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Zustand: Good. Good condition. 2nd printing. (poetry) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: North Atlantic Books,U.S., 2012
ISBN 10: 1583943722ISBN 13: 9781583943724
Anbieter: Monster Bookshop, Fleckney, Vereinigtes Königreich
Buch
Hardcover. Zustand: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Verlag: New York, Grove Press ,, 1967
Anbieter: Wolfgang Rüger, Frankfurt am Main, Deutschland
Erstausgabe
EA, 80 S., OKart., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.
Verlag: Stolen Paper Review Editions, San Francisco, 1966
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. First edition, variant issue, with covers printed in brown and turquoise, on white stock. Square octavo. 6, [1]pp., printed on rectos only. Stapled pictorial wrappers printed in brown and turquoise on white stock. Lightly rubbed on spine, else a fine copy. Lenore Kandel (1932-2009) was an obscure Beat poet, who gained notoriety for this controversial title, confiscated by San Francisco police, and the subject of a long-running obscenity trial, that was finally overturned by a Federal Court in 1974.
Verlag: Stolen Paper Editions, San Francisco, CA, 1966
Anbieter: Aardvark Rare Books, ABAA, EUGENE, OR, USA
Staplebound Pamphlet. Zustand: Good. Early Edition. Stapled pamphlet, 7.75 in. x 7 in., 7 leaves with 6 poems. Cardstock cover with brown and blue kama sutra imagery to front and back, and white title to front. Edgewear to spine, and light thumbing to bottom left front corner. Dampstains to endpapers, fore-edge, and final three leaves. This title was part of an exhibit about Tantra in the British Museum. The sexually provocative imagery led to an explosive obscenity/censorship trial - with a guilty verdict - in San Francisco in 1967.
Verlag: San Francisco Arts Festival Commission / East Wind Printers, San Francisco, 1964
Anbieter: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, USA
Broadside. 1/300, out of series. 51 cm by 32.5 cm. Broadside. Fine. Illustration by John Ihle. This broadside was produced for the 1964 San Francisco Arts Festival.
Verlag: Underground Press, San Francisco, 1964
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. Magazine. 74pp. Tape bound stiff wrap with a tiny nick on the front wrap, still fine. This literary magazine features the first published appearance of Neal Cassady's "The First Third," which inspired Jack Kerouac's *On The Road*. This 5,000 word excerpt is taken from the 13,000-word "Joan Anderson Letter" sent to Kerouac by Cassady, then subsequently passed on to Allen Ginsberg, and then poet and Ace Books rep, Gerd Stein, who according to legend, lost the original off the side of his house boat. The letter was long thought to be lost, but was rediscovered recently. The surviving portion, printed here, was likely copied by Kerouac himself shortly before he started work on his now classic novel. Following the excerpt is Kerouac's reply letter to Cassady, a gushing letter of praise in which he say Cassady has overshadowed the best writers of the day. "The First Third" was used as the basis for the 1997 film, *The Last Time I Committed Suicide* starring Thomas Janes and Keanu Reeves. The magazine also includes contributions from Charles Bukowski, Kenneth Patchen, Anselm Hollo, Kirby Doyle, John Rechy, Lenore Kandel, David Meltzer, Bob Kaufman, and Grover Lewis.
Verlag: The Poets Press, New York
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Fine. Magazine. Cover by Wally Berman. (24)pp. Single sheets printed both sides and secured with two staples. Fine. An influential mimeograph created by di Prima and LeRoi Jones [Amiri Baraka] featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue features contributions from Kenore Kandel, LeRoi Jones, Kirby Doyle, Gary Synder, Victor Hernandez Cruz, Michael McClure, Janine Pommy-Vega, Dave Cunliffe, Tina Morris, and Freewheelin Frank, secretary of the San Francisco Hell's Angels chapter, who contributed "The Hymn to Lucifer.".
Verlag: Stolen Paper Review Editions, [np], 1966
Anbieter: Burnside Rare Books, ABAA, Portland, OR, USA
Zustand: Fine. First edition, very early issue with cover printed in brown (rather than black) ink with no blue overprinting, text printed sideways, publisher specified on verso of rear endpaper but partial with no address (first issue apparently has no publisher listed there). [10] pp. printed on rectos only. Illustrated wraps with pale green endpapers. Basically Fine with tiny corner crease to one page, hint of shelf wear. An attractive copy of an uncommon banned book. It was the author's first, which became a cause celebre in the Haight Ashbury scene when it was banned as obscene.
Verlag: [San Francisco: Stolen Paper Editions, 1966]., 1966
Anbieter: Jeff Maser, Bookseller - ABAA, Berkeley, CA, USA
Erstausgabe
First edition. [10 pp]. Fine in illustrated wrappers. Conforms to all the true first edition points but a variant issue with the cover printed in brown ink on white stock. The subject of one of the many major American censorship trials of its day.
Verlag: [none], [no place], 1966
Anbieter: Burnside Rare Books, ABAA, Portland, OR, USA
Erstausgabe
Zustand: Fine. First Edition. [1966]. The correct first edition, self published by the poet. Bound in original printed wraps, not over-printed in blue and verso of the rear free endpaper is blank; this was printed later the same year by Stolen Paper Review Editions and went through various printings under that imprint. Fine, with minor browning to rear cover. An attractive copy of an uncommon banned book, it became a cause celebre in the Haight Ashbury scene when it was banned as obscene.