lee remick (28 Ergebnisse)

Audio Cassette. Zustand: Good. 2 RELIABLE and sturdy audio cassette tapes withdrawn from the library. Some shelf wear and library markings to the clamshell box and the cassettes. The 2 cassettes sit inside tested and clear sounding. Enjoy this worthwhile audio performance!

AUDIO CASSETTE. Zustand: Very Good. 2 BRAND NEW AUDIO CASSETTES. New in the shrink wrap. Some shelf wear to the shrink wrap. Brand new Audio Cassettes inside. Enjoy this gift quality AUDIO CASSETTE performance.

Two vintage vintage black-and-white publicity photographs of Jack Lemmon from the UK release of the 1962 US film. Mimeograph snipes affixed to the versos. Lemmon plays an alcoholic who falls in love with an innocent young women, whom he convinces to start drinking, leading them both lose themselves in the downward spiral of addiction. Henry Mancini composed the score and, along with Johnny Mercer, won an Academy Award for the for the title song. 8 x 10 inches. Very Good plus, with light corner creases to one, and a closed tear to one of the mimeograph snipes.

Two vintage black-and-white publicity photographs of Jack Lemmon from the US release of the 1980 Canadian film. Layout annotations on the recto of one still. A Broadway press agent (Lemmon) finds out he is dying, and his son, who admittedly is not fond of his father, is coming for a visit. 8 x 10 inches. About Near Fine.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Good. With B&W Illustrations (illustrator). 285 p., [16] leaves of plates : ill. ; 22 cm ; brown cloth with some wear at top of spine, in color pictorial dustjacket with some wear ; BCE ; LCCN 74014403 ; LC DA565.C6 C57 1975 ; Dewey 942.0810924 ; ISBN 9780002113939, 0002113937 ; OCLC 1027537471 ; Peregrine Churchill, was Jennie's grandson (and Winston's nephew) ; Julian Mitchell (script writer of the British TV series "Jennie: Lady Randolph Churchill" ; In the book they tell the story of Jennie and introduce many unpublished letters. Jennie and her contemporaries come vividly alive as their voices speak to us across the generations. Historically this book is of great interest, but to all who care for humanity it will make no less enthralling reading. ; In the book they tell the story of Jennie and introduce many unpublished letters. Jennie and her contemporaries come vividly alive as their voices speak to us across the generations. Historically this book is of great interest, but to all who care for humanity it will make no less enthralling reading.Tells the story of Jennie and introduce many unpublished letters. Jennie and her contemporaries come vividly alive as their voices speak to us across the generations. Historically this book is of great interest, but to all who care for humanity it will make no less enthralling reading. Spot in bottom border of text, pages 109-114, else FAIR/G. Book.

Vintage photograph from the 1959 film. Based on the 1958 novel by John D. Voelker, under the pseudonym Robert Traver, which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards, including Best Picture, Best Adapted Screenplay, Best Actor for Jimmy Stewart, and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. Set in Michigan and shot on location there. 8 x 10 inches. Very Good to Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.

Vintage color studio still photograph from the 1963 film. Not to be confused with the 1987 film directed by Paul Michael Glaser and starring Arnold Schwarzenegger. Based on Shelley Smith's 1961 novel "The Ballad of the Running Man." Laurence Harvey stars as a man who fakes his own death in the hopes of gaining a substantial insurance payout, but encounters trouble in the form of the company's nosy claim investigator, played by Alan Bates. Shot on location in Cadiz, Spain, in Gibraltar, and in Ireland. 10 x 8 inches. Very Good plus, with several pinholes in the borders and at the extremities. Grant UK. Spicer UK.

Zustand: Good. Sheet Music. Folio. 4 pp., Folded Sheet, Good with tears, creasing, toning. Previous owner's stamp on cover. Illustrated cover.

A collection of 7 vintage vintage black-and-white still photographs from the UK release of the 1962 US film. Distributor rubber-stamps and mimeograph snipes on the versos. Jack Lemmon plays an alcoholic who falls in love with an innocent young women, whom he convinces to start drinking, leading them both lose themselves in the downward spiral of addiction. Henry Mancini composed the score and, along with Johnny Mercer, won an Academy Award for the for the title song. 8 x 10 inches. Very Good plus, with light toning.

