leachman james (23 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. 2009. paperback. . . . . . Books ship from the US and Ireland.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Print on Demand (Paperback). Zustand: Used-Very Good. Pap. Minor shelf-wear.

paperback. Zustand: Very Good. No Jacket. paperback, pictorial card covers, a very good tightly bound copy with a clean and unmarked text, 268pp.

paperback. Zustand: Near Fine. No Jacket. paperback, pictorial card covers, a near fine tightly bound copy with a clean and unmarked text, 268pp.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 128 pages. 8.75x5.25x0.75 inches. In Stock.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Brand New. 1st edition. 288 pages. 9.20x6.00x0.80 inches. In Stock.

Paperback. Zustand: Brand New. 320 pages. 9.06x6.06x0.63 inches. In Stock.

Zustand: New. In.

Paperback. Zustand: Brand New. 272 pages. 9.50x6.50x1.18 inches. In Stock.

Zustand: New. Klappentextrnrn This collection of essays makes a significant contribution to the field of liturgical studies. Many are original in the best sense that theological work can be: grounded in the authentic tradition, perceptive, imaginative, and ca.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - 'This collection of essays makes a significant contribution to the field of liturgical studies. Many are original in the best sense that theological work can be: grounded in the authentic tradition, perceptive, imaginative, and capable of giving readers new insights into, and a fresh appreciation of, timeless truths. Taken together they will attract readers from a variety of disciplines, in the first place because worship is an essential aspect of every Christian life, and in the second because the essays are written from, or informed by, the perspectives of a range of related disciplines: doctrinal and spiritual theology, history, philosophy, and liturgical studies.' --Lauren Pristas, Caldwell College 'The essays in this book grapple with the basic question: 'Who celebrates the liturgy ' By delving into the complex interrelationship between the divine initiative (liturgy as opus Trinitatis) and the human response (liturgy as opus hominis), between the action of Christ and the Church and the participation of the individual Christian, the authors--coming from a wide range of theological disciplines--make a stimulating contribution to contemporary liturgical theology.' --Cassian Folsom, O.S.B., Pontifico Instituto Liturgico, Rome The Liturgical Subject brings together in one volume a wide and sometimes divergent range of understandings of the liturgy. Written primarily by Roman Catholics, with one important ecumenical contribution, the publication of these essays at this moment is particularly apt. They reflect the widespread reassessment of various aspects of especially the post-Conciliar period of liturgical reform. At the same time the collection indicates how liturgical study is called to account by, and is itself able to question, the philosophical aspects of its work. This is an area of enquiry as yet in its infancy, whose contours are nevertheless already discernible in the papers gathered here. This volume is a landmark for research of this kind, pointing toward further ecumenical dialogue and contributing to more fundamental studies of liturgy.

Post-production script for the season 7, episode 13, "Look at Us, We're Walking," of the classic television series, which aired on December 25, 1976, printed on yellow pages. One of the most cherished and acclaimed television series of the 20th century, recipient of 29 Primetime Emmy Awards, it aired on CBS for seven seasons, from 1970 to 1977. Created by James L. Brooks and Allan Burns, and starring Mary Tyler Moore as Mary Richards, the quintessential unmarried career woman working at the fictional WJM news station in Minneapolis. The show, which championed second-wave feminism and featured realistic and complex characters and storylines, is widely considered one of the best written television series of all time, and featured an outstanding cast, including Edward Asner, Gavin MacLeod, Ted Knight, Valerie Harper, Cloris Leachman, Georgia Engel, and Betty White. Mary and Lou ask the new station owner Mel Price (David Ogden Stiers) for a raise, threatening to quit otherwise. Yellow self wrappers, integral with title page, with "Revised" dated July 14, 1976, with credits for screenwriter Bob Ellison. 49 leaves, with last page of text numbered 47. Xerographic duplication, rectos only. Pages Very Good plus with title page separated, bound with two gold brads.

