprache: Deutsch Gewicht in Gramm: 500.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.