lawrence dighton (7 Ergebnisse)

Hardcover. Zustand: Good. 1st Edition. First limited edition hardback (1010/1050), 1910, with no jacket. In overall good used condition with minor signs of age, handling and storage - boards a touch rubbed to edges. Binding shaken with some pages becoming loose, no pages missing. Internally clean, no annotation or inscriptions; slight toning to rough-cut page-ends (upper edge gilt) but text and illustrations (81 plates on laid paper) bright and clear throughout. Retains the original blue satin page-marker. This book is both large (l:330mm; w:270mm; d:50mm; 110 pages) and heavy (over 3 kg packaged) and additional postage will be required if shipped outside the UK. Photographs available. Not an old library book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 27.5 cm x 33 cm Limited to 1050 copies this being number 118.xxv - 111pp top edge gilt pages uncut, frontis and 81 full page plates.Age browning to the end papers and to the 1/2 title, the contents clean and tight with no marks or inscriptions. Bound in the publishers violet watered silk binding with gilt title within ornate gilt borders. The binding in fine condition with no chips splits or marks, in th plain paper DJ some closed tears and chipping. Retained in the publishers white card drop over box with paper title label. Rubbing corners and edges.

Leather. Zustand: Near Fine. Various (illustrator). A Bayntun-Riviere limited edition volume on line engravings produced in France during the eighteenth century, complete with plates. A limited edition of 151 copies, of which this is numbered 106.Bound by Bayntun-Riviere.An impressive illustrated volume showing fine French line engravings, all dating from the late eighteenth century. This period saw the reign of Louis XVI and Marie Antoinette as the King and Queen of France, and the French Revolution, the turbulent historical times portrayed through these engravings.With a frontispiece, and eighty-nine plates.Compiled by H. W. Lawrence and B. L. Dighton.Collated, complete. In a half crushed morocco binding with cloth to the boards, bound by Bayntun-Riviere. Externally, smart. Spine is faded. Discolouration to the joints. A small very light marks to the boards. Internally, firmly bound. Pages are bright and clean. Near Fine. book.

Leather bound. Zustand: Good +. Fifth edition of Capt. Lawrence Furlong's The American Coast Pilot, belonging to Capt. Ebenezer Andrews of Dighton, Massachusetts. (illustrator). Fifth Edition. Octavo, xii, [2], [15]-408pp. Full leather, title "Blunt's Coasting Pilot" stamped on spine with gilt worn away. Leather covers rubbed and scuffed, worn along edges and corners. Front free endpaper and pastedown missing with hinge cracked, binding stable. Stated "October, 1806" at bottom of title page. Foxing to text pages, with occasional mild dampstaining. Front flyleaves are loose with fore edges tattered. Twelve maps (three folded), very good condition with some mild browning and a few dampstains, lacking map of Charleston Harbour. Handwritten notations on front and rear flyleaves and page 203. Contemporary owner's name in ink on front flyleaf: "Ebenezer Andrews / Dighton." A nice example of this early American navigational guide. Full title: The American Coast Pilot: Containing the Courses and Distances Between the Principal Harbours, Capes and Headlands, from Passamaquoddy, through the Gulph of Florida; With Directions for sailing into the same, describing the Soundings, Bearings of the Light-houses and Beacons from the Rocks, Shoals, Ledges, &c. Together with the Courses and Distances from Cape Cod and Cape Ann to Georges' Bank, through the South and East Channels, and the setting of the Currents, With the Latitudes and Longitudes of the Principal Harbours on the Coast. Together with a Tide Table. Ebenezer Andrews was a sea captain who was born in Dighton, Massachusetts in 1785, later moving to Fall River in the 1820s. Capt. Andrews sailed the world, traveling to ports in South America, Europe and Asia. He was associated with a number of vessels during his career, either as master or part owner. Among the ships he commanded were the Hope, John Brown and Superior. In 1837, Capt. Andrews moved to Providence, Rhode Island, eventually becoming a merchant in the hay, grain and salt business. Retiring in 1848, Capt. Andrews returned to Dighton, where he died in 1858. He is buried in the Unitarian Church Cemetery.