Post-production script for Season 6 Episode 20, "Murray Takes a Stand," of the classic television series, which aired on January 31, 1976, printed on goldenrod pages. The new station owner's policies infuriate Murray, and when Murray makes an irate late night call to the owner, Lou is instructed to fire him and the news team needs to band together to get Murray's job back. One of the most cherished and acclaimed television series of the 20th century, recipient of 29 Primetime Emmy Awards, it aired on CBS for seven seasons, from 1970 to 1977. Goldenrod self wrappers, integral with title page, with "Revised" dated December 17, 1975, with credits for screenwriter David Lloyd. 52 leaves, with last page of text numbered 50. Xerographic duplication, rectos only. Pages Very Good plus with title page separated and creasing, bound with two gold brads.

Post-production script for the season 6, episode 1, "Edie Gets Married," of the classic television series, which aired on September 13, 1975, printed on yellow pages. Lou is taken aback when his ex-wife Edie (Priscilla Morrill) announces she is getting married. One of the most cherished and acclaimed television series of the 20th century, recipient of 29 Primetime Emmy Awards, it aired on CBS for seven seasons, from 1970 to 1977. Yellow self wrappers, integral with title page, with "Revised" dated July 23, 1975, with credits for screenwriter Bob Ellison. 48 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads.

Hard Back. First Edition. Liturgiam Aestimare Appreciating The Liturgy First Edition Hard Back Dust jacket in a good clean condition despite a little surface wear and minor edge wear Not price clipped Original black cloth boards in excellent condition with bright gilt titles to the spine Pages appear unread with all edges of the text block and interior clean and bright pp xx 228 14 Overall a very good copy The opening prayers of the Roman Missal gather and summarize all the prayers of the faithful But what of their history their form their vocabulary their rolenbsp. book.

dvd. Zustand: Gut. Seiten; ehem. BÃchereiexemplar, HÃlle und CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB2-7030 Sprache: Deutsch Gewicht in Gramm: 500.

Revised Draft script for Season 5 Episode 18 of the 1962-1971 Western television series. Copy belonging to actress Coleen Gray, with her name and character name ("Mrs. Marsh") in manuscript ink on the title page, and her annotations denoting dialogue throughout. Television's first 90-minute Western series, and one of the longest running Western shows in history, having aired for a total of 249 episodes. Based on the 1902 novel by Owen Wister, the series revolved around the foreman of the Shiloh Ranch, a tough man known only as "The Virginian." In this installment, The Virginian searches a nearby town for the real killer after Stacey Grainger is falsely accused of murder. The episode originally aired on January 25, 1967, on NBC. Actress Coleen Gray was born Doris Jensen in Staplehurst, Nebraska. After graduating from Hamline University, she moved to California, where she would sign with Twentieth Century-Fox in 1944. She appeared in multiple prominent films with the studio, including the 1947 films noir "Kiss of Death" and "Nightmare Alley," and the 1948 Howard Hawks Western "Red River." Gray worked steadily in Hollywood throughout the 1950s, most notably appearing opposite Sterling Hayden in Stanley Kubrick's 1956 classic "The Killing," but by the 1960s had largely moved her career to television. Set in Medicine Bow, Wyoming. Self wrappers. Title page present, dated 11/18/66, noted as Rev., with credits for screenwriters Judy and Robert Guy Barrows, Chester Krumholz, and Joel Rogosin. 86 leaves, with last page of text numbered 71. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, partially bound with a single staple at the top left corner.

Two vintage borderless photographs from the 1974 film, one glossy and one matte-finish. One showing director Peter Bogdanovich in conversation with actresses Cloris Leachman and Eileen Brennan on the set, the other showing Bogdanovich with actress Cybill Shepherd and an unknown woman, likely during a promotional event for the film. Based on the 1878 novella by Henry James. An intense study in the rules of class boundaries, crossed with American-British dichotomies. Bogdanovich's faithful adaptation of James' story concerns the courtship of a beautiful but flirtatious American girl Daisy Miller (Shepherd) by a sophisticated, upper-class British compatriot named Winterbourne (Brown). Miller's refusal to observe class boundaries in her flirtations leads Winterbourne to respond negatively to her-with dire consequences. One 10.5 x 8.25 inches, one 10 x 8 inches. Near Fine.