23 x 18 cm. S/W. Lee Remick kam als Tochter einer Bühnenschauspielerin zur Welt. Sie hatte 1952 ihr Bühnendebüt während einer großen Show in einem Musik-Zirkuszelt in Hyannis Port. 1953 spielte sie am Broadway in dem Stück Be Your Age und war ab diesem Zeitpunkt regelmäßig auf der Theaterbühne vertreten. Interessanter als ihre Filme in den 1970er Jahren werden Fernsehbearbeitungen ihrer Bühnenerfolge betrachtet, z.B. 1972 Sommer und Rauch, 1973 Der Mann, der zum Dinner kam. Trotz ihrer Krebserkrankung (Leber- und Nierenkrebs), die in den 1980er Jahren auftrat, arbeitete sie unermüdlich weiter auf der Bühne und im Fernsehen. Sie erlag ihrer Krankheit nach Abschluss der Dreharbeiten zu dem Fernsehfilm Die junge Katharina.

Vintage US one sheet poster for the 1973 US film. Based on Edward Albee's 1966 play. Trouble ensues when an upper-middle-class couple's home in suburban Connecticut is flooded with unexpected visitors, including their bitter, unhappy daughter whose fourth marriage has recently failed. The second film in producer Eli Landau's American Film Theatre series. 27 x 41 inches, folded. Very Good, moderately foxed overall, with creasing to the top and bottom edges.

Vintage pressbook for the 1968 film. One of the best unsung crime films of the 1960s, featuring Rod Steiger as a serial killer and master of disguise, a role which proved to be one of his best. 15 pages, saddle stitched, 12.25 x 15 inches. Near Fine.

Couverture souple. Zustand: bon. R100000071: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x160 cm + photos de présentation de 27 x 21 cm (jeu A). Présenté par Paramount. . . . Classification : 0-Affiches Cinéma.

Vintage photograph of Paul Newman and Michael Sarrazin from the set of the 1970 film. Based on the 1964 novel by Ken Kesey. Attributed to still photographer Frank Shugrue. 8 x 10 inches. Fine.

Rainbow Revision Draft script for the fifth and final episode of the 1978 mini-series, which aired on NBC on May 15, 1978. Laid in are three Shooting Call sheets, two copies of one dated December 16, 1977, and one dated December 20, 1977. Based on the 1971 novel by Arthur Hailey and starring Rock Hudson and Lee Remick, the five part 1978 NBC mini-series, which aired on May 7-9, and 14-15, was an insider's look at the day-to-day operations of National Motors, a large, fictitious US automobile manufacturer, and was nominated for two Primetime Emmy Awards and a Golden Globe award. Set in late 1960s Detroit. Front wrapper integral with title page, dated July 15, 1977, with credits for screenwriter Robert Hamilton and author Arthur Hailey. 110 leaves, with last page of text numbered 106. Mimeograph duplication on pink leaves, rectos only, with blue, yellow, green, pink, and white revision pages throughout, dated variously between 10/7/77 and 10/26/77. Pages Very Good plus, with light foxing and wear to the extremities, bound with two gold brads.

Final Shooting script for the 1967 film. INSCRIBED by actor George Segal on the title page: "To Grayson / All Best Wishes." Based on the 1964 novel by William Goldman. A serial killer with an obsession with his dead mother begins taunting the investigator in charge of his case. Set in New York City, shot on location in Manhattan and the New York harbor. Green untitled studio wrappers with a die-cut window in the British style. Title page present, dated June 13, 1967, noted as Final Shooting script, rubber-stamped copy No. 139, with credits for screenwriter John Gay and director Jack Smight. 146 leaves, with last page of text numbered 143. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.

Final Draft script for the 1970 film. Director Silvio Narizzano's broad, frenetic, and cheeky adaptation of Joe Orton's viscously farcical 1965 play, wherein two gay lovers, Hal and Dennis, successfully rob a bank and stash the loot in Hal's mother's coffin in the funeral parlor next door. A decidedly queer spin on popular 1960s British satires such as Beyond the Fringe and Private Eye. Based on the 1965 play by Joe Orton. Nominated for the Palme d'Or. Shot on location in East Sussex, England. Orange untitled wrappers with die-cut windows in the British fashion. Title page present, noted as Final Draft, with credits for screenwriters Ray Galton and Alan Simpson and playwright Joe Orton. 140 leaves, with last page of text numbered 129. Mimeograph duplication, rectos only, with blue, pink, and yellow revision pages throughout, dated variously between 27.8.69 and 15.9.69. Pages Near Fine, wrapper Very Good plus, bound internally with two flat metal brads.

Collection of nine vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from the changes made, an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine with light toning overall, wrinkling, and a graphite manuscript notation to the verso of one image.

