lawrence david davis (29 Ergebnisse)

Softcover. Zustand: Bon. Traces de pliures sur la couverture. Pages cornées. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Traces of creases on the cover. Dog-eared pages. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780442001735.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.75.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.28.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.36.

KARTONIERT, 385 Seiten, dies ist ein regulär ausgesondertes Bibliotheksexemplar aus einer wissenschaftlichen Bibliothek, keine Markierungen/Anmerkungen, das Buch ist in einem guten Zustand --- HARDCOVER, 385 pages, Lib.Ex., no marks, the book is in a good condition. Shipping to abroad insured with tracking number.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0442001738.

Zustand: New. pp. 293.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

156 pp.; 27.5 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. Gast; "What Becomes a Legend Most," by Carol Zemel; "Showcase in Arcadia," by Ken Johnson; "An Interview with Thomas Krens;" "Critics and the Marketplace: 10 Statements;" "Beuys and Warhol: Aftershocks," by David Galloway; "Cash Art; "Woman's Place," by Anne Higonnet; "The Sculpture of Camille Claudel," by Brooks Adams; "Issues & Commentary," by Douglas Davis; "On Art and Economic Reasoning," by J.M. Montias; "Artists vs. the Market," by Eleanor Heartney; "Review of Books," by Yve-Alain Bois and Peter Plagens; "Profit and Loss," by Walter Robinson; "Cinema," by Carrie Rickey; "Fashion," by Amy Fine Collins; "The Bottom Line," by Iain Pears; "Exhibition Reviews" and "Artworld." Cover: Joseph Beuys. Good / Very Good. Red soiling to bottom right corner of recto through to pages and back cover and ranging in size from 4 mm. to 1.5 cm. 2.1 cm. dog-ear to bottom right corners of page 43-50. Light rubbing and bumping of cover edges and yellowing of covers. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: New. In.

Zustand: New. Editor(s): Davis, Lawrence David; Jong, Kenneth A. de; Vose, Michael; Whitley, L. Darrell. Series: The IMA Volumes in Mathematics and its Applications. Num Pages: 303 pages, 34 black & white tables, biography. BIC Classification: UMB; UYQ. Category: (P) Professional & Vocational. Dimension: 235 x 155 x 17. Weight in Grams: 486. . 2012. Softcover reprint of the original 1st ed. 1999. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. The IMA Workshop on Evolutionary Algorithms brought together many of the top researchers in the area of Evolutionary Computation for a week of intensive interaction. The field of Evolutionary Computation has developed significantly over the past 30 years an.

Hardcover. First Edition. Red boards stamped in black on cover and spine. Small stains to back cover, light wear to edges, small ding to top edge. About very good. In Hubin, 1994, p. 719.; Octavo.

Hardcover. Zustand: Brand New. 293 pages. 9.50x6.50x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - The IMA Workshop on Evolutionary Algorithms brought together many of the top researchers in the area of Evolutionary Computation for a week of intensive interaction. The field of Evolutionary Computation has developed significantly over the past 30 years and today consists of a variety of subfields such as genetic algorithms, evolution strategies, evolutionary programming, and genetic programming, each with its own algorithmic perspectives and goals. The workshop did a great deal to clarify the current state of the theory of Evolutionary Algorithms. The existing theory might be characterized as deriving from two principal approaches. There is a high level macro-theory that looks at the processing of 'building blocks' and 'schemata' that are shared by many good solutions when searching a problem space. There is also a low level micro-theory that builds exact Markov models of the search process. It is sometimes hard for researchers working at such different levels of abstraction to interact. The IMA workshop allowed researchers working at these different levels to present their points of view and to move toward common ground. There was real progress in communication between theorists and practitioners in the evolutionary computation field. Speakers presented applications across a wide range of problem areas. In some of those cases, theoretically motivated methods work quite well. In other cases, practitioners used domain-based methods to obtain better performance than could be achieved by using a 'pure' evolutionary algorithm. Individuals on both sides went away with a better appreciation of the successes and failures of current theory. TOC:Foreword.- Preface.- Genetic algorithms as multi-coordinators in large-scale optimization.- Telecommunication network optimization with genetic algorithms: A decade of practice.- Using evolutionary algorithms to search for control parameters in a nonlinear partial differential equation.- Applying genetic algorithms to real-world problems. An overview of evolutionary programming.- A hierarchical genetic algorithm for system identification and curve fitting with a supercomputer implementation.- Experiences with the PGAPack parallel genetic algorithm library.- The significance of the evaluation function in evolutionary algorithms.- Genetic algorithm optimization of atomic clusters.- Search, binary representations and counting optima.- An investigation of GA performance results for different cardinality alphabets.- Genetic algorithms and the design of experiments.- Efficient parameter optimization based on combination of direct global and local search methods.- What are genetic algorithms A mathematical perspective.- Survey of projects involving evolutionary algorithms sponsored by the Electric Power Research Institute.

