leider philip (27 Ergebnisse)

Broschur. 93 S.; Einband minimal berieben, ansonsten GUTES EXEMPLAR./GOOD. Aus dem Inhalt/ Contents : Eva Hesse : Post-Minimalism into Sublime by Robert Pincus-Witten. The Early Works of Kurt Schitters by Jon Elderfield. Raoul Walsh by Manny Farber. Size: 27 x 26 Cm. 550 Gr.

Paperback, 22 x 24 cm, ; unpag.; illustrated exhibition catalogue with texts in French. 0 g.

Exh. cat. Bordeaux (CAPC) 1980; unpag.; illustrated exhibition catalogue with texts in French by ; softcover; 22 x 24 cm. [Exhibition ].

Soft cover. Zustand: Fine. 144 pgs. Includes articles on Paul George, Robert Smithson, Claes Oldenburg, Ursula von Rydingsvard, Jason Rhoades, Richard Anuszkiewicz, and more.

Paperback. Zustand: Fine. Zustand des Schutzumschlags: Fine. Ofrat, Gideon; Leider, Philip & Shapira, sarit (illustrator). Qto., 88 pages, colour illustrated. The text is in both English and Japanese. Unused, a Fine copy in a Fine dust jacket.

Zustand: Good. Good condition. (frank stell, art, sculpture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Couverture souple. Zustand: Assez bon. Zustand des Schutzumschlags: Assez bon. Edition originale. Catalogue de l'exposition qui s'est déroulée au Fort worth Art Museum. 140 pages. impression couleur.

Original Decorative Wrappers. Zustand: Very Good. some 60pp. English and Hebrew text. Richly illustrated many in colour. Exhibition catalogue in honour of the inauguration of the new Bezalel campus on Mount Scopus. A very good copy. Shipping worldwide included.

Card covers, stapled spine. Zustand: Good in wraps. First Edition. 27 x 27cm good magazine, card covers, some minor loss at edge of front spine, an ex library copy with discreet stamps on the front wrapper, intermingling with the black and white imagery. Artists represented include Philip Leider, Hollis Frampton, Regina Cornwell, Wanda Bershen, Lois Mendelson, Bill Simon, Robert Smithson, Michael Snow, Richard Serra, Joan Jonas, Barbara Rose, Paul Arthur, Max Kozloff, Stephen Koch, Ken jacobs, Peter Gidal, Annette Michelson, Jonas Mekas.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. This 10th anniversary issue of Artforum is dedicated to Philip Leider, long the magazine's principal editor and its most critical reader. The essays from page 28 trough page 56 consist of a synoptic overview of the art ambiance during the past decade.

Soft cover. Zustand: Fair. Stapled softcover. Pictorial softcover with red lettering on front cover, and white lettering on rear. Covers are quite brittle and torn along spine, but remain (just) attached. Volume V, Number 5, January 1967. 68 pages, toned, but free of other marks or tears. Binding is secure. Containing works by Sidney Tillim, Michael Fried, Clement Greenberg, Annette Michelson, amongst several others. Please email with questions or to request photos.

First edition. Oblong softcover. 82 pages. The highlight of this issue is the text of Cindy Nemser's interview of Chuck Close. Also includes Rosalind E. Krauss' article "Brancusi and the Myth of Ideal Form," Walter Darby Bannard's "Notes on American Painting of the Sixties, Emily Wasserman's article "Tantric Art," and Robert Pincus-Witten's article "The Iconography of Symbolist Art." A clean very near fine copy in stapled wrappers. A lovely copy and seemingly uncommon.

Illustrated Wrappers. Zustand: Near Fine. First Edition. 136pp, profusely illustrated in color and b&w. Designed By Edward Ruscha. This is the substantial catalogue published in conjunction with a 1978 Frank Stella survey circulated by The Fort Worth Museum of Art. Designed by Ed Ruscha, it reproduces each of the twenty-six exhibited works in color. A most handsome example. Artist Monograph.

