leirner jac (16 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Ex-library book with stickers and/or stamps throughout.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran May 11 through June 11, 1993. Text in English and Portuguese. Features an essay by Paulo Herkenhoff. Includes 7 color illustrations and a list of previous exhibitions. A near fine copy in stapled wrappers. A pleasing copy of this uncommon catalog on the work of Brazilian artist Jac Leirner.

Hardcover. Zustand: Brand New. blg rep edition. 199 pages. 9.25x6.50x1.00 inches. In Stock.

First Edition. First edition. Large oblong hardcover. Produced on the occasion of 47th Venice Biennale. Includes color illustrations. A very good copy in paper covered boards with bumping to the top right corner and some other light wear. No dust jacket as issued.

Paperback. Zustand: Very Good. Qto., 32 pages, illustrated. The text is in both English and Portuguese. A Very Good clean copy.

Einban etwas bestossen, aber ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. .

Ohne Stempel, keine An-und Unterstreichungen, altersgemäss guter Zustand. Softcover. Original gheftet.

Soft cover. Small landscape 8vo. White dust jacket with black lettering to front and spine. White paper covers. Copiously illustrated in colour.ISBN: 9781910844076 Very good plus with bump to rear spine end, in very good plus dust jacket with small crease to rear spine edge.

paperback. Zustand: Fine. Prima edizione (First Edition). Libro d'artista. Fotografie a colori di Eduardo Giannini Ortega Design di Lorenzo Mason Studio. Cm 33,3 x 23,5. pp. 512. . Ottimo (Fine). . Prima edizione (First Edition). . "Tickets to the Core presenta il mio universo personale, interamente legato alla musica. Concerti, opere e spettacoli sono stati vissuti per decenni, dal vivo e in innumerevoli luoghi in tutto il mondo. I biglietti possono recare i nomi di virtuosi solisti e riportare sulla carta il genio e l'unicità di compositori, viventi e defunti. Questo libro è una dichiarazione appassionata in cui gusti e tendenze vengono messi a nudo, abbracciando presente e passato." Jac Leirner.Jac Leirner (São Paulo, 1961) vive e lavora a São Paulo in Brasile. L'opera di Jac Leirner si esprime spesso tramite processi di raccolta e di ordine: accumulazione di oggetti e osservazione profonda e acuta delle loro caratteristiche, interruzione del corso del loro consumo, conseguente rielaborazione e traduzione in qualità visive che esprimano in maniera il più possibile senza mediazioni colore, materialità e presenza nello spazio, spesso mimando le caratteristiche precipue degli oggetti stessi e usandoli come paragone proporzionale di misura. Leirner dispone e presenta il suo lavoro con modalità insolitamente complesse, così da evidenziare la banalità di ogni oggetto utilizzato, consentendone una rilettura sotto l'aspetto della forma e della bellezza. Mediante l'utilizzo di una compulsiva ripetizione, di serialità e di audaci accenti ritmici di colore, la pratica artistica di Leirner guarda alla storia del Costruttivismo brasiliano nonché all'eredità dell'Arte Povera e del Minimalismo. ll suo lavoro è stato oggetto di esposizioni personali presso istituzioni pubbliche e private internazionali, tra le quali: Swiss Institute Contemporary Art New York, New York, USA (2023); Ludwig Museum, Colonia, Germania (2020); IMMA, Dublino, Irlanda (2017); The Fruitmarket Gallery, Edimburgo, Scozia (2017), MoCA - Museum of Contemporary Art Shanghai, Shanghai, Cina (2016); Museo Tamayo, Città del Messico, Messico (2014); CAAM: Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spagna (2014), Yale School of Art, New Haven, USA (2012), Estação Pinacoteca, San Paolo, Brasile (2011); Centro Universitário da USP - Maria Antonia, San Paolo, Brasile (2008; 2001); Museu de Arte da Pampulha, Belo Horizonte, Brasile (2006); Miami Art Museum, Miami, USA (2004); MASP - Museu de Arte Moderna de São Paulo, San Paolo, Brasile (2001; 1999); The Bohen Foundation, New York, USA (1998); ICA - The Institute of Contemporary Art Boston, Boston, USA (1991); Walker Art Center, Minneapolis, USA (1991). Ha partecipato a numerose biennali e mostre internazionali. Book.

Hardcover. Zustand: Fine. Qto., 248 pages, colour illustrated. The text is in both English and Portuguese. Looks unused, a Dine copy.

Zustand: Wie neu. 575 pp., 12, 5 x 17 cm, 500 colour ill. Sprache(n)/language(s): enPractically new, in its original wrapping.

hardcover. Zustand: Very Good.

Zustand: Good. 4to. 32 pp. Soft Cover. Very Good. Typographical paper wraps with French folds. Small stain on bottom edge of front cover. Color and B&W plates throughout. Extremely Scarce.Retrospective on Jac Leirner (b. Sao Paulo, SP 1961,) with close to 60 works including sculptures, objects, installations and watercolors created between the years 1980 and 2011. Jac Leirner's use packs of cigarettes, plastic bags, cash, cards and other products taken from the universe of mass consumption and gives them new meanings in his artistic world. The exhibition included works from the series "Os Cema" (1987), made with 100 bills sewn in a canvas, and "Nomes" (1989), composed of hundreds of bags that cover one wall of the exhibition space. In them, the artist explored the variety of shapes and colors of materials, incorporating issues related to the presence of color, linearity and horizon. Works exhibited comprised "Corpus Delict" (1993), and "Foi um Prazer" (1997), where Leirner puts on the walls business cards of artists, curators and gallery owners, and, "Adesivos 44" (2004), an installation presented originally at the Miami Art Museum, MAM.

245 pp.; 28.8 x 23.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Book about artists and their studios with photographs by Gustavo Malheiros and texts by Lilian Tone. Artists include Regina Silveira, Adriana Varejão, Erika Verzutti, Jac Leirner, Maria Klabin, Renata Lucas, Leda Catunda, Sofia Borges, Mônica Nador, Iole de Freitas, Maria Laet and Beatriz Milhazes. Text in Portuguese. Fine. In publisher's issued shrink wrap. Due to large size and weight additional shipping charges may be required for international orders.