leniashin (37 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very Good. Hardcover with DJ. Pages are clean and unmarked. Covers show very minor shelf wear. Binding is tight, hinges strong. Dust jacket shows light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Zustand: Good. Paperback with light wear, creasing. Contents are clean with minor age tone.

Broschiert. Zustand: Gut. 33 x 24 cm 254 S. Broschiert. Sprache: Englisch, Zustand: Sehr Gut min. bis gering gebräunt, eher ungelesen (Innen); Einband Außen hat min. bis geringe Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Zustand: Good. Paperback, numerous (full page) illustrations in colour, 4to.

Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Abrams, 1988. Folio. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1800grams, ISBN:0810923998.

Zustand: Good. Catalogue raisonné. 4to. Wraps. 254 pp. Ex-library. Color illustrations. Index.

Soft cover. Zustand: Very Good. A highly respectable copy of this lavishly illustrated 254pp volume featuring the work of over 30 artists, including many lesser know names. The text & plates are clean throughout and there are no inscriptions - just some mild age-browning to text block edges. No creasing to spine and the pictorial card wraps remain in very pleasing condition with only light hints of surface wear. Please see five pictures attached for a closer look. Note: Owing to heavy 1.6kg weight an adjustment to shipping charge may be requested for International ordering.

Paperback. Zustand: Gut. quart paperback. gutes exemplar. farbig illustrierte originalbroschur, englischsprachige ausgabe, 255 seiten mit abb. und tafeln in farbe und schwarzweiß, innen sehr gutes exemplar /D1121.

Zustand: Gebraucht / Used. Paperback. Goed. 254pp. Illustr.

Encuadernación de tapa blanda. Zustand: Bien. Tapa blanda. Buen estado. Fotografías color. Historia del Arte. Idioma: Inglés.

Zustand: Gut. 255 S. Papierbedingt leicht gebräunt. - The World of Art -- The Union of Youth -- Mass and Agit Art -- Vasily Kandinsky -- Kazimir Malevich -- Unovis -- Obmokhu: The Society of Young Artists -- Zorved -- Makovets -- The Path of Painting -- Pavel Filonov -- The Filonov School -- NOZh: The New Society of Painters -- AKhRR/AKhR -- The Four Arts Society -- OST: The Society of Easel Artists -- The Circle of Artists -- Thirteen -- OMKh: The Society of Moscow Artists -- Unaffiliated Artists. ISBN 0140116583 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. farb. Abb. Originalbroschur.

Zustand: Very good.

Taschenbuch. Zustand: Gut. 192, [16] S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Ausgabejahr:. Sprache: Englisch Gewicht in Gramm: 1429.

Taschenbuch / geringe Gebrauchsspuren Zustand gut bis sehr gut.

Zustand: Very good.

Penguin Books, Limited, 1988. 33 x 24 cm. Paperback / Softcover. With illustrations in color. 254 pag. NEAR FINE COPY [Art Art / Russian ].

Encuadernación de tapa blanda. Zustand: Bien. Harry N. Abrams, New York, 1988. Texto en inglés. Arte. Rusia. Profusamente ilustrado. 255 pp 32 x 24. Tapa blanda de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 0810923998.

Paperback. Zustand: Good. 254 pages : chiefly color illustrations ; 33 cm Gosudarstvenny? ?russki? ?muze??--Exhibitions. Visual arts,History. Union of Soviet Socialist Republics. Gosudarstvennyi? russkii? muzei? (Saint Petersburg, Russia)--Exhibitions. Art, Soviet--Exhibitions. Constructivism (Art)--Soviet Union--Exhibitions. Suprematism in art--Exhibitions. Text English Designed to serve as a catalogue for an exhibition being mounted by the Russian Museum in Leningrad. The world of art -- The union of youth -- Mass and agit art -- Vasily Kandinsky -- Kazimir Malevich -- Unovis -- Obmokhu : the Society of Young Artists -- Zorved -- Makovets -- The path of painting -- Pavel Filonov -- The Filonov School -- NOZh : the New Society of Painters -- AKhRR/AKhR -- The Four Arts Society -- OST : the Society of Easel Artists -- The Circle of Artists -- Thirteen -- OMKh : the Society of Moscow Artists -- Unaffiliated artists.