Soft cover. Zustand: Very Good. 1st Edition. 8° - 136pp. - Color B/w photo-Plates. Published as Exhibition catalogue: Frank Stella(1936) American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. First edition in English. Original wrappers. Very good condition.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff and "'The Chelsea Girls,'" by Stephen Koch. Cover: Ken Jacobs. Good. 8 mm. loss to bottom right corner of recto with bumping of bottom right corner of publication. Additional rubbing of cover edges; 2 cm. yellow staining to verso. 3.5 cm. of yellow soiling to bottom edge of first page, contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft Cover. Zustand: Acceptable. Pages are slightly darkened with age but clean and tight. Cover is lightly scuffed and edge worn and beginning to pull away from the book at staples. Includes the article, "Dada into Surrealism" by Lucy R. Lippard plus 13 more articles with illustrations.

Profusely illustrated (with 1 plate in color). 58 pp. Original paper covers. 27 x 26.5 cm. The cover, printed in black on a metallic silver background, is an homage to Warhol's own compositions: a grid of six copies of Hopper's portrait of Andy Warhol in dark glasses holding a daffodil. The feature article, "Dennis Hopper: Nine Photographs;" includes portraits of Edward Kienholz, Jasper Johns, Henry Geldzahler, Walter Hopps, Billy Al Bengston, Llyn Foulkes, Claes Oldenburg, George Herms, and Wallace Berman. In addition, there are articles by Max Kazloff on Jim Dine; Rachael Griffin on the Swedish painter Ernst Josephson; James Brown and Paul Mills on the new Oakland Museum; and "Wayne Thiebaud: Four Drawings." The covers on this issue were printed on the same, lighter-weight stock as the interior pages and tend to wear poorly. This is an unused, unsold copy with slight, unavoidable darkening of the paper from age, but generally fine. **Free domestic shipping with direct order.

[unpaginated]; 24 x 18 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. Hess, Ellen H. Johnson, Max Kozloff, Philip Leider, Annette Michelson, Pierre Restnay, Barbara Rose, Robert Rosenblum, William S. Rubin, William Seitz, Alan Solomon, Leo Steinberg, Calvin Tomkins, Yoshiaki Tono. Features year by year indexing of all exhibitions held in the gallery with dates and installation photographs. Including shows by Richard Artschwager, Lee Bontecou, John Chamberlain, Nassos Daphnis, Edward Higgins, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Larry Poons, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Frank Stella, Cy Twombly, Andy Warhol and others. Warhol's contribution to catalogue is a collage of photographic portraits of included artists. Fine. Covers and contents clean and unmarked. This copy lacking the bellyband.

First edition. Softcover. 94 pages. The highlight of this issue is an article that features five photographs by Diane Arbus internally and an additional image by her on the front cover. Articles include: Melvin Charney's "On the Liberation of Architecture," Marcia Tucker's "Recent Paintings by Joan Synder," "An Interview with Robert Ryman" by Phyllis Tuchman. Robert Pincus-Witten writing on Christopher Wilmarth, John Elderfield writing "On Constructivism," and Selma G. Lanes' "The Art of Maurice Sendak." A very good copy in stapled wrappers with some creasing to the corners, small chip to the top of the front cover, some other light wear and from the library of the Visual Studies Workshop with their stamp to the front free endpaper. Still, a solid copy of this terrific issue.

The justifiably famous Surrealism issue of Artforum magazine with its great cover by Ed Ruscha. It sold out three weeks after publication. Articles by the following writers: Max Kozloff, Lucy R. Lippard, Ronald Hunt, Robert Rosenblum, Toby Mussman, Roger Shattuck, William Rubin, Whitney Halstead, Kurt von Meier, Sidney Tillim, Annette Michelson, Nicholas Slonimsky, and Nicolas Calas. **This copy is in much better than usual shape and is near fine, EXCEPT that the original subscriber, and artist, had the practice of marking the volume and number on the top right corner of the front cover; please see scan. This is item M9 in Edward Ruscha: editions 1959-1989 (Minneapolis: Walker Art Center, 1999). This is my last copy suitable for display. I have a couple of copies with badly faded or worn covers at much lower prices for those who want only the content. Please inquire directly. Most other issues of Artforum available at more modest prices than this one. Please see my long runs, as well. **Free domestic shipping with direct order.