Buch. Zustand: Neu. Neuware -This book is loaded with examples in which computer scientists and engineers have used evolutionary computation - programs that mimic natural evolution - to solve many real-world problems. They aren¿t abstract, mathematically intensive papers, but accounts of solving important problems, including tips from the authors on how to avoid common pitfalls, maximize the effectiveness and efficiency of the search process, and many other practical suggestions.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 340 pp. Englisch.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is loaded with examples in which computer scientists and engineers have used evolutionary computation-programs that mimic natural evolution-to solve real problems. They aren't abstract, mathematically intensive papers, but accounts of solving important problems, including tips from the authors on how to avoid common pitfalls, maximize the effectiveness and efficiency of the search process, and many other practical suggestions. Some of the authors have already won 'Humies'-Human Competitive Results Awards-for the work described in this book. I highly recommend it as a highly concentrated source of good problem-solving approaches that are applicable to many real-world problems.--Erik Goodman, Vice President, Red Cedar Technology, Inc.; Professor, Electrical & Computer Engineering, Michigan State University; and Founding Chair, ACM SIGEVO, the Special Interest Group on Genetic and Evolutionary Computation ofthe Association for Computing Machinery.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is loaded with examples in which computer scientists and engineers have used evolutionary computation-programs that mimic natural evolution-to solve real problems. They aren't abstract, mathematically intensive papers, but accounts of solving important problems, including tips from the authors on how to avoid common pitfalls, maximize the effectiveness and efficiency of the search process, and many other practical suggestions. Some of the authors have already won 'Humies'-Human Competitive Results Awards-for the work described in this book. I highly recommend it as a highly concentrated source of good problem-solving approaches that are applicable to many real-world problems.--Erik Goodman, Vice President, Red Cedar Technology, Inc.; Professor, Electrical & Computer Engineering, Michigan State University; and Founding Chair, ACM SIGEVO, the Special Interest Group on Genetic and Evolutionary Computation ofthe Association for Computing Machinery.