Trade paperback. Zustand: Very good. Format is approximately 9.5 inches by 13 inches. 254, [2] Pages. Illustrations (most in color). Cover has minor wear and soiling. Introduction by Mikhail Guerman, Contributors L. Vostretsova, N. Kozyreva, S. Liubimtsev, and O. Shnikhireva. This work was designed to serve as a catalogue for an exhibition being mounted by the Russian Museum in Leningrad. The contents include Introduction, The World of Art, The Union of Youth, Mass and Agit art, Vasily Kandinsky, Kazimir Malevich, Unovls, Obmokhu: The Society of Young Artists; Zorved, Makovets, The Path of Painting, Pavel Filonov, The Filonov School, NOh: The New Society of Painters. AkhRR/AkhR, The Four Arts Society; OST: The Society of Easel Artists, The Circle of Artists, Thirteen, OMKh: The Society of Moscow Artists; Unaffiliated Artists, Annotated Catalogue/Index to Names; and Abbreviations. The State Russian Museum, formerly the Russian Museum of His Imperial Majesty Alexander III, on Arts Square in Saint Petersburg, is the world's largest depository of Russian fine art. It is also one of the largest art museums in the world with total area over 30 hectares. In 2021 it attracted 2,260,231 visitors, ranking second on list of most-visited art museums in the world. After the Russian Revolution of 1917, many private collections were nationalized and relocated to the Russian Museum. These included Kazimir Malevich's Black Square. Soviet art is a form of visual art that was produced after the October Socialist Revolution of 1917 in Soviet Russia (1917â"1922) and the Soviet Union (1922â"1991). The consolidation of Soviet art was preceded throughout the 1920s by an era of intense ideological competition between different artistic groupings, with members each striving to ensure their own views would have priority in determining the forms and directions in which Soviet art would develop, seeking to occupy key posts in cultural institutions and to win the favor and support of the authorities. This struggle was made even more bitter by the growing crisis of radical leftist art. At the turn of the 1930s, many avant-garde tendencies that had appeared back in the 1910s had exhausted themselves and their former proponents began depicting real-life objects, as they attempted to return to the traditional system of painted images. In the early 1930s Kazimir Malevich (1879-1935) returned to figurative art. Prominent supporters of leftist views included David Shterenberg, Alexander Drevin, Vladimir Tatlin, Wassily Kandinsky, Kazimir Malevich, Osip Brik, Sofya Dymshits-Tolstaya, Olga Rozanova, Mikhail Matyushin and Nathan Altman. They formed a fairly powerful group that initially determined the policy of the Fine Arts department within the Soviet government and also of the local Moscow and Petrograd Soviets. The position of the Fine Arts department was most fully expressed by Nikolai Punin in 1919. He wrote: "If the depiction of the world does aid cognition, then only at the very earliest stages of human development, after which it already becomes either a direct hindrance to the growth of art or a class-based interpretation of it". The danger of a break with the traditions of progressive pre-Revolutionary art and the artistic school was being pointed out - chiefly by representatives of Russian art who had begun their careers back before the revolution and who, in contrast to the leftists, initially boycotted the new regime. These included Dmitry Kardovsky, Isaak Brodsky, Alexander Savinov, Abram Arkhipov, Boris Kustodiev, Kuzma Petrov-Vodkin, Arkady Rylov, Anna Ostroumova-Lebedeva, Mikhail Avilov, Alexander Samokhvalov, Boris Ioganson, Rudolf Frentz and others. The formation of these two camps, whose members held positions that were to a large extent diametrically opposed, put its distinctive stamp on the development of art and artistic education in the 1920s. In this atmosphere of incessant polemics and a contest between various artistic tendencies Soviet art and its artistic school come into being. Another post-revolution movement aimed to put all arts to the service of the dictatorship of the proletariat. The instrument for this, formed just days before the October Revolution, was Proletkult, an abbreviation for "Proletarskie kulturno-prosvetitelnye organizatsii" (Proletarian Cultural and Enlightenment Organizations). A prominent theorist of this movement was Aleksandr Bogdanov (1873-1928). Initially the Narkompros (ministry of education), which was also in charge of the arts, supported Proletkult. However, the latter sought too much independence from the ruling Communist Party of Bolsheviks, came into disfavor with Vladimir Lenin. Harry N. Abrams, Inc. Edition. Presumed first printing thus.

Zustand: Good. Sewn, 286 pp of which 14 p. text., colour plates, 24x32x2 cm, in very good condition.

First Edition. Folio (32.5cm.); publisher's cloth in pictorial dust jacket; 157pp.; chiefly color illus. throughout. Some general minor wear to jacket extremities, corners a bit bumped, else Very Good or better. Catalog of socialist realist paintings from the Soviet Union.

28 x 24 cm. 245 S. ISBN: Keine. Original brauner Leineneinband mit illustriertem OU und illustriertem Pappschuber. In dust jacket. Wohl erhaltenes Exemplar. Gedruckt auf bestem Kunstdruckpapier. Auf dem Vorsatz Kommentare mit Bleistift. 1. auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! Geyg1. (FK).

First Edition. Quarto (32.5cm x 29.5cm). Red cloth boards (hardcover) with titling blind-stamped on cover and embossed in white on spine; pictorial dustjacket; cardboard slipcase; 27pp + 157 plates; illus. Near Fine copy; one dust streak on cover, else appears new. Near Fine dustwrapper; very slight shelf wear to extremities. Very Good slipcase; shelf wear and sunfading to extremities. An overview of the prevailing artistic tendencies, achievements, and issues of Soviet art from the 1960s to the 1980s. 157 color plates.

Zustand: Very good.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 188 pages with 176 illustrations 157 in color. Some wear to the bottom edge due to shelf-wear. Minor tears to the left-hand corner of the dust-jacket now protected with a Mylar cover. List of Illustrations.

Exhibition catalogue Russian Museum Leningrad / Harry N. Abrams, New York, 1988. 4to. Paperback, 254 pages, profusely illustrated, mainly in colour.Texts by L. Vostretsova, N. Kozyreva, S. Liubimtsev a.o. « NEW » [Art Art / Russian ].