Sheets of contents very fine, but entirely loose, in publisher's full cloth. London, Lawrence and Jellicoe Ltd., 1910. 4to. 32 x 25,5 cms. Text + 81 beautiful full-page plates. Limited to 1050 copies of which this is no 858.

Zustand: Good. One of 1050 numbered copies. Endpapers time stained. Pages loose. 81 gravure plates with platemarks on watermarked laid paper. Small folio. Sheet sizes: 32 x 25 cm.

Soft Cover. Zustand: Good. London. Lawrence and Jellicoe, Ltd. 1910. De 32x25 cm. Com xxv, 112 págs. e 164 fólios extratexto impressos os primeiros dois no verso e os restantes 162 só pela frente. Encadernação do editor inteira em pele verde, um pouco cansada e evidenciando sinais de manuseamento, com nervos nas lombadas e ferros a ouro, rolados em esquadrias nas pastas, o titulo gravado a ouro e os nomes dos autores na pasta anterior. Na lombada ferros rolados em esquadrias nas casas e título, autores e data gravados a ouro. Corte de folhas dourado. Profusamente ilustrado com uma gravura antes do frontispício (Les Adieux desenhado por Moreau e gravado por Robert de Launay) não constante da lista de gravuras após o frontispício. Esta primeira gravura é um conjunto de dois fólios, o primeiro com a gravura e o segundo com título e autor ambas impressas no verso. Os restantes fólios são em conjuntos de dois, o primeiro com título e autor impresso e o segundo com a gravura, com as 81 gravuras constantes da já mencionada lista. Edição limitada a 151 exemplares dos quais 150 para venda sendo este o exemplar nº 143. Exemplar com ex-libris no interior da pasta anterior. Leves marcas de acidez própria da qualidade do papel. Colecção de gravuras francesas, todas da segunda metade do século XVIII e que são uma amostra do que de melhor se fazia nesta área naquela época, período que viu o reinado de Luis XVI e Maria Antonieta como rei e rainha de França e também a Revolução Francesa. Esta compilação de trabalhos levou cerca de três anos a fazer, tempo esse que os autores necessitaram para percorrer as melhores colecções de que tinham conhecimento, trabalho que, segundo os próprios, teria sido impossível sem a prestimosa colaboração dos donos dessas colecções, bem como dos directores e assistentes de vários museus por essa Europa fora. Pode-se consultar os respectivos nomes na nota preliminar que antecede a obra. H.W. Lawrence faz notar que a amostra salienta que a maior parte desse trabalho é atribuído a meia dúzia de autores (Lavreince, Baudoin, Moreau le Jeune, Augustin de St. Aubin, Fragonard e Freudeberg), gravados por 9 artistas (Nicolas de Launay, Robert de Launay, Choffard, Ponce, Simonet, Martini, Helmam, Dequevauviller e Augustin de St. Aubin). 32x25 cm. xxv, 112 pp. and 164 folios hors-text, the first two printed on the verso and the remainder 162 just in the front. Binding: Editor?s full green calf, slightly worn and with signs of handling, with raised bands and gilt tools on spine. Title, date, and names of the authors in gold on front board framed by gilt fillet. Profusely illustrated with an engraving before the frontispiece (Les Adieux drawn by Moreau and engraved by Robert de Launay) not on the list of engravings after the frontispiece. This first engraving is a set of two folios, the first with the engraving and the second with the title and author both printed on the back. The remaining folios are in sets of two, the first with title and author printed and the second with the engraving, with the 81 prints in the already mentioned list. Edition limited to 151 copies of which 150 are for sale, this copy being no. 143. Copy with ex-libris inside the previous folder. Light acidity marks due to the quality of the paper. A collection of French prints, all from the second half of the 18th century and which are a sample of the best that was done in this area at that time, a period that covers the reign of Louis XVI and Marie Antoinette as king and queen of France, and also the French Revolution. This compilation of works took about three years, time that the authors needed to go through the best collections they were aware of, a work which, according to them, would have been impossible without the helpful collaboration of the owners of these collections as well as the directors and assistants of various museums throughout Europe. Their names can be found in the preliminary note preceding the work. H.W. Lawrence points out that this sample highlights that m.