Zustand: New. A title that is loaded with examples in which computer scientists and engineers have used evolutionary computation - programs that mimic natural evolution - to solve many real-world problems. They aren't abstract, mathematically intensive papers, but accounts of solving important problems, including tips on how to avoid common pitfalls. Editor(s): Yu, Tina; Davis, Lawrence; Baydar, Cem; Roy, Rajkumar. Series: Studies in Computational Intelligence. Num Pages: 322 pages, 29 black & white tables, biography. BIC Classification: UYQ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 17. Weight in Grams: 672. . 2008. Hardback. . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. [2], 141 pp; 26 cm. ; yellow stiff paper wrappers; "Writers of the Lost Art" was originally the name of the Strategic Planning Committee of Oak Grove Elementary School [Decatur, Georgia]. In this age of visual and electronic information, the goal of this committee was to encourage creative writing among stufents at an early age so that writing would not become a 'lost art'. This annual publication resulted from their inspiration." Poets and writers: Sarah Starratt, CLint Walton, David Woodworth, Kyle Smithers, Julia Skidmore, Alexandra Pavlostathis, Chris Scott, Owen Middour, Laurel Lloyd, Patrick Kennedy, Josh Lee, frances Lawrence, Dan Kasriel, Allison Jordan, Brad Heinrich, Anne Callaway, Corey davis, Kenneth Harrison, greg Cowan, Rebecca Boyan, Leah Benzur, Zach Goodman, Nell Aydlotte, Samantha Sale, Cedric graves, Matthew mcKee, Laura Carmody, Margaret Gipson, Amanda Relaford, Sarah Houghton, Nikole Brown, Sarah Hofstadter, Josh Grabel, Laura Scherer, Betsy Crow, Alegra Walker, Laura Hindman, Karl Widenmann, Michael Frisbie, Toya Key, Mario Holmes, Margaret Jarocki, erica Kirkland, Kristin Dillingham, David Diaz, Preston Owens, Melissa Aitsman, Lauren Howell, Jonathan Weatherford, Anh Huynh, Chiquita Mills, Amyr Joyner, Capers Ogletree, Ben Peterson, David Rich, Sam Slover, Jordan Baily-Hoover, Kate Schoeke, Allison McDaniel, Ann Elise Cutrer, Daniel Bell, Joshua Powell, Stephanie Scherer, Ann Downer, Gida Hammami, William Falnders, Tim Hornsby, Paula Carlisle, Amanda Lewis, Chase Watson, Jill Paschal, Carolyn Ballard, Allison Ray, Kiet Nguyen, Daniel J. Schorr, Asher Allen, Andrew Swerlick, Alex Kaminshine, Nahu Alula, Ali Sullivan, Arielle Berlin, Leslie Springs, Chris Reed, Elicia Skelton, Al Simpson, Keith Raynor, Anthony Neppo, Michael Murry-Hobbs, Monesh Mulchandani, Tarek Mokhtar, Elizabeth Moore, Rachel Malina, Jonathan Lovegren, Cession Lawrence, Whitney Iuvone, Ashley Etheridge, Darien Clark, Tucker Dean, Chris Bruce, Henry Bush, David Barton, Cecilia Ballou, Mary Beth Bidgood, Nathan Black, Emma Abernathy, Hannah Goldberg, Katie Battle, Steven Newrocki, Zac Coleman, Candice Johnson, Mary Margaret Pearce, Abdullah Al-Najjar, Karlee Bauman, Brittany Ranew, Rebecca Caudill, Tiffany Rowe, Ryan Moore, David Thread, Philip Wages, Martin Ahrens, Matthedw Tankersley, Samantha McWilliams, David Murphy, Susan Downer, Elizabeth Keck, Hilary Lamb, Justin Gilstrap, Jarrod Hollingsworth, Jeffrey Katz, Eugene Simonds, David Chapman, Andrew Carrayway, Edward Kallal, Nyssa Turnbow, Andrew Vargas, Courtney Sutton, Ashley Wilson, Seth Martin, Jonathan Mckee, Quartez Key, Shaina Koval, Karin Lessinger, Grant Possehl, Caila Nyberg, Davis Waller, Vanessa Garver, Gregg Nicholson, Ashley Waldrop, Avery Sears, Laura Rosenthal, Jamaal Verdree, Ayesha Patel, George Scott Reynolds, Princess Carr, Nathaniel Goldbery, Sean Grapevine, Sam Crochet, Brandon Echols, Sellers Cook, Carmen Brown, Samantha Bier, Lauren Axel, Zan Aydlotte, Bryan D. Hearn, Steven C. Saunders, CaseySchelhorn, Teddi Thomas, Ansley Stallworth, Brooke Goodman, Ashley Smith, Michael Manus, Heather Bullard, Leah Fox; repair to spine; remains of label on back cover, and small mark, else VG. Book.

[8] pp. (folded); 20.3 x 22.8 cm. (folded); black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Folded exhibition booklet published in conjunction with show held October 8 - November 27, 1983. Organized by Lynn Gumpert, Ned Rifkin, and Marcia Tucker. Includes text by Marcia Tucker. Artists include Vito Acconci, John Baldessari, Douglas Davis, Eleanor Dube, Lauren Ewing, John Fekner, Howard Finster, Vernon Fisher, Alfred Jensen, Brad Melamed, Claire Moore, Adrian Piper, Earl Ripling, Allen Ruppersberg, Ed Ruscha, Irvin Tepper, Anne Turyn, Lawrence Weiner, William T. Wiley, Nicholas Africano, John Ahearn, Rigoberto Torres, Terry Allen, Joan Brown, Claudia Fitch, James Hill, Joseph Hilton, Luis Jimenez, Barry LeVa, Linda Montano, Ree Morton, Howardena Pindell, Mike Roddy, David Saunders, Pat Steir, Terry Sullivan, Jamie Summers, William Wegman, Grace Williams, Mr. Apology, Dara Birnbaum, Bruce Charlesworth, Robert Cumming, Jamie Davidovich, Keith Haring, Donald Lipski, Steve Miller, Richard Prince, Erika Rothenberg, Al Souza, Mark Tansey, Nancy Arlen, Lynda Benglis, Tom Butter, Ed Flood, Ron Gorchov, Al Held, Bill Jensen, Steve Keister, Brice Marden, Elizabeth Murray, David Reed, Dorothea Rockburne, Joel Shapiro, and Gary Stephan. Good. Rubbing of covers and edgewear. Sticker and sticker residue on recto cover.

Unbound. Zustand: Very Good. Periodical, newspaper format. Folio wrappers. 12pp. Folded in half (as issued), light wear, very good being American poet Joel Oppenheimer's copy with his "Westbeth" address label affixed to the front wrapper.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.