Vintage program for the 1973 film. Based on Edward Albee's 1966 play. Trouble ensues when an upper-middle-class couple's home in suburban Connecticut is flooded with unexpected visitors, including their bitter, unhappy daughter whose fourth marriage has recently failed. The second film in producer Eli Landau's American Film Theatre series. 5.25 x 8.5 inches. Ten pages, saddle stapled. Near Fine.

Vintage reference photograph of Charles Bronson and Don Siegel on the set of the 1977 film. Based on the 1975 novel by Walter Wager. An old-timer KGB clerk heads to the US with a top-secret book detailing the whereabouts of 51 brainwashed sleeper agents, planted years earlier during the Cold War, intending to "activate" the agents, who will destroy the US government and begin a new war between the superpowers. One of director Don Siegel's final films before his retirement in the 1980s. Set in the US and Russia, and shot on location in California, Colorado, Virginia, Montana, and Finland. 8 x 10 inches. A single annotation in manuscript ink underlining Siegel's name on bottom left, else Near Fine.

Vintage borderless promotional photograph of actresses Geraldine Page, Lee Remick and Amanda Plummer for the 1982 pre-Broadway run of the stage play. During the Broadway run, Lee Remick was replaced by actress Elizabeth Ashley. With mimeo snipe affixed to the verso promoting the opening of the show on February 26, 1982 at the Wilbur Theater in Boston and its opening in New York City at the Court Theater on Sunday, March 21, 1982. Mimeo snipe also has identification of photographer Ken Howard. A play consisting of only three characters, one of whom remains on stage for the entire production. A novice nun gives birth and claims virgin conception. A psychiatrist and the mother superior investigate. During the Broadway run, which began on March 30, 1982 at the Music Box Theater, actress Amanda Plummer won the Tony Award for Best Featured Actress in a Play and Geraldine Page was nominated for Best Actress in a Play. 10 x 7.5 inches, Near Fine.

Vintage reference photograph from the 1963 film, showing director Carol Reed in conversation with actress Lee Remick on the set. Based on Shelley Smith's 1961 novel "The Ballad of the Running Man," about a man who fakes his own death in the hopes of gaining a substantial insurance payout, but encounters trouble in the form of the company's nosy claim investigator. Shot on location in Cadiz, Spain, in Gibraltar, and in Ireland. 10 x 8 inches. Near Fine.

Vintage reference photograph from the 1968 film, showing actors Frank Sinatra and Lee Remick. With a mimeo snipe on the verso. Based on the 1966 novel. A brooding New York detective investigates the murder of a gay mana crime that none of his fellow officers will take seriously due to the victim's sexuality. Sinatra's fourth collaboration with director Gordon Douglas, a box office success and one of the first mainstream Hollywood films to explicitly depict and discuss the lives of gay men. Set and shot on location in New York City. 10 x 8 inches. Very Good plus, with light creases to the edges and a light splash to the right edge. Grant US. Twilight Time.

Collection of 28 vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue and thematic content throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from censorship, as well as an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine to Fine condition.

Vintage photograph of Lee Remick, Duke Ellington and Jimmy Woode rehearsing on the set of the 1959 film. The first major Hollywood film to feature a score by an African American composer. The jazz score, composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra, won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker (writing under the pseudonym Robert Traver), based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. 10 x 8 inches. Near Fine, very light creasing. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.

Vintage keybook studio photograph of Lee Remick with Jimmy Stewart and Duke Ellington at the piano from the 1959 film. Based on the 1958 novel by John D. Voelker, under the pseudonym Robert Traver, which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards, including Best Picture, Best Adapted Screenplay, Best Actor for Jimmy Stewart, and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. Set in and shot on location in Michigan. 10 x 8 inches. Very Good plus, with some light edgewear. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.

Vintage photograph of Lee Remick and Duke Ellington on the set of the 1959 film. From the archive of film historian and author Joel Finler. The first major Hollywood film to feature a score by an African American composer. The jazz score, composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra, won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker (writing under the pseudonym Robert Traver), based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. 10 x 8 inches. Near Fine, lightly faded, with a hint of creasing at the corners. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.

Two vintage reference photographs taken on the set of the 1971 film, including one borderless and one bordered. Bordered photograph with a mimeo snipe on the verso. Based on Ken Kesey's 1964 novel, about a family of independent loggers who refuse to support a local logging union's strike against a lumber conglomerate. Nominated for two Academy Awards, including Best Supporting Actor for Richard Jaeckel. Set in the fictional town of Wakonda, Oregon, and shot on location throughout western Oregon, in Lincoln County and the Oregon Coast. One photograph 8 x 10 inches, the other 9.5 x 7.5 inches. Near Fine.