lavin robert (21 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:0510335144.

Paperback. Zustand: Brand New. 219 pages. 8.25x5.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 219 pages. 8.25x5.50x0.75 inches. In Stock.

Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. Tanning/scratches/creases/scuffs to cover. Creases/wear to spine. Scratches/marks to textblock edges. Pages tanned. Some pages loosening. Text very good.

Paperback. Zustand: Brand New. 337 pages. 8.50x5.60x1.10 inches. In Stock.

Hardcover. Zustand: Brand New. 01 edition. 191 pages. 11.50x9.50x0.75 inches. In Stock.

Tape Draft script for Season 7, Episode 8, of the 1976-1985 CBS television series, which aired on January 16, 1983. Based on the 1974 film "Alice Doesn't Live Here Anymore," about a widow who moves across the country to start over in a new town, accompanied by her young son. In this installment, Jolene is not happy about her brother Jonas visiting. Nominated for eight Primetime Emmy Awards. Set in Phoenix. Pink titled wrappers, noted as TAPE DRAFT on the front wrapper, dated 9/18/82. Title page present, dated 9/18/82, noted as TAPE DRAFT, with credits for screenwriters David Silverman and Stephen Sustarsic. 54 leaves, with last page of text numbered 43. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Claes Oldenburg, Paul Kaiser, and Robert Whitman on Robert Breer," by Claes Oldenburg, Paul Kaiser, and Robert Whitman; "Books: Malcolm Bull on Jacques Derrida's 'The Beast & The Sovereign,'" by Malcolm Bull; "Film: James Quandt on Steve McQueen's 'Shame,'" by James Quandt; "Film: Amy Taubin on Nuri Bilge Ceylan's 'Once Upon a Time in Anatolia,'" by Amy Taubin; "Film: Tony Pipolo on Jean-Marie Straub," by Tony Pipolo; "Vault: Martin Kemp on Leonardo da Vinci's 'The Virgin of the Rocks,'" by Martin Kemp; "Slant: Nasser Rabbat on the New Islamic Art Galleries at the Metropolitan Museum of Art," by Nasser Rabbat; "Slant: Saskia Sassen and Hans Haacke on the Spaces of Occupation," by Saskia Sassen and Hans Haacke; "Slant: Annie Ochmanek on Christopher D'Arcangelo," by Annie Ochmanek; "Top Ten," by Uri Aran; "Winter 2012 Exhibitions: 45 Shows Worldwide"; "Julia Robinson on 'Claes Oldenburg: The Sixties,'" by Julia Robinson; "Dark Matter: The Art of Liu Wei," by Pauline J. Yao; "Just What Was It.?: The Art of Richard Hamilton,'" by Hal Foster; "Surface Activation: The Amir Building at The Tel Aviv Museum of Art," by Sylvia Lavin; "Close-Up: Movement Research: Michael Ned Holte on Sharon Lockhart's 'Five Dances and Nine Wall Carpets' by Noa Eshkol," by Michael Ned Holte; "Fluid Dynamics: The Art of Adriana Varejão," by Carol Armstrong; "Openings: Christodoulos Panayiotou," by Aram Moshayedi. Reviews by Hal Foster, Sylvia Lavin, Michael Ned Holte, Sharon Lockhart, Carol Armstrong, Aram Moshayedi, Francesco Bonami, Elizabeth Schambelan, Daniel Marcus, Robert Pincus-Witten, Johanna Burton, David Frankel, Donald Kuspit, Suzanne Hudson, Frances Richard, Lauren O'Neill-Butler, Richard Deming, Eva Díaz, Ara H. Merjian, Emily Hall, Barry Schwabsky, Brian Sholis, Colin Lang, Michelle Grabner, John McKinnon, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Travis Diehl, Anna Lovatt, T.J. Demos, Michael Archer, Steven Cairns, Paul Galvez, Claire Moulène, Jens Asthoff, John Beeson, Jurriaan Benschop, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Brigitte Huck, Kaelen Wilson-Goldie, Javier Hontoria, Pablo Llorca, Cathryn Drake, Midori Matsui, Angie Baecker, Lee Ambrozy, and María Gainza. Cover: Claes Oldenburg.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.