lesley selander (8 Ergebnisse)

Vintage studio still photograph from the 1950 film. Out of work cowboys Kansas Jones (Tim Holt) and Chito Rafferty (Richard Martin), are hired to work at Dust Willis' (Jacqueline White) ranch and to help save her brother Harry (Robert Clarke), whose in debt to the vicious Clint Burrows (Reed Hadley). Shot on location at the Jack Garner Ranch in San Bernardino, California, and the RKO Encino Ranch in Los Angeles, California. 8 x 10 inches. Near Fine.

Two vintage studio still photographs from the 1965 film. Based on the 1957 novel by screenwriter Frank Gruber. Gun-for-hire Tom Rosser (Dana Andrews) is almost killed by gunslinger Lee Ring (Lyle Bettger) who inadvertently kills Rosser's wife. A few years later Rosser arrives in a town in need of his services is run by Riley Condor (Bruce Cabot), the man who paid the killer of Rosser's wife. 8 x 10 inches. One, Very Good plus, with a small closed tear in bottom margin. One, Very Good, with several pinholes throughout.

Collection of 3 vintage full-color British front-of-house cards from the UK release of the 1953 US film. From prolific director Selander, who is credited with over 100 feature Westerns (the all-time record) comes WWII action in Italy, featuring the usual traits: danger, romance, and dimwitted enemies. 8 x 10 inches. Light soil to one still, else Near Fine.

Three vintage studio still photographs from the 1954 film, all three with Jan Sterling, two including Neville Brand and one including John Doucette. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. 8 x 10 inches. Near Fine, some light creasing.

Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War, an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film, and filmed in dual 53mm Polaroid 3-D, by the time the film premiered in 1954 public interest in 3D had declined, and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers, with credits for screenwriter John C. Champion. Title page present, with screenwriting and story credits for John C. Champion. 126 leaves, with last page of text numbered 119. Typescript on onionskin, rectos only. Pages Very Good plus, wrapper Very Good plus, bound internally with three gold brads.

Draft script for the 1953 film. Based on the 1947 novel "Shadow Range" by Curtis Bishop. A group of Texas cattle ranchers must sell their stock for tallow and hide when the beef market drops out. Unfortunately, a couple of desperate cutthroats choose this moment to show their true colors, and the community must prevent them from hurting, and even murdering, others. Set in Texas, shot on location in California. Green titled wrappers, noted as production No. 59, with credits for screenwriter Buffington. Distribution page present, with receipt removed. Title page integral with the distribution page, noted as picture No. 59 and copy No. 81, with credits for screenwriter Buffington. 93 leaves, with last page of text numbered 92. Mimeograph duplication. Pages Very Good, wrapper Very Good bound with two gold brads.

Draft script for the 1954 film. Copy belonging to Robert Arthur, who played Porter, with his character's name on the front wrapper in manuscript pencil and profuse manuscript pencil annotations to his scenes throughout. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. Orange titled wrappers. Distribution page present, with receipt removed. Title page present, dated February 23, 1954, with credits for screenwriter George Waggner, and author Jacland Marmur. 118 leaves, with last page of text numbered 111. Mimeograph duplication, with blue, and pink revision pages throughout, dated variously between February 24, 1954 and March 15, 1954. Pages Very Good plus, wrapper Very Good bound with two gold brads.

Zustand: Buen estado. 1 poster Impreso color Buen estado Cartel original del estreno en España. Tim Holt, Joan Dixon, Mauritz Hugo, Robert Wilke, William Griffith,