Ed Ruscha's characteristically witty wedding announcement shows him asleep in a large, rumpled bed with two coeds. The full-page photo by Jerry McMillan is on p. 7 of this issue. The contents include: Gothic parallels, by Sidney Tillim; Olitski and shape, by Michael Fried; Manet at Philadelphia, by Clement Greenberg; David Novros, by John Coplans; Walter de Maria, by Dennis Adrian: 10 x 10: "concrete resonableness," by Annette Michelson; Yves Klein, by Ronald Hunt; Edward Higgins, by Dennis Adrian; The age of Rembrandt, by Palmer D. French; Agnes Martin, by Annette Michelson; Oskar Kokoschka, by Robert Pincus-Witten; and Sound, light and silence in Kansas City, by Robert Pincus-Witten; plus reviews from Japan, New York, Los Angeles, and San Francisco. Profusely illustrated. with cover illustration of sculpture by Yves Klein. 68 pp. About 27 cm square. May be slight browning at edges due to age. **Free domestic shipping with direct order.

Color cover of "Piece," 1965, by Wallace Berman, with a related article: "Wallace Berman's Verifax collages." Other articles include: John Jacobus: "Architecture, 1965"; Barbara Rose interviewing Jack Youngerman; "Claes Oldenburg: Extracts from the Studio Notes"; Linda Nochlin on Munch; and Nancy Marmer on David Smith. A fine copy of this fragile issue.

This issue of Artforum, with its five startling photographs and chilling cover by Diane Arbus, established her as a force to be reckoned with. " [H]er singular, often shocking portraits emerged among the most iconic and modern images of the 1960s." She "famously wrote in 1971, 'A photograph is a secret about a secret. The more it tells you the less you know'" [Encyclopdia of Twentieth-Century Photography]. The plates are: [cover] "A patriotic boy with a straw hat, buttons and flag, waiting to march in a pro-war parade; NYC, 1967"; "This is Eddie Carmel, a Jewish giant with his parents in the living room of their home in the Bronx, N. Y. 1970"; "A Christmas tree in a living room in Levittown, Long Island, 1962"; "A young family in Brooklyn going for a Sunday outing. Their baby is named Dawn. Their son is retarded. 1966"; "Lauro Morales, a Mexican dwarf, in his hotel room in New York City, 1970"; "Identical twins, Cathleen and Colleen, members of a twins club in New Jersey. 1966." Profusely illustrated (part color). 94 pp. Paper covers. 26.9 x 26.6 cm. Other articles in the issue include Marcia Tucker on Joan Snyder; Phyllis Tuchman interviewing Robert Ryman; Robert Pincus-Witten on Chrisopher Wilmarth; John Elderfield on Constructivism; Selma G. Lanes on Maurice Sendak; Melvin Charney on architecture; and Joseph Masheck on the Panama Canal and other works of work. Light wear and a few scratches on cover and creases at lower left; a few pages near the center encountered moisture and some point and stuck slightly, with slight damage at the centerfold. The Arbus pages are not affected. Priced accordingly. Only one such copy.

Profusely illustrated (some color). 94 pp. Decorated paper covers. 27 x 26.6 cm. Includes articles on Joyce Wieland, Paul Sharits, Man Ray, Moholy-Nagy, George Landow, and Warhol by Hollis Frampton, Robert Smithson, Michael Snow, Richard Serra, Joan Jonas, Barbara Rose, Max Kozloff, Stephen Koch, and others. The cover is a still from Ken Jacobs' "Tom, Tom, the Piper's Son" (1966). Some light wear.

This issue of Artforum, with its five startling photographs and chilling cover by Diane Arbus, established her as a force to be reckoned with. " [H]er singular, often shocking portraits emerged among the most iconic and modern images of the 1960s." She "famously wrote in 1971, 'A photograph is a secret about a secret. The more it tells you the less you know'" [Encyclopdia of Twentieth-Century Photography]. The plates are: [cover] "A patriotic boy with a straw hat, buttons and flag, waiting to march in a pro-war parade; NYC, 1967"; "This is Eddie Carmel, a Jewish giant with his parents in the living room of their home in the Bronx, N. Y. 1970"; "A Christmas tree in a living room in Levittown, Long Island, 1962"; "A young family in Brooklyn going for a Sunday outing. Their baby is named Dawn. Their son is retarded. 1966"; "Lauro Morales, a Mexican dwarf, in his hotel room in New York City, 1970"; "Identical twins, Cathleen and Colleen, members of a twins club in New Jersey. 1966." Profusely illustrated (part color). 94 pp. Paper covers. 26.9 x 26.6 cm. Other articles in the issue include Marcia Tucker on Joan Snyder; Phyllis Tuchman interviewing Robert Ryman; Robert Pincus-Witten on Chrisopher Wilmarth; John Elderfield on Constructivism; Selma G. Lanes on Maurice Sendak; Melvin Charney on architecture; and Joseph Masheck on the Panama Canal and other works of work. Nearly as new.

8 issues with articles by Robert Smithson, as follows: **Volume IV [4], number 10, June 1966. "Entropy and the new monuments." **Volume V [5] Number 10, Summer 1967. "Towards the development of an air terminal site." **Volume VI [6], number 2, October 1967. Letter in reply to Michael Fried's "Art and objecthood" (in the Summer 1967 issue listed above). **Volume VI [6], number 4, December 1967. "The monuments of Passaic." **Volume VII [7], number 1, September 1968. "A sedimentation of the mind: earth projects." **Volume VIII [8], number 1, September 1969. "Incidents of mirror-travel in the Yucatan." **Volume XI [11], number 2, October 1972. "Cultural confinement." **Volume XI [11], number 6, February 1973. "Frederick Law Olmsted and the dialectical landscape." We also can supply most other issues of Artforum. **Free domestic shipping with direct order.

253 fine, original issues in decorated paper covers, as issued; June 1962-Summer 1987. When the first issue of Artforum arrived in the summer of 1962, it seemed hopelessly parochial, with its nearly exclusive emphasis on California exhibitions. Even that issue, however, featured an article on Jean Tinguely and George Rickey and a review of Edward Kienholz, both by Arthur Secunda, plus Alfred Frankenstein on Mark Tobey. By the end of the year, the magazine already was spreading its horizon, with Kate Steinitz on fantastic architecture and John Coplans on the first US museum show of Pop Art, "The New Paintings of Common Objects," at the Pasadena Art Museum, with works by Warhol, Lichtenstein, Ruscha, and others. Artforum quickly developed into the world's most influential publication for new art and its leading advocate. Indeed, the enthusiasms of its editors and writers shaped much of the course of contemporary art in those and later years. In her anthology, Looking critically: 21 years of Artforum magazine (1984), Associate Publisher Amy Baker Sandback wrote: "what would later be tagged as Pop, Minimal, Earthwork, Neo-Expressionism, and New Wave was introduced while the artworks were as yet unknown to the general public and before they had been defined by a body of criticism." Long, early runs like this are virtually impossible to assemble today because of the rarity and fragility of many of the issues. Among the hundreds of high points in this group are the Surrealism issue of September 1966 with its ingenious cover by Ed Ruscha, Robert Smithson's eight important writings from June 1966 through February 1973, the legally suppressed issue of March 1968 with its devastating critique of the then-new Pasadena Art Museum (now the Norton Simon Museum), the Film issue of September 1971, the sensational and vanishingly rare November 1974 with its scandalous advertisement featuring the artist Lynda Benglis, and the February 1982 issue with a Flexidisc by Laurie Anderson. Later years are available to extend this run. Another set of volumes 1-23 is available at $4,480. Please see the free, on-line Artforum Index, 1962-1968 at my own website. Shipping extra on this very heavy set. Please inquire about shipping options before ordering. The scan is the cover for June, 1966, volume IV